Songs for Tony arranged for saxophone quartet. Includes score and parts. Duration 10 minutes. Composed 1993.
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Instrumentation: 2 Clarinets, 2 Pianos, 2 Violins, Viola and Cello.
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It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divertimenti intended for court circles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind, his Sextet op. 81b is thus all the more remarkable, standing out on account of the unusual virtuosity of the horn parts. This Henle edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat, it also contains transposed parts in F.
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In June 1905, Ravel told a friend shortly before setting off on a long holiday: “I was terribly busy because of a piece for harp commissioned by the Érard company. I was able to finish it after a fashion, thanks to 8 days of dogged work and three sleepless nights.” But the piece itself shows nothing of the haste in which it was written. In fact, it seems as if Ravel knew how to explore all the musical possibilities of the harp in this brief, but highly striking piece. This septet with its unusual combination of instruments is a further enrichment of Henle's Urtext editions of Ravel's chamber music.
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Chamber music lovers will be thrilled about this special offer: Beethoven's complete music for string instruments and mixed wind/string ensembles is now available in a slipcase with 13 study editions. The collection spans from small occasional pieces for string duos, to that central genre for Beethoven, the string quartet, with the immeasurable, boundless Grosse Fuge op. 133, to the famous early Septet op. 20, one of the most popular works for larger chamber ensemble. All study editions follow the musical text from the Beethoven Complete Edition and contain an informative preface and a short Critical Report with information on the sources and the most important readings for each work.
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This scintillating music was composed by Nikolai Rimsky-Korsakov (1844-1908). Procession of Nobles is an excerpt from his unsuccessful ballet Mlada, composed in 1892. This stately processional march is the only surviving excerpt from the ballet still remaining in the standard orchestral repertoire.
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HPS 1137
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A Halama Christmas was written for the Halama Wind Octet of Minneapolis, Minnesota. It includes settings of three familiar carol melodies: Silent Night, What Child is This?, and Joy to the World. The medley is continuous with transitions and modulations linking each of the carols. Instrumentation: Oboe, English Horn, Clarinet (2), Bassoon (2), Horn in F (2). (7:45)
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For flute, oboe, clarinet, bassoon, two violins, viola, cello and double bass.
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For flute, oboe, trumpet and strings (piano reduction).
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Clarinet, French horn, bassoon, 2 violins, viola, cello and double-bass.
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Muhly composed this piece as a tribute to Philip Glass. For Flute (Soprano Recorder), Clarinet in B-flat, Percussion, Glockenspiel, Piano, Violin and Cello.
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This book provides piano accompaniments for the series of instrumental folios featuring 32 fun-to-play familiar melodies for the beginning instrumentalist. Titles include: Abide with Me, Now Thank We All Our God, Swing Low Sweet Chariot, Onward Christian Soldiers and many more.
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Named after an ancient city in Uzbekistan, mentioned in the memoirs of Marco Polo.
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In 1941, Harry Partch composed the first version of Barstow, the original lineup consisted of vocal and Adapted Guitar. In the following years, Partsch revised the piece several times, until 1968, the final version was available. He had collected the texts in1940 by writing down labels on street railings in Barstow, California.
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“Send my septet out into the world a little faster – because the rabble is awaiting it”. It was thus that Beethoven bade his publisher make haste in 1802. The public did not take offence at this rather derogatory term: Today the Septet op. 20 for Wind and Strings is one of the most popular chamber music works for a larger ensemble, together with Schubert's Octet. Our edition follows the musical text which will soon appear in the Beethoven Complete Edition. As the only practical edition available at the current time, our Urtext edition not only contains the original part for horn in E flat but also a transposed one for horn in F. For Clarinet, Horn, Bassoon, Violin, Viola, Cello, and Double Bass.
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For flute, 2 oboes, 2 clarinets (B flat), 2 bassoons, double bassoon or bass tuba, 4 horns (E flat major/B flat) with additional parts for horns in F.
When he was a mere 18 years old, Richard Strauss composed the highly Romantic, one-movement Serenade for Wind Instruments, op. 7. Extremely popular among wind players to this day, this work recalls in instrumentation and structure Mozart's “Gran Partita”, which certainly served as a model for Strauss. The serenade was not premiered in its Bavarian homeland as might have been expected, butrather in Dresden, in 1882, under the direction of the then much-esteemed conductor Franz Wüllner, who had also given the inaugural performances of Richard Wagner's Rheingold and Die Walküre and later premiered Strauss' tone poems Till Eulenspiegel and Don Quixote. So it was a great honour for the young Bavarian! Editor Norbert Gertsch presents this little masterwork here for the first time in Urtext quality - in full score and instrumental parts - for which not just the first edition but also the autograph manuscript was scrutinised fastidiously.
Set of Parts.
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Instrumentation: Piccolo • Bass Clarinet • Violoncello • Percussion (1 player) • Piano. MORE»
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These pieces, for flute, guitar, piano, double bass and drums, are from Mr. Bolling's Cross Over U.S.A album which features popular American songs interpreted into his own inimitable style. Each title includes a complete set of parts.
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Eight instrumental miniatures for fifteen players. Duration approx 6 minutes. MORE»
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This is a player score of the 1973 classic of the early minimalist movement. It is to be performed by any combination of at least three players (originally three woodwinds and three electric organs) and it is advisable, given the layout in the score, that prospective performers should buy a separate copy for each player. (The price quoted, obviously, applies to a single copy.) The piece comprises a series of melodic/rhythmic fragments that are repeated an indefinate number of times. The music may be performed with any combination of instruments that have a suitable melodic range.
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