Astor Piazzolla (1921-1992) was the foremost composer and ambassador of tango music, who carried the signature sound of Argentina to clubs and concert halls around the world. This folio gathers 35 of his finest and arranges them for violin and guitar duets. Titles include: Adios nonino • Buenos Aires Hora Cero • Decarisimo • Extasis • Fievre (Fiebre de Tango) • Greenwich • La fin del mundo • Made in USA • Misteriosa Vida • Nuevo Mundo • Recuerdo New York • Tango choc (Doudou) • Yo canto un tango • and more. Includes bio.
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Forty-seven duets for intermediate players with study hints for each piece. Composers include Dowland, Telemann, Beethoven and Albeniz. Separate flute part.
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A unique collection of duets, which will provide a wide ranging selection of high-quality music to flautists and guitarists. Pieces include well-known classics, lesser-known yet captivating pieces and some original compositions. The accompanying recording allows the listeners to hear both parts simultaneously, to facilitate learning the pieces. It also allows for either of the instruments to be turned off completely so that an individual instrumentalist can use the recording as their playing partner. The guitar part for each piece is written in several ways to accommodate players of all abilities. Standard notation is provided for classically trained guitarists, tablature is also provided, and each piece includes simplified chord names along with a suggested strum.
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Max Bruch composed these eight, highly romantic pieces for his son Max Felix, a talented clarinetist. In order to enable the work to be played more widely, Bruch arranged the clarinet part for violin and the viola part for cello. Our edition contains both parts plus a transposed version for clarinet in B flat, thus allowing it to be played by different combinations of instruments. In addition, all of the eight pieces are presented here in an Urtext edition for the first time and in one volume!
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Original works and arrangements of easy to intermediate works by Bach, Handel, Lully, Purcell, Telemann, and more. Pieces are graded This anthology contains pieces by seventeenth- and eighteenth-century composers in a variety of different styles. The repertoire includes works by major composers such as Telemann and Purcell as well as lesser-known composers including, amongst others, Daquin, van Eyck, Hotteterre, and Lully. This collection is ideal for recorder teachers looking for additional repertoire for their teaching practice as well as for developing players looking to expand their repertoire, and for use in school or music centre concerts.
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Corrected Edition (2002)
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Carl Nielsen's The Fog Is Lifting Op.41, from Helge Rode's play The Mother, for flute with piano or harp accompaniment.
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For flute, cello or viola, and piano.
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Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802-03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl's opera L'amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout.
The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided – as also in the case of op. 11 – an alternative violin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which – just as back then – makes it doubly valuable.
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In the pieces “Spuren” (alto recorder) and “Linien” (tenor recorder) created in 2020, Hans-Martin Linde lets recorder and violoncello enter into an equal dialogue: entertaining, enriching, exchanging.
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For piano, flute (or violin) and cello.
In the Classical period, and well into the 19th century, piano trios were almost “fashion accessories.” At the end of his life, Haydn could look back proudly at the 39 piano trios which he now left to posterity. One interesting feature of the collection Hob. XV:15-17 is that, thanks to their scoring for flute instead of violin, they differ from Haydn's other trios. They were commissioned by the London publisher John Bland, who had paid a visit to Haydn in 1789. Haydn immediately put pen to paper and created three extraordinarily charming pieces full of imaginative touches and elegance, which were published in summer 1790. The use of the flute is undoubtedly due to the instrument's unique popularity in the circles of the English middle classes and aristocracy; nevertheless, a performance with violin is also perfectly feasible and even explicitly suggested in the F-major Trio Hob. XV:17.
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Mozart was neither a flautist nor a harpist, but his Double Concerto has become the best-known nusic for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján, following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions; the lean and euphonious piano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the harp part in form of a performance score. This new volume completes Henle's series of up-to-date urtext editions of Mozart's surviving concertos and chamber music with flute.
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Suite for clarinet, violin and piano. MORE»
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For flute and harp.
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Easy duets designed to allow average to advanced players the opportunity to perform 16 familiar carols. No accompaniment is necessary, and the duets may be played by any combination of woodwind, brass, string or mallet percussion instruments. Includes: Coventry Carol • Deck the Halls • Jingle Bells • Joy to the World • and more!
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Written in memory of a close friend of the composer's, Mariel captures that short instant before grief, in which one learns of the sudden death of a friend.
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For Violin or Clarinet, viola and piano.
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For Flute, Viola and Piano.
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