AND THEN. . . was written for Bass Clarinet and Piano by David Baker in 2001 for a commission from Howard Klug. Movements: I. The Song Also Rises; II. On Wings of Song; III. The Appretice's Sources.
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“Mittleres Leben 1” was premiered in Laudenau on 23 August 2014 by Volker Hemken.
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With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-products”: And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, the suite Gertrude Fragments for mezzo-soprano and guitar, and Confessio for solo bass clarinet. Confessio describes an appearance by Hamlet's uncle Claudius: In the castle chapel he deliversa short monologue – rather a reflection than a prayer or confession. Claudius reveals to himself the deep fear of the consequences of his murderous deed - and a vague, though hardly justifiable, hope for mercy.
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Transcription for Bass Clarinet by Vincent Penot of André Jolivet's Bassoon Concerto.
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