This suite in seven parts is composed for a “classic” flute and a “jazz” piano. It was the first jazz recording of world-renowned flutist Jean-Pierre Rampal and Claude Bolling. It is possible to play the whole piece with only flute and piano, but bass and drum parts are included for the complete Suite. The CD includes full recordings and flute play-along tracks for seven songs: Baroque and Blue • Fugace • Irlandaise • Javanaise • Sentimentale • Veloce • Versatile.
Also available: Complete Set of Parts/CD (00672558, $59.95); CD Only (HL00672559, $16.95).
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The definitive text used for the time-honored Chord Scales course at Berklee College of Music, this book concentrates on scoring for every possible ensemble combination and teaches performers and arrangers how to add color, character and sophistication to chord voicings. Topics covered include: selecting appropriate harmonic tensions, understanding jazz harmony, overcoming harmonic ambiguity, experimenting with unusual combinations and non-traditional alignments, and many more. The accompanying online audio includes performance examples of several different arranging techniques. The audio tracks feature PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
“A no-nonsense, meat and potatoes source of basic and not-so-basic information about everything relating to jazz writing – covers several courses worth of information.”
– Kenny Werner
Pianist, Composer and Author of Effortless Mastery
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Easy to medium level flute trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Bach, Corelli, Faber, Handel, Haydn, Mozart, Quantz, Schubert and others.
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“Appalachian Spring” was composed in 1943-44 as a ballet for Miss Martha Graham on a commission from the Elisabeth Sprague Coolidge Foundation. It was first performed by Miss Graham and her company at the Coolidge Festival in the Library of Congress, Washington, D.C., on October 30, 1944.
The present version is scored for the original chamber ensemble of thirteen instruments. It is a condensed version of the ballet (identical with the original suite derived from the ballet for symphony orchestra), which retains all essential features but omits those sections in which the interest is primarily choreographic.
In 1945 “Appalachian Spring” received the Pulitzer Prize for music as well as the award of the Music Critics Circle of New York for the outstanding theatrical work of the season.
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“Appalachian Spring” was composed in 1943-44 as a ballet for Miss Martha Graham on a commission from the Elisabeth Sprague Coolidge Foundation. It was first performed by Miss Graham and her company at the Coolidge Festival in the Library of Congress, Washington, D.C., on October 30, 1944.
The present version is scored for the original chamber ensemble of thirteen instruments. It is a condensed version of the ballet (identical with the original suite derived from the ballet for symphony orchestra), which retains all essential features but omits those sections in which the interest is primarily choreographic.
In 1945 “Appalachian Spring” received the Pulitzer Prize for music as well as the award of the Music Critics Circle of New York for the outstanding theatrical work of the season.
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Price | $49.50 (Save: $5.50) |
For oboe, violin or clarinet and piano.
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Price | $9.89 (Save: $1.10) |
HPS 1239
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Price | $63.00 (Save: $7.00) |
This suite was recorded by Bolling, along with flutist Jean-Pierre Rampal. Best suited for college-level musicians and above, this includes parts for piano, bass, drums and flute.
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Scored for 1st and 2nd cornet/trumpet, F horn, trombone, baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet, 2nd/3rd F horn and 2nd/3rd trombone)
This great collection of grade 3 music for brass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The seventeen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
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A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, “There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture - trumpets, harp, bells, cymbals, tabor, rebec.” These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, “This is an extremely dramatic work which draws the listener into the apocalyptic story line...The ending is cataclysmic.”
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Price | $7.16 (Save: $0.79) |
List | $19.99 |
Price | $17.99 (Save: $2.00) |
Winds of Praise is a uniquely flexible collection for solos, duets, trios, quartets, quintets, sextets and more! Each arrangement can be performed unaccompanied, or accompanied using the piano accompaniments in the piano/score book, or by using the orchestrated StudioTrax CD that is included in all individual instrumental parts books. Mix and match instrumentation according to your needs in any given situation, all year long in a variety of settings: worship services, Sunday school or at home. Stan Pethel's signature style of accessible, fresh arrangements shines through in each song making Winds of Praise an essential addition to your library for the advanced or beginning player alike!
Contents: Come, Now Is the Time to Worship • How Great Is Our God • Above All • Here I Am to Worship • He Is Exalted • and more.
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This uniquely flexible collection works great for solos, duets, trios, quartets, quintets, sextets and more! Each arrangement can be performed unaccompanied, or accompanied using the fully orchestrated StudioTrax CD or piano accompaniment book. Mix and match instrumentation according to your needs in any given situation, all year long in a variety of settings: worship services, Sunday School or at home. Stan Pethel's signature style of accessible, fresh arrangements shines through in each hymn making Winds of Worship an essential addition to your library for the advanced or beginning player alike.
Contents: Immortal, Invisible • Take My Life and Let It Be • Joyful, Joyful, We Adore Thee • Near to the Heart of God • Praise the Lord Who Reigns Above • Love Lifted Me • Like a River Glorious • I Will Sing of the Mercies • Savior, Like a Shepherd Lead Us • Higher Ground • My Jesus, I Love Thee • and He's Got the Whole World in His Hands.
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Price | $11.66 (Save: $1.29) |
This uniquely flexible collection works great for solos, duets, trios, quartets, quintets, sextets and more! Each arrangement can be performed unaccompanied, or accompanied using the fully orchestrated StudioTrax CD or piano accompaniment book. Mix and match instrumentation according to your needs in any given situation, all year long in a variety of settings: worship services, Sunday School or at home. Stan Pethel's signature style of accessible, fresh arrangements shines through in each hymn making Winds of Worship an essential addition to your library for the advanced or beginning player alike.
Contents: Immortal, Invisible • Take My Life and Let It Be • Joyful, Joyful, We Adore Thee • Near to the Heart of God • Praise the Lord Who Reigns Above • Love Lifted Me • Like a River Glorious • I Will Sing of the Mercies • Savior, Like a Shepherd Lead Us • Higher Ground • My Jesus, I Love Thee • and He's Got the Whole World in His Hands.
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An abundant collection of grade 1-2 ensembles that can be played by any combination of 3 or more flutes, clarinets, oboes, saxophones, trumpets or violins. Includes traditional songs and rounds, as well as beginning level arrangements of songs by Bach, Schubert, Stephen Foster, Lehar, Weber, Mendelssohn and many more.
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A contemporary reflection on 16th century French wind music, this Consort starts with a lively dance movement, then continues to a heartfelt Aubade and a capricious Sautureau. Scored for pairs of flutes, oboes, clarinets, horns and bassoons. (duration – 10:40)
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Menotti is best known for his operas, but he has written some wonderful chamber music, among which this piece deserves special notice. It was composed for and has been recorded by the Verdehr Trio as part of their “Making of a Medium” project.
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An abundant collection of grade 1-2 ensembles that can be played by any combination of 3 or more flutes, clarinets, oboes, saxophones, trumpets or violins. Includes traditional songs and rounds, as well as beginning level arrangements of songs by Bach, Schubert, Stephen Foster, Lehar, Weber, Mendelssohn and many more.
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Price | $7.19 (Save: $0.80) |
For Flute, Viola, Clarinet and String Orchestra (Piano Reduction).
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The classic wind octet consisted of pairs of oboes, clarinets, bassoons and horns. In this Little Symphony, two flutes have been included to provide a wider range and more brilliant top to the ensemble. The first three movements are from the Fünf Klavierstücke (1818) and the fourth movement is from the piano 4-hand version of the Overture in Italian Style in C (1817). The music is gentle, good natured, and rich in the familiar Schubertian qualities of graceful melodic invention and harmonic elegance. (18:45)
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A contemporary reflection on 16th century French wind music, this Consort starts with a lively dance movement, then continues to a heartfelt Aubade and a capricious Sautureau. Scored for pairs of flutes, oboes, clarinets, horns and bassoons. (duration – 10:40)
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Price | $58.50 (Save: $6.50) |
The Dylan Thomas poem “Do Not Go Gentle into That Good Night” was the motivation for this musical composition. While not a programmatic depiction of the poem, the work attempts to recreate the essence of the poem in sound. The opening motive, representative of the life force, permeates much of the work. The use of sound layers – in the form of polytonal hymns – calls to mind the struggles and persistence of the human spirit and its refusal to “go gentle.” A substantial and dramatic work for mature ensembles. Dur: 11:15 (Grade 5)
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Composed in Paris, France in 1960. Movements: I. Allegretto moderato, II. Adagietto, III. Allegro con brio. A piano reduction is available separately.
Instrumentation: Soli: Violin, Flute, Oboe: 1(Picc).1(EH.1+Ecl+BsCl.2: 2.1.0.0: Hp: Str
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Score and Parts
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Transcriptions to the suite featuring the jazz piano of Claude Bolling as well as parts for flute, guitar, bass and drums.
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This unique collection of 20 Beatles tunes presents, in score format, the parts played by the band's studio session players, so that you can study and play exactly what those violins, harps or trumpets were playing! Songs include: All You Need Is Love • Eleanor Rigby • The Fool on the Hill • Golden Slumbers • Got to Get You into My Life • Hello, Goodbye • I Am the Walrus • Magical Mystery Tour • Penny Lane • Sgt. Pepper's Lonely Hearts Club Band • Something • Strawberry Fields Forever • When I'm Sixty-Four • and more.
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HPS 609
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