Moyse provides the perfect study book for advanced flautists. With instructions in French, English and German, 20 Exercises and Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and became known for his trademark tone: clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse also taught the flute and published a substantial number of study books for the instrument. 20 Exercises and Studies focuses on elements including long slurs, trills and pauses. Being a prominent flute player himself, Moyse's 20 Exercises and Studies is well-informed and essential to aspiring, advanced flautists.
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Composer Pierre Camus (1885-1948) is little known today. However, his Chanson et Badinerie is a sublime addition to the flute's repertoire and proves to be an exciting, yet challenging piece for performers. Camus' piece for flute and piano accompaniment is in two movements. Chanson (Song) is composed in 6/8 meter and reflects French romantic characteristics in its use of lyrical melodies, use of the lower register of the flute, and chromaticism. The Badinerie contrasts with this with a faster tempo, 2/4 meter, chordal piano accompaniment and scalic semiquaver flourishes. All of these elements combine in Camus' Chanson et Badinerie to make for an exciting addition to the advanced flautist's repertoire.
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Selected works from the most prominent G. Schirmer and AMP composers, including music by Barber, Corigliano, Harbison, Martinu, Moyse, Muczynski, and others. With detailed notes on the music. Suitable for the advanced high school and college level player. Includes works for solo flute as well as flute and piano.
Contents: BARBER: Canzone, Op. 38a • CORIGLIANO: Voyage • GRIFFES: Poem • HARBISON: Lullaby • HEIDEN: Allegretto from Sonatina for Flute and Piano • HUSA: Allegretto Giocoso from Sonatina for Flute and Piano • KERNIS: Air • MARTINU: Adagio from Flute Sonata No. 1 • MECHEM: Wedding Madrigal • MUCZYNSKI: Allegro con Moto from Flute Sonata, Op. 14 • WORKS FOR SOLO FLUTE: LADERMAN: Presto • MOYSE: Improvisation, Op. 48 • Pensee Musicale, Op. 46 • Impromptu, Op. 54
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As a notable flute player, Marcel Moyse (1889-1984) studied at the Paris Conservatoire under the direction of virtuoso flautists, Paul Taffanel, Adolphe Hennebains and Philippe Gaubert. His accomplishment on the instrument soon established itself on paper, with the composer producing many study and exercise books for the flute. This includes the acclaimed 25 Études Mélodiques. The compilation covers aspects such as, articulation, ornamentation, range and rhythm in the form of moderately difficult variations. Furthermore, with notes in French, English, German, Spanish and Japanese, this Moyse study book is distinctly versatile. Marcel Moyse was responsible for the training of a gifted generation of performers and so it is no surprise that his 25 Études Mélodiques has been crucial to the progress of advanced flute studies.
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Daugherty describes this piece as “a musical journey into how the human spirit discovers ways to deal with upheaval, adversity and adapting to a new environment.” Based on the tragedies faced by Native Americans as they were forcibly removed from their ancestral homelands, specifically the Cherokee's relocation march known as the 'Trail of Tears.'
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Moyse provides the perfect study book for beginner to advanced flautists. With directions in French, English, German, Spanish and Japanese, 100 Easy and Progressive Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone, clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 100 Easy and Progressive Studies, based on studies by Crammer, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, among other aspects. Being a prominent flute player himself, Moyse's 100 Easy and Progressive Studies is well-informed and essential to aspiring flautists.
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Moyse provides the perfect study book for beginner to advanced flautists. With directions in French, English, German and Japanese, 100 Easy and Progressive Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone; a clear, flexible and penetrating tone, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 100 Easy and Progressive Studies, based on studies by Crammer, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, amongst other aspects. Being a prominent flute player himself, Moyse's 100 Easy and Progressive Studies is well-informed and essential to aspiring flautists.
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L'école de L'articulation de Marcel Moyse (1889-1984) propose des exercices et études sur les articulations pour la fûte.
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14 popular works for flute with piano accompaniment featuring selected works from the major exam board syllabuses, spanning grades to 8 and beyond. Includes pull-out part and performance notes by Trevor Wye.
Contents: ARNOLD: Sonatina, Op. 41 • BACH: Sonata No. 6, BWV 1035 • BENNETT: Six Tunes, Singing-Birds • BERKELEY: Sonata, Op. 97 • BOZZA: Cinq Chansons sur des Themes Japonais • DEBUSSY: Syrinx • FAURE: Fantasie, Op. 79 • GODARD: Suite de Trois Morceaux • GOSSEC: Tambourin • MARTINU: Flute Sonata No. 1 • MOZART: Flute Concerto in D Major, K. 314 • POULENC: Flute Sonata • RACHMANINOFF: Vocalise, Op. 34, No. 14 • ROUSSEL: Aria
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Agrestide, Op. 44 by Eugène Bozza (1905-1991) is a piece for flute and piano written for the Paris Conservatoire contest. Dedicated to Gaston Crunelle, a professor at the Paris Conservatoire, this piece is very difficult and was composed in 1942. This Op. 44 is divided in 4 distinct parts: Moderato (like a Pastoral), Cadenza, Andantino, Anime and Piu Vivo. Agrestide, Op. 44 is really melodic and would also be perfect for a contest or recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets, among others.
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Thirteen intermediate flute solos from the nineteenth century. Includes arrangements and original pieces by Albéniz, Chaminade, Massenet, Chopin, and more. With composer bios.
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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, Aria for Flute (or Oboe), Clarinet and Piano being no exception. Composed in 1927 and revised in 1930, Aria is suitable for advanced level woodwind players. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted, often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques, and being significantly very rhythmic, Ibert's woodwind duet, Aria is an exciting addition to the advanced flute, oboe and clarinet repertoire.
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Moyse provides the perfect study book for advanced flautists. With text in French, English, German, Spanish and Japanese, 24 Caprice Studies by Boehme for Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone: clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 24 Caprice Studies, based on studies by Boehm, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, among other aspects. Being a prominent flute player himself, Moyse's 24 Caprice Studies is well-informed and essential to aspiring flautists.
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Aria, written in 1930 by Jacques Ibert (1890-1962), is a small study initially for voice and piano but arranged in this edition for flute and piano. This version and the one for alto saxophone and piano are the ones the most commonly used. The flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
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Having studied the flute with virtuosos Paul Taffanel, Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire, Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. Forty-Eight Studies of Virtuosity for Flute is one of many popular study books by the renowned flautist. During his career, Moyse frequently played solo flute with many orchestras, including performing the main concertos of the repertory. As well as performing and composing, Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI, the composer moved to the United States where he continued to perform, compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique, including Forty-Eight Studies of Virtuosity, which today remain universally accepted and popular. Moyse's book is essential to all aspiring, advanced flautists.
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50 Melodic Studies After Demersseman, Op. 4 – Volume 1, edited by the French flautist and composer Marcel Moyse (1889-1984), contains a set of 25 studies out of 50 for beginner flautists, initially written by Jules Demersseman (1833-1866), a French flautist. Considered as a maestro, Marcel Moyse has composed many flute methods and exercise books also published by Alphonse Leduc, such as Mécanisme-Chromatisme (1927) and De la Sonorité (1934). His methods are widely used and recognised worldwide.
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The second of the Two Pieces for flute and harp or piano accompaniment,“2. The squirrels” is a lovely short piece composed by Henri Busser. Really different from the “1. The swans,” this piece is much more cheerful and slightly faster. It is perfect to work on the flexibility of the tone and good training to be able execute more challenging pieces. Starting in D major, the piece has a ternary form (ABA), with a beginning in staccato, a slower B part and the repeat of the initial theme for the end. The most difficult part of this piece will be found in the last two measures, with really fast notes to play. It will be necessary to start to play them at a slower tempo to get the perfect technique and then increase the speed. This work is preceded by “The Swans,” with a difficulty rated at 5. Henri Busser (1872-1913) is a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet, numerous operas and chamber music.
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Composed by Jules Demersseman (1833-1866), Concert Solo No. 6, Op. 74 has been reviewed by the French flautist Marcel Moyse. Written for flute and piano, it would fit players with advanced skills and abilities and a great endurance. It contains up to 5 flats and 4 sharps. Part of the series Flute Classics, this piece number 76 is among those adapted by P. Taffanel, Ph. Gaubert, M. Moyse and others. Very enjoyable, yet very difficult, this piece was written as a concert solo and could be easily be used in recitals or contests. Considered as a maestro by some musicians, Marcel Moyse has composed many flute methods and exercise books that have also been published by Alphonse Leduc. His methods are widely used and recognised worldwide.
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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and Marcel Moyse (1889-1984), a prominent French flautist, arranged the compilation for flute and piano in 1933 to great acclaim. Stories for Flute and Piano is made up of six movements; 1) The Leader of the Gold Turtles, 2) The Little White Donkey, 3) In the Sad House, 4) The Crystal Cage, 5) The Market of Fresh Water, and 6) The Procession of Balkis. Containing a variety of musical aspects and techniques, Moyse's arrangement for flute and piano of Ibert's Stories is an exciting addition to the intermediate level flautist's repertoire. MORE»
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Forty-Eight Virtuoso Studies, Vol. 2 by Marcel Moyse is the second and last volume of this series, tailored to upper-advanced flautists. Highly complex and challenging, this volume features 23 pieces, the studies 25 to 48, and will help the flautist to master and perfect their technique. It is a must-have for those who want to keep improving at higher levels. Considered as a maestro by his peers, Marcel Moyse has composed many flute methods and exercise books also published by Alphonse Leduc, such as, for the same level, 12 Studies in Virtuoso After Chopin and 10 Studies After Wieniawsky. His methods are widely used and recognised worldwide. MORE»
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Italian flautist and composer, Giuseppe Gariboldi (1833-1905) moved to Paris after his studies where he worked as a virtuoso flute player and prolific composer. Being exceedingly talented, Gariboldi's compositions range from operettas to studies, including his ever-popular teaching aid, Complete Study of Scales. Covering a huge spectrum of scales, studies in Complete Study of Scales address scales in varying articulation, rhythms, dynamics, note values, ranges and ornamentation, among other things, in order to ensure adequate progression. Giuseppe Gariboldi's Complete Study of Scales is essential to accompany all flautist's technical progress.
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French flautist, Marcel Moyse (1889-1984) studied at the Paris Conservatoire before becoming a renowned performer on the instrument. He was also responsible for training a brilliant generation of flute players and his experiences and expertise combined created the well-informed compilation, 20 Studies After Kreutzer for Flute. With notes in French, English, German and Japanese, Moyse's studies are accessible and versatile. Focus in this Moyse study book is given to fingering, phrasing, tempo, breath control, articulation, intervals, range, and ornamentation, among other musical aspects. 20 Studies for Flute, based on violin studies by Rodolphe Kreutzer, (1766-1831) is essential to the technical progress of advanced flautists.
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12 Studies of Great Virtuosity After Chopin, compiled by the French flautist and composer Marcel Moyse (1889-1984), contains a set of 12 difficult studies for flautists, initially written by F. Chopin. Considered as a maestro, Marcel Moyse has composed many flute methods and exercise books also published by Alphonse Leduc, such as Mécanisme-Chromatisme (1927) and De la Sonorité (1934). His methods are widely used and recognised worldwide.
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Composed by Jules Demersseman (1833-1866), Great Concert Fantasy, Op. 52 has been reviewed by the French flautist Marcel Moyse. Written for flute and piano, it is based on Obéron by Weber, and would fit players with advanced skills and abilities and strong endurance. Part of the series Flute Classics, this piece number 76 is among those adapted by P. Taffanel, Ph. Gaubert, M. Moyse and others. Great Concert Fantasy starts with the piano alone, soon joined by the flute. The main theme does not start before the top of the second page of the flute score which is then followed by variations and the finale.
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