These easy duets are designed to allow the average to advanced players the opportunity to perform ten familiar gospel songs in school, in church or any social occasion. No accompaniment is necessary. They may be played by any combination of woodwind, brass, string or mallet percussion instruments. MORE»
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Mozart was neither a flautist nor a harpist, but his Double Concerto has become the best-known nusic for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján, following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions; the lean and euphonious piano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the harp part in form of a performance score. This new volume completes Henle's series of up-to-date urtext editions of Mozart's surviving concertos and chamber music with flute.
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Written in memory of a close friend of the composer's, Mariel captures that short instant before grief, in which one learns of the sudden death of a friend.
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Did Mozart intend this work to be a duo for two bass instruments, or – as the simple basso-like manner of the second part suggests – a sonata for bassoon and keyboard instrument? We will probably never know the answer because the autograph has gone missing. Our edition allows different instrumentation; it not only contains scores for the duo version but also one so it can be performed as a solo bassoon sonata, following the style of the time with a figured bass realization. And cellists – who are not blessed with many works by Mozart – will appreciate the version of this endearing work for cello and figured bass.
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with Piano Reduction
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For flute, violin and piano.
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Easy duets designed to allow average to advanced players the opportunity to perform 16 familiar carols. No accompaniment is necessary, and the duets may be played by any combination of woodwind, brass, string or mallet percussion instruments. Includes: Coventry Carol • Deck the Halls • Jingle Bells • Joy to the World • and more!
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These easy duets are designed to allow average to advanced players the opportunity to perform in church, school or anywhere Easter is being celebrated. No accompaniment is necessary. They may be played by any combination of woodwind, brass, string or mallet percussion instruments. Songs include: At the Cross, Christ the Lord Is Risen Today, Crown Him with Many Crowns, Were You There, Christ Arose, O Sacred Head, Come Ye Faithful Raise the Strain, Lo He Comes in Clouds Descending, Rejoice the Lord is King, Fairest Lord Jesus, Rejoice Ye Pure in Heart, All Hail the Power, Thine is the Glory, Jesus Shall Reign, Come Thou Almighty King and Come Christians Join to Sing.
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Pièce by Gabriel Fauré is a piece for flute, oboe or violin, with piano accompaniment. This romantic piece in A only features one movement. Small, it is really melodious and quite slow:Adagio, molto tranquillo. Rated as quite difficult, upper-intermediate players will enjoy playing it for recitals. The book includes an insert with the instrument only part. Gabriel Fauré was a French composer, organist, pianist and teacher. He is one of the most important composers of his generation, with pieces such as Pavane or Requiem.
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Piano Reduction with Solo Parts.
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Also playable by two celli or two bassoons.
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Clarinet, violoncello and piano. MORE»
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A collection of 14 traditional wedding songs for organ, voice and piano, including: Bridal Chorus • Entreat Me Not to Leave Thee • O Promise Me • Panis Angelicus (O Lord, Most Holy) • Pavane • Trumpet Air • Wedding Recessional (A Majestic Medley) • and more.
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Flute and violin with piano.
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This work, regarded as a homage to Brahms, has a key position within Ligeti's oeuvre. It is especially notable for the pithy way in which the memorable thematic material is shaped into precisely defined formal
structures.
The Trio starts with a quote from Beethoven's Sonata 'Les Adieux', though Ligeti, typically, puts his own slant onto the famous horn fifths.This edition in normal music setting complements the facsimile edition of the work. Violin, French Horn, and Piano
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Bach's Trio Sonata for flute, violin and basso continuo from the Musical Offering is probably the pre-eminent trio sonata in music history. When Bach met King Frederick the Great in Potsdam in 1747, the sovereign presented the composer with the celebrated “Royal Theme”, composed by himself. It underpins the entire Musical Offering, which also contains several fugues and canons as well as the Trio Sonata. The Canon perpetuus that follows the Trio can also be played by a trio. The term “perpetuus” here means that the performers themselves are to determine when the canon ends.
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Nicoló Paganini numbers among the few musicians who attained fame by playing and writing for only a single instrument. His works for violin solo are unique, and his apperances as virtuoso fascinated audiences from the very beginning. Yet, in addition to the violin, Paganini also learned to play the guitar as a child. And before travelling throughout the world he must have got to know the Genoese song “Barucaba” in is hometown of Genoa, writing his op. 14 Variations for violin and guitar upon this song in 1835. We were able to engage musicologist Alberto Cantu and violinist Renato De Barbieri as editors of our Urtext edition of this chamber music work. Barbieri's helpful fingerings in the violin part round off the edition.
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