The magical ballad from Walt Disney's Pocahontas in a memorable choral arrangement, patterned after Vanessa Williams' pop hit recording!
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List: 2.50
Gentle, heartfelt, and timeless, It's You I Like brings Fred Rogers' beloved message of kindness and self-acceptance to the choral stage in a warm, accessible arrangement. This piece reminds singers and audiences alike that who we are matters more than what we do. A meaningful way to build empathy, community, and connection amongst musicians.
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List: 2.50
From Wicked: For Good, this “exclusive-to-the-film” song frames the turning point in Glinda's story. This poignant moment of self-reflection translates wondefully in this arrangement for treble voices.
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List: 2.50
This Motown classic is the perfect choice for show choirs, pop choirs _ any kind of choir! All will love the boost of rhythmic energy this tune will bring to a holiday concert!
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List: 2.50
German title is “Mein Heiland, Herr und Meister,” The Agnus Dei from Schubert's Deutsche Messe (German Mass). Choral score is available separately.
Instrumentation: SATB Chorus and Organ accomp. (or 0.2.2.2: 2.0.3.0)
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List: 1.99
From Wicked: For Good, this “exclusive-to-the-film” song portrays Elphaba's longing for acceptance. Available for mixed and treble voices, this intensely meaningful ballad is both powerful and personal.
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List: 49.00
This SSA arrangement captures the reflective, heartfelt storytelling of Taylor Swift. Flowing harmonies, an optional solo, and a steady pop groove will give your ensemble a warm and expressive showcase. With optional rhythm section parts available this will make a great addition to your repertoire.
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List: 2.75
Movements: 1. Come, Ye Sons of Art; 2. Thus Nature, Rejoicing. For SATB Chorus, 2 Oboes (or Clarinets), 2 Trumpets, Timpani, Continuo, and Strings
Instrumentation: SATB:0.2(sub. Cls).0.0: 0.2.0.0: Timp: Cont: Str
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List: 9.00
Gentle, heartfelt, and timeless, It's You I Like brings Fred Rogers' beloved message of kindness and self-acceptance to the choral stage in a warm, accessible arrangement. This piece reminds singers and audiences alike that who we are matters more than what we do. A meaningful way to build empathy, community, and connection amongst musicians.
MORE»
List: 2.50
Composed in 2019, James MacMillan's Christmas Oratorio is a summatory work in his output, collecting together settings of poetry, liturgy and scripture which explore themes related to the birth of Jesus. Whereas many of the chorus sections draw on Latin liturgy, the reflective arias for soprano and baritone adopt vivid texts by Robert Southwell, John Donne and John Milton. Multiple aspects of Christmas are captured, balancing childhood innocence against more ominous moods threatening the Holy Family, which resonate in our own time. MacMillans writing for chorus is richly varied, from carol-like celebrations, through a pair of tableaux containing the Biblical narrative according to St Matthew and the mysterious opening of St Johns Gospel, to a simple closing Scottish lullaby. Both parts of the full-evening work are framed by orchestral sinfonias, bridging the distance across the ages.
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List: 28.99
Movements: 1. Come, Ye Sons of Art; 2. Thus Nature, Rejoicing. For SATB Chorus, 2 Oboes (or Clarinets), 2 Trumpets, Timpani, Continuo, and Strings
Instrumentation: SATB:0.2(sub. Cls).0.0: 0.2.0.0: Timp: Cont: Str
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List: 32.00
From Wicked: For Good, this “exclusive-to-the-film” song portrays Elphaba's longing for acceptance. Available for mixed and treble voices, this intensely meaningful ballad is both powerful and personal.
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List: 2.50
