Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated “Divertimento”, are dated “Salisburgo 1772” in the autograph, but were presumably conceived earlier while on a concert tour under the Italian sun. They do not yet display the “erudite” four-partwriting that Joseph Haydn was perfecting at the same time, but instead strike a cheerful, playful serenade tone with mostly song-like upper voice and accompanying lower voices.
The fact that Mozart designated the lowest voice not as “Violoncello” but as “Basso” and also used the plural “Viole” for the viola part suggests that he certainly had in mind more than one instrument on a part here. In this form for small string orchestra, the three so-called “Salzburg Divertimenti” are still perennial evergreens today. Edited by Mozart expert Wolf-Dieter Seiffert, this practice-oriented chamber orchestra edition offers a verified musical text on the basis of the autograph sources. – An edition for string quartet is also available.
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List: 87.95
Commissioned by the Shenzhen Symphony Orchestra, Peng-Peng Gong's 7th Symphony is described by the composer as being “an almost Brahms-Dvorak piece.”
Instrumentation: 2+1.2.2.2: 4.3.2+BsTbn.1: Timp.Pno.Harp: Str (Min of 16-14-12-10-8)
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List: 295.00
Your students will love playing this arrangement of what “Billboard” magazine ranked as the best song from Swift's 2022 album “Midnights.” Larry Moore's excellent arrangement artfully captures the catchy rhythms and energetic drive of the song that broke world record's for opening-day streaming! This hybrid edition includes a printed score and access to digital parts.
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List: 50.00
The hit Billie Eilish song offers the perfect groove and will be an instant hit with your young jazz ensemble.
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List: 50.00
Robert G. Patterson composed MUSIC FOR CLARINET, VIOLIN AND PIANO in 1988. Patterson only titled the second movement, “Tristes Plaisyrs” of this 4 movement trio. The first performance was given on April 21, 1989 at the annual Memphis State University New Music Festival performed by Rena Feller, Max Huls and John Elmquist.
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List: 39.99
A heroic and triumphant work commissioned in honor of the U.S. Special Forces and the U.S Army's 250th birthday. Glorious brass fanfares and dazzling woodwind lines open the piece with a reflective and reverent theme of remembrance taking over before transitioning back to a soaring closing of hope and glory.
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List: 125.00
This work was originally written in 2013 as a single movement saxophone quartet that takes players and audience through a range of musical emotions to be represented in the playing, including: spirited, driving, radiant, foreboding, darker, lighthearted, introspective, fiery, menacing, luminous, ebullient, and buoyant and animated. This arrangement and orchestration of SKYLINES was completed in 2023.
Instruementation: 2(2nd d.Picc).2.2.2: 4.2.3.1: Timp.Perc(2): Pno: Str
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List: 72.00
The music (and the persona) of Ozzy Osbourne has become immortal and is on every playlist from today's youth to the people who were there. This incredibly arranged medley contains four of the biggest hits from his solo career, Mr. Crowley, No More Tears, Mama, I'm Coming Home and Crazy Train. The perfect tribute to The Prince of Darkness!
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List: 80.00
Feature your star Flugel player on this original swinging blues chart. Trombone and Sax sections enjoy some amazingly hip soli section and open solos available for Guitar and Tenor Sax. Lead Trumpet plays high C and lead Trombone plays high Ab.
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List: 55.00
Direct transcriptions on Renaissance madrigals has been part of the SAKURA cello quintet's (for whom this work was commissioned) core repertoire every since they were created. “Carving an Alphabet” was composed with the expressivity, virtuosity and hyper-extended range for which SAKURA is known. The emotional landscape (lovelorn, passionate, miserable, nature-loving, awestruck, etc.) of the late-16th/ early-17th century madrigal composers and their favorite poets is also reflected here. The composer adapted fragments of poetry from two of his favorite poets, Michael Ondaatje and Czeslaw Milsz, which is used as titles and scenarios for this collection of madrigals-without-voices. Songs: I. Carving an Alphabet, II. A Flute from the Throat of a Loon, III. Somersualts (in Protospace), IV. The Night and its Forces, V. Bells of the Sea, VI. Country of Warm Rains, VII. Solitude Is Not an Absolute, VIII. Painting the Variegated World, IX. By Sunrise or the Rising of the Moon, X. The Honey Gatherers, XI. Arcs of the Heart, and XII. Carving an Alphabet II. “Carving an Alphabet” is designed to be performed as a complete book of madrigals in the order presented above; or, selections in any order can be chosen to fit the needs of a given concert program.
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List: 135.00
Get the crowd rocking with this collection of hits including Narco, Industry Baby, Seven Nation Army and Party Rock Anthem.
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List: 8.00
