Tender is the night on what is, perhaps, Keith Jarrett's most intimate album. It is comprised of solo piano renderings of jazz ballads and folk songs, played with unmistakable affection. Jarrett dispenses with the jazz soloist's conventional emphasis on dexterity, the 'clever' phrase, the virtuosic sleight-of-hand. Instead he strips these songs to their melodic essence and, gently, lays bare their emotional core.
This transcription, which has Keith Jarrett's personal approval, was worked out at the keyboard and aims, above all, for maximum playability within the greatest tonal range. Friedrich Grossnick, as an experienced pedagogue, has produced an outstanding score with particular sensitivity to Jarrett's interpretation thus enabling its faithful recreation on the piano.
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This collection features 30 beautiful, interesting intermediate to upper intermediate level pieces by women composers. It features a variety of composers from the well-known to lesser known names from the 18th to 20th centuries. The book also includes a brief bio on each composer as well as a preface by the editor.
MÉLANIE BONIS: Grand Spanish Waltz in A Major • It's Raining! CÉCILE CHAMINADE: Little Waltz in B-flat Major from Children's Album (Volume 2), Op. 126, No. 12 • Melancholy from Two Pieces, 25, No. 1 FREDRIKKE EGEBERG; Song Without Words in E-flat Major from Six Songs Without Words for Piano LOUISE FARRENC: Etude in F Major from 25 Intermediate Studies, Op. 42, No. 5 • Etude in G Major from 12 Studies in Dexterity, Op. 41, No. 2 • Melody in A-flat Major EMMA HARTMANN: Piano Piece in A-flat Major from Piano Pieces, Op. Posthumous, No. 4 CÉCILE HARTOG: Summer Song MARIE JAËLL: Friendly Teasing from The Good Days • The Shepherd and the Echo from The Good Days • Whispers of the Forests from The Good Days NATALIA JONATHA: Edelweiss JOSEPHINE LANG: Homesickness from Three Piano Pieces • Minuet: Sadness from Three Piano Pieces KATE LODER: Mazurka in A minor MARIANNA MARTINES: Allegro from Sonata in A Major EMILIE MAYER: Impromptu in A-flat Major, Op. 44 FANNY MENDELSSOHN: Melody in E-flat Major from Six Melodies for the Piano, Op. 5, No. 6 • Larghetto from Four Songs for the Piano, Op. 8, No. 3 ADELE AUS DER OHE: A Legend from Four Piano Pieces, Op. 9, No. 1 FANNY SCHOLFIELD PETRIE: Sorry • Joy DELPHINE VON SCHAUROTH: Song Without Words in E minor from Six Songs Without Words, Op. 18, No. 4 CLARA SCHUMANN: Romance in A minor, WoO 28 (1892 version) ANNA STUBENBERG: Austrian Dance in A-flat Major from The People of Kapfenberg, Op. 67, No. 5 MARIE SZYMANOWSKA: Polonaise in E minor from 18 Dances in Different Genres for Piano • Quadrille in F Major from 18 Dances in Different Genres for Piano STEPHANIE VRABELY: Pensée musicale
All are original compositions.
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Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Johann Friedrich Burgm]ller (1806-1874) was born into a German musical family; both his father and brother were also well-known composers. Settling in Paris after 1832, his light and intimate playing style won popularity in the salons of the day. Originally titled 25 Études faciles et progressives, composées et doigtées expressément pour l'entendue des petites mains, his Opus 100 pieces are perennial favorites among piano students and their teachers.
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The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók. (English/Spanish/Japanese/Portuguese text). In 1945 Bela Bartók described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the “world of the little ones, the children”. Stylistically Mikrokosmos reflects the influence of folk music on Bartok's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty. Major teaching points highlighted in Mikrokosmos 2: Staccato, legato; Accompaniment in broken triads; Accents
Volume 1 contains Nos. 1-36
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This exclusive folio presents 20 of Ludovico Einaudi's most popular piano works in special arrangements matched to the grade criteria of the major examination boards. Designed as a progressive course for beginner players, Einaudi's pieces have been adapted to make them accessible to students, while retaining their unique beauty. Each piece is preceded by companion exercises which focus on specific techniques or musical ideas, and this book is further augmented by SoundCheck* software which provides digital support, accessible on any device, to enhance your practice.
With a specially written Preface by the composer, this inspirational collection brings the joy of playing Einaudi's music to beginner pianists.
*SoundCheck is powered by Match My Sound
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J.S. BACH: French Suite No. 5 in G Major, BWV 816; Invention No. 4 in D minor, BWV 775; Invention No. 3 in D Major, BWV 774; Invention No. 6 in E Major, BWV 777; Prelude in D minor, BWV 935; Prelude in G minor, BWV 930; Prelude in E minor, BWV 938; Prelude in D minor, BWV 926 • BARTÓK: Bear Dance from Ten Easy Pieces; Sonatina • BURGMÜLLER: The Light-hearted Maiden from 18 Characteristic Studies, Op. 109, No. 6; At the Spinning Wheel, Op. 109, No. 18; The Spring, Op. 109, No. 5; Parting, Op. 109, No. 16; The Gypsies, Op. 109, No. 4; Sylphs, Op. 109, No. 15; March, Op. 109, No. 17; The Gondolier's Refrain, Op. 109, No. 14 • CHOPIN: Mazurka in A minor, Op. 67, No. 4 (Posthumous); Mazurka in B-flat Major, Op. 7, No. 1; Mazurka in G minor, Op. 24, No. 1; Nocturne in C minor, KK. IVb, No. 8; Prelude in C minor, Op. 28, No. 20; Prelude in D-flat Major,Raindrop,Op. 28, No. 15; Prelude in E Major, Op. 28, No. 9; Waltz in A minor, KK. IVb, No. 11; Waltz in B minor, Op. 69, No. 2 (Posthumous); Waltz in E-flat Major, KK. IVb, No. 10 • DEBUSSY: Arabesque No. 1 from Two Arabesques; Des pas sur la neige from Préludes, Book 1; Le petit nègre; Rêverie; Children's Corner • FIELD: Nocturne in E minor • GRIEG: March of the Trolls from Lyric Pieces, Op. 54, No. 3; Notturno from Lyrics Pieces, Op. 54, No. 4 • HELLER: Sailor's Song from 25 Melodious Studies, Op. 45, No. 14; Warrior's Song from 25 Melodious Studies, Op. 45, No. 15 • LISZT: Consolation No. 3 from Consolations; Four Little Piano Pieces • MACDOWELL: Shadow Dance from 12 Etudes for the Development of Technique and Style, Op. 39, No. 8; To a Water Lily from Woodland Sketches, Op. 51, No. 6 • MENDELLSSOHN: Song Without Words in E Major, Op. 19, No. 1; Song Without Words in F-sharp minor, Venetian Boat-Song No. 2, Op. 30, No. 6; Song Without Words in G minor, Venetian Boat-Song No. 1,Op. 19, No. 6; Song Without Words in A minor, Op. 19, No. 2 • MOSZKOWSKI: Scherzino from Ten Small Pieces, Op. 77, No. 2 • Tarentelle from Ten Small Pieces, Op. 77, No. 6 • PURCELL: Suite No. 5 in C Major • RAVEL: Prelude • REINECKE: Sonatina in C Major, Op. 47, No. 1 • SATIE: Three Gymnopédies; Gnossienne No. 1 from Three Gnossiennes • SCHUBERT: Moment musicaux in A-flat Major from Six moments muiscaux, Op. 94, No. 2; Moment musicaux in F minor from Six moments musicaux, Op. 94, No. 3; Moment musicaux in A-flat Major from Six moments musicaux, Op. 94, No. 6 • SCHUMANN: Selections from Scenes from Childhoo, Op. 15; Selections from Album for the Young, Op. 68 • SCRIABIN: Prelude in E minor, Op. 11, No. 4; Prelude in D-flat Major, Op. 11, No. 15 • TCHAIKOVSKY: Chanson Triste from 12 Pieces, Op. 40, No. 2; The Hobby Horse from Album for the Young, Op. 39, No. 3
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It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes 60 classical pieces: Air (from Water Music) (Handel) • Canon (Pachelbel) • Carnival of Venice • Für Elise (Beethoven) • Humoresque (Dvorak) • Jesu, Joy of Man's Desiring (J.S. Bach) • Lullaby (Brahms) • The Moldau (Smetana) • On the Beautiful Blue Danube (Strauss) • Pomp and Circumstance (Elgar) • Trumpet Voluntary (Clarke) • William Tell Overture (Rossini) • and many more.
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This edition of The Russian School of Piano Playing is divided into three separate volumes. Book 1, which is in two volumes, contains the material from Part I (48010303) and Part II (48010304) of the original Book 1. Part I takes the average student to the end of the first year, and Part II covers the second year. Book 2 (48010301) takes the student to a more advances stage, leading him/her on to repertoire pieces.
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The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók. (English/French/German/Hungarian text). In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the “world of the little ones, the children”. Stylistically Mikrokosmos reflects the influence of folk music on Bartok's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty. Major teaching points highlighted in Mikrokosmos 3: Triplets, broken chords, chromatic invention.
Volume 3 contains Nos. 67-96
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This collection is an excellent addition to any student's library as they move toward greater skill in their keyboard studies. There is an increase in difficulty and type of technique highlighted throughout the one hundred exercises. A teacher or student may choose whichever exercises apply to the current technical struggles or use the entire book.
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Used in the movie SHINE. Two Pianos, Four Hands. 2 Copies needed to perform.
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This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach's sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach's piano works are available from Henle both with and without fingerings.
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Two Pianos, Four Hands. 2 Copies needed to perform.
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In a span of only eight years, between 1794-1802, Beethoven composed twenty piano sonatas, among them his so-called “Grande sonate pathétique” op. 13. It marks the consummation of his Classical style, yet also already alludes to his Heroic Period with its intensely Romantic characteristics. Composed in the “tragic” key of C minor, it foreshadows the expressive drama of later masterworks such as the Fifth Symphony or the Coriolan Overture. Of the famous sonatas, this one is the most technically manageable and thus proves immensely popular with advanced piano students. The new Urtext edition from G. Henle Publishers hails from the successful Beethoven collaboration between Norbert Gertsch and Murray Perahia, as usual with fingering and interpretive suggestions from the great pianist.
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This matching folio to Einaudi's 2022 recorded Decca album Underwater features 12 new pieces: Luminous • Rolling Like a Ball • Indian Yellow • Flora • Natural Light • Almost June • Swordfish • Wind Song • Atoms • Temple White • Nobody Knows • Underwater.
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Alexander Scriabin occupies a special position among the Russian piano composers around the turn of the 19th to the 20th century. Already in his early works, he went beyond the Chopinesque traditions of his contemporaries Glazunov and Rachmaninoff. As he also did in his innumerable preludes, of which he brough together 24 in his op. 11, allowing for each major and minor key. However, in spite of keeping to the strict order of the circle of fifths, he took care to ensure that “each prelude is a small composition which can exist self-contained, independent of the other preludes.” By comparing the autograph and the first edition of 1897, this Henle Urtext edition has corrected a number of errors and inaccuracies. A grandiose work which should belong in the repertoire of every pianist.
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This excellent collection of classical-period sonatinas for the intermediate pianist will be a welcome addition to the libraries of teachers and students alike. Clean, concise engravings, careful editing, and just the right amount of editorial fingering make this volume both practical and beautiful. The recording of all the sonatinas included with the book provides a truly masterful performance model in the lively, stylistic interpretations of the artist/editor, Jeffrey Biegel. Audio is accessed online for download or streaming. Contents: Beethoven: Sonatina in G major (KH Anh. 5, No. 1); Clementi: Sonatina in C major (Op. 36, No. 1), Sonatina in G major (Op. 36, No. 2), Sonatina in C major (Op. 36, No. 3), Sonatina in F major (Op. 36, No. 4); Dussek: Sonatina in G major (Op. 20, No. 1); Kuhlau: Sonatina in C major (Op. 55, No. 1), Sonatina in G major (Op. 55, No. 2), Sonatina in C major (Op. 55, No. 3)
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A collection of Glass's solo piano music, including “Metamorphoses One to Five” collected together for the first time. Suitable for intermediate to advanced pianists.
Contents: Metamorphosis 1-5 • Mad Rush • Wichita Vortex Sutra
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Favorites of piano teachers, these short pieces show lyricism and harmonic surprise for which Prokofiev's larger works are known. Intermediate to Late Intermediate Level.
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ANONYMOUS: Minuet in C minor, BWV Appendix 121 • C.P.E. BACH: March in G Major, BWV Appendix 124 • J. S. BACH: Bourée from Lute Suite No. 1 in E minor, BWV 996; Invention No. 14 in B-flat Major, BWV 785; Invention No. 4 in D minor, BWV 775; Invention No. 10 in G Major, BWV 781; Invention No. 1 in C Major, BWV 772; Invention No. 13 in A minor, BWV 784; Invention No. 2 in C minor, BWV 773; Invention No. 8 in F Major, BWV 779; Prelude in F Major, BWV 927; Prelude in C minor, BWV 999; Prelude No. 1 in C Major from The Well-Tempered Clavier, Book I, BWV 846; Prelude in D minor, BWV 926; Prelude in C minor, BWV 934; Prelude in C Major, BWV 924 • BARTÓK: Bagatelle from 14 Bagatelles, Op. 6, No. 4 • BEETHOVEN: Six Variations on a Swiss Song, WoO 64; Twelve German Dances, WoO 13 • BURGMÜLLER: Selections from 25 Easy and Progressive Studies, Op. 100; Selections from 18 Characteristic Studies, Op. 109 • CHOPIN: Prelude in A Major, Op. 28, No. 7; Prelude in B minor, Op. 28, No. 6; Prelude in E minor, Op. 28, No. 4 • CLEMENTI: Sonatina in F Major, Op. 36, No. 4 • DIABELLI: Sonatina in C Major, Op. 168, No. 3 • DUSSEK: Sonatina in G Major, Op. 20, No. 1 • GRIEG: Selections from Lyrics Pieces • GURLITT: Hunting Song from Albumleaves for the Young, Op. 101, No. 19; The Little Wanderer from Albumleaves for the Young, Op. 101, No. 12 • HANDEL: Air con variazioni from Suite in B-flat Major, HWV 434; Allegro from Suite in G minor, HWV 432 • HELLER: Autumn Song from 25 Etudes for Piano, Op. 47, No. 3; In Venice from 25 Etudes for Piano, Op. 47, No. 14; Sorrow and Joy from 25 Melodious Etudes, Op. 45, No. 4; The Avalanche from 25 Melodious Etudes, Op. 45, No. 2; The Brook from 25 Melodious Etudes, Op. 45, No. 1 • KUHLAU: Sonatina in C Major, Op. 55, No. 1 • KULLAK: Grandmother Tells a Ghost Story from Scenes from Childhood, Op. 81, No. 3; On the Playground from Scenes from Childhood, Op. 6, No. 4 • LICHNER: Sonatina in C Major, Op. 49, No. 1; Sonatina in C Major, Op. 4, No. 1 • LISZT: Farewell; Gray Clouds • MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 • MENDELSSOHN: Confidence from Songs Without Words, Op. 19, No. 4; Consolation from Songs Without Words, Op. 30, No. 3; Tarantella from Songs Without Words, Op. 102, No. 3 • PURCELL: Suite No. 1 in G Major; Suite No. 6 in D Major; Suite No. 8 in F Major • SCHUBERT: Scherzo in B-flat Major, D. 593 • SCHUMANN: About Strange Lands and People from Scenes from Childhood, Op. 15, No. 1;Little Lullaby from Albumleaves, Op. 124, No. 6; Selections from Album for the Young, Op. 68 • TCHAIKOVSKY: Selections from Album for the Young, Op. 39
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The Preludes of Op. 28 include all 24 major and minor tonalities arranged in a circle of fifths, with each major key being followed by its relative minor. Contrary to custom of using this type of piece as didactic material, Chopin's cycle was intended as concert music. The Preludes are a diverse variety of mood, tempo, articulation, texture, etc.
The National Edition of the Works of Fryderyk Chopin
Published by PWM
Exclusively Distributed by Hal Leonard Corporation
Co-Editors
Jan Ekier and Pawel Kaminski
The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.
The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.
The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume.
The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the “harmonic legato” (a performance technique often used by Chopin and now forgotten).
About the National Edition
Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin
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47 pieces by CPE Bach, JS Bach, Beethoven, Burgmüller, Chopin, Grieg, Gurlitt, Heller, Kuhlau, Kullak, Liszt, MacDowell, Mendelssohn, Schubert, Schumann, and Tchaikovsky. All are at the intermediate level in a slim, affordable volume.
Contents: C.P.E. BACH: March in G Major, BWV App. 124 • BACH: Invention No. 1, BWV 772 • Invention No. 2, BWV 773 • Invention No. 4, BWV 775 • Invention No. 8, BWV 779 • Prelude in C Major, BWV 846 • Prelude, BWV 999 • Bourree from Lute Suite No. 1, BWV 996 • BEETHOVEN: Six Variations on a Swiss Song, WoO 64 • BURGMULLER: La chasse, Op. 100, No. 9 • L'adieu, Op. 100, No. 12 • Consolation, Op. 100, No. 13 • La Tarentelle, Op. 100, No. 20 • Confidence, Op. 109, No. 1 • Berceuse, Op. 109, No. 7 • Agitato, Op. 109, No. 8 • CHOPIN: Prelude, Op. 28, No. 4 • Prelude, Op. 28, No. 6 • GURLITT: Hunting Song, Op. 101, No. 19 • HELLER: The Brook, Op. 45, No. 1 • The Avalanche, Op. 45, No. 2 • Sorrow and Joy, Op. 45, No. 4 • KUHLAU: Sonatina, Op. 55, No. 1 • KULLAK: On the Playground, Op. 62, No. 4 • Grandmother Tells a Ghost Story, Op. 81, No. 3 • LISZT: Farewell • Gray Clouds • MACDOWELL: To a Wild Rose, Op. 51, No. 1 • MENDELSSOHN: Song Without Words, Op. 19, No. 4 • Song Without Words, Op. 30, No. 3 • SCHUBERT: Scherzo in B-flat Major, D. 593 • SCHUMANN: About Strange Lands And People, Op. 15, No. 1 • Little Romance, Op. 68, No. 19 • Reiterstucke, Op. 68, No. 23 • Echoes from the Theatre, Op. 68, No. 25 • Strange Man, Op. 68, No. 29 • Little Lullaby, Op. 124, No. 6 • TCHAIKOVSKY: March of the Tin Soldiers, Op. 39, No. 5 • Mazurka in D minor, Op. 39, No. 10 • Russian Song, Op. 39, No. 11 • The Peasant Plays the Accordion, Op. 39, No. 12 • Sweet Dreams, Op. 39, No. 21 • The Organ Grinder, Op. 39, No. 23
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This “Little Suite” was published in 1908 and was dedicated to the composer's then three-year old daughter: “To my beloved little Chouchou with the tender excuses of her father for what follows below.” The first movement, Doctor Gradus ad Parnassum, alludes to a study by Muzio Clementi. The titles of nos. 2 to 6 can be traced back to Debussy's love of everything English. Although the music addresses childish fantasy, at the least a talented amateur is required to perform it. The well-known number 6, Golliwogg's Cakewalk, is in ragtime style and shows Debussy's easy-going approach to popular trends in music. Children's Corner was immediately extremely successful and has been arranged for various groups of instruments.
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Ullrich Scheideler has edited one of Mendelssohn's most important and beautiful piano works, comparing it again with the sources. Henle Publishers is now issuing it in a revised edition with his comprehensive commentary. The sparkling bravura piece was called an “Etude” in the first version of 1828. Two years later Mendelssohn wanted to present the work to the young piano virtuoso Delphine von Schauroth, whom he was courting at the time. He reworked it under the new title “Rondo capriccioso,” making it even more brilliant and adding a “moving introductory adagio” (thus described in a letter to Fanny). In this form, the work still presents all good pianists with a rewarding challenge.
To see other NFMC selections, click here.
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Liszt's Transcendental Studies of 1852 are without doubt among the triumphs of virtuoso piano music, and their visionary language and poetic expression make them a milestone of the romantic age. This set of twelve études represents the results of the composer's own revision of a collection already published in 1827 and 1839. Accordingly, the principal source for our edition was a printed copy of the earlier version with myriad changes in the composer's hand. Each of these pieces, including the famous “Harmonies du soir” and “Mazeppa,” bears its own title and has entered the concert repertoire less as an étude than as a tone-poem with its own distinctive flavor.
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29 pieces, including selections from Anna Magdalena's Note Book, The Little Clavier Book, and other suitable works for the beginning pianist.
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2017-2018-2019-2020 National Federation of Music Clubs Choice. Two Pianos, Four Hands. 2 copies needed to perform.
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