Using the text of Octavio Paz, this new piece by Matthew Harris is in three movements: “Xochipilli,” “Niño y Trompo” and “Objetos.” Each is from Paz's larger poem Lección de cosas, a musing on little decorative objects over a bookcase. Duration ca. 6 minutes.
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A set of four movements to Haiku by Matsuo Basho (1644-1694), these settings for SSAA divisi choir are full of imagery and color. 1. Skylark, 2. Cuckoo, 3. Butterfly, 4. Dawn Flowers
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This work is scored for a professional children's choir, or a women's chorus, guiro(s) and harp and is based on a folk song from northern Shaanxi Province in China. The music is a simple rhythmic towing song sung by boat-trackers along the river and is noted for its vivid reflection of the tempestuous turbulence of the river.
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With a special connection to the poetry of Langston Hughes, Kirke Mechem has written a new, a cappella spiritual. Opening with a musical statement by a soprano soloist, the soloist is featured throughout. In a typical, Mechem musical style, this tour de force is lush and new and emotional. Duration: ca. 3:00.
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This arrangement of the popular English Folk Song, originally known as “Sovay Sovay” tells the story of a young woman who takes matters into her own hands in order to find out if the man she loves truly loves her. The character is strong, especially for the 19th century and the music is just as strong and bold. Women will love telling this story and singing this bold and beautiful folk song. Duration: 3:30
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The American composer William Schuman (1910-1992) wrote works in virtually every musical genre, each mirroring his strong personality in their sharply defined sense of structure, line, and dynamism. This short wordless composition for women's chorus and piano dates from 1942 and was written for the Sarah Lawrence Chorus.
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Poem by Paul Eluard. English translation by Robert Hess.
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| Price | $3.56 (Save: $0.39) |
This Dorothy Parker text reveals Mary's youth and courage through the memory of another then-young woman. The bright light and blinding star seen by the narrator nearly thirty years prior is remembered sensitively and with a quiet, unison final statement.
ScorePlay - click to view score with recording.
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With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!
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I sleep, but my heart waketh was commissioned by the National Youth Choir of Great Britain and premiered by them in a concert at Manchester's Bridgewater Hall directed by Michael Brewer on 15th April, 2006. Scored for eight-part choir, this is Tarik O'Regan's setting of seven sentences from the King James Version translation of the Song of Songs (or Song of Solomon). MORE»
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| Price | $11.66 (Save: $1.29) |
