For recorder and keyboard reduction with orchestra part on the CD. Dowani 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. Dowani 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.
The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes, with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo.
All versions appearing on the CD were recorded live by renowned soloist, accompanists, and orchestras. There are no synthesised sounds in a Dowani edition!
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Previously unpublished, Bernstein's Variations on an Octatonic Scale was originally composed for recorder and cello in 1988-89 in Key West. Available in the original version, or in a transcription for clarinet in B-flat and cello.
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Andreas Knoblich, one of the most renowned Bossa Nova guitarists in Germany and initiator of the international Guitar Salon in Nuremberg, now presents four of his compositions in easy to intermediate arrangements for flute and guitar. Including 'Fly to Brazil' which has been a great success in European concert halls in the version for five guitars by the Ensemble Gitarissima.
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Descant recorder or childrens' choir and piano or guitar.
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In the unparalleled series ,Cadenza', Schott Musik International presents
cadences of well-known instrumental concertos of classical and Romantic
music, composed by major composers and soloists of our time. The cadences of Mozart's Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist
Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota's
brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto.
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Jasper Drag takes its name from the racially motivated murder which occurred on June 7, 1998, in Jasper, Texas.
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For decades the legendary harpist Ursula Holliger performed these cadenzas to Mozart's popular flute harp concerto with renowned flutists such as Peter-Lukas Graf and Aurèle Nicolet. They are now available for the first time as a sheet music edition.
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Score and Parts. Commissioned by Colin Horsley. Premiered in the Victoria and Albert Museum by Manoung Parikian, Dennis Brain and Colin Horsley, March 1954.
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For flute and string quartet. Arranged here for flute and harp reduction.
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For Viola, Bassoon and Piano.
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An opener/encore inspired by clogging tunes.
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As suggested by the title, Diemer's Trio whimsically evokes the carefree mood of a warm summer day. Cast in a single movement of approximately eleven minutes, the work was premiered in 2012 for the third annual Social Networking new music series in New York
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For Clarinet and Cello.
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Cello (Viola, Flute) and Guitar.
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“Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France, Suite for Flute and Cello being no exception. Flautist, Jean Ferrandis described Uebayashi's music as ”“gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow.”“ Suite for Flute and Cello is made up of six movements with a typical performance lasting around 18 minutes. Suite for Flute and Cello is modern in style, exploiting tonality, rhythm and the ensemble. Uebayashi's Suite for Flute and Cello is a sublime addition to the advanced repertoire of the instruments.”
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