Just suppose the opportunity arises to feature your local bagpipe player...just suppose! What songs could you possibly use? Here's your answer: four tunes every bagpiper knows and they dont necessarily have to read because theyve memorized the tunes! It's a sure-fire hit and will be talked about for ages in your community!
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List: 95.00
Teaching syncopations, 16th note rhythms, 4-note slurs and reinforcing L1 and L4 fingering patterns will never be easier with this great arrangement of Ozzy's signature rock ballad. A must have for your next concert program. Drum Set part.
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List: 60.00
Don't miss the opportunity to bring one of the most iconic rock songs of all time to your next concert program! The students and especially the parents will love it! Drum Set part.
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List: 60.00
In 1848 Robert Shumann composed a collection of 43 short works for his three daughters titled Album for the Young. This arrangement features no. 4 and 41, perecetly scored for beginning level string musicians. Exellent for reinforcing dynamics and teaching classical repertoire.
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List: 50.00
In 1848 Robert Shumann composed a collection of 43 short works for his three daughters titled Album for the Young. This arrangement features no. 4 and 41, perecetly scored for beginning level string musicians. Exellent for reinforcing dynamics and teaching classical repertoire.
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List: 7.50
Giuseppe Tartini was a violin virtuoso, pedagogue, composer, music theoretician, and the discoverer of sum and difference tones in the field of sound physics. He created the first great method for violin playing, The Art of Bowing. Of the approximately 250 compositions of Tartini, the most famous and perhaps the best is the Devil's Trill Sonata. The year of this composition is unknown. Despite most of Tartini's work being published during his lifetime, the Devil's Trill was not printed until 1799, 29 years after the composers death. The title is based on the story that the devil appeared in Tartini's dream, performing this Sonata. Upon awakening, Tartini immediately wrote down the composition according to the lore. This world premiere violin performance edition includes concise fingerings and bowings by Heifetz protégé Endre Granat.
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List: 19.99
A beautiful and emotional lyrical work set in 3/4 time that uses colorful harmonies and well scored dissonace. Solo opportunities for Trumpet and Alto Sax. Also includes an optional piano part.
This hybrid edition contains a printed score and access to digital parts.
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List: 65.00
Portsmouth Point is an overture for orchestra by English composer William Walton, composed in 1925. The overture was inspired by a print by Thomas Rowlandson which depicts the colorful life of 18th century sailors at Portsmouth Point. In the work, Waltons style has been notably influenced by Stravinsky, jazz rhythms, as well as the rhythm of the Catalan sardana dance. This transcription for symphonic band was written by Donald Patterson for the “President's Own” U.S. Marine Corps Band.
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List: 125.00
A rose by any other name is still a rose. This work enjoyed at least three different titles after its creation at the beginning of the 20th century. But whatever it was called, it is a delightful example of the cakewalk (dont take it too fast!) and should be played often.
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List: 35.00
Clash of the Smart Phones is a wild ride on the cellular network! The piece opens with a violin and cello dialogue when the imaginary cell phones start to ring. The call is answered with frantic staccato violins at a breakneck tempo. The melody and accompaniment engage in high energy communication. Who knows if the upper or lower strings will drop the signal first! The middle section morphs into a more plaintive tune with a slurred violin and cello conversation. The finale is rapid-fire with violins and cellos both talking at the same time. The piece and the call end with both sides hanging up on a concerted sixteenth note figure. Clash of The Smart Phones is a study in rhythm and dynamics in the key of E minor.
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List: 5.00
