Arranged for organ solo by Jean Guillou.
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In celebration of the 50th Anniversary of St. Nikolaus Church, Frankfurt-Bergen-Enkheim, January 2017.
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This Cantilena is based on stage music by Francisco A. Barbieri (1823-1894), from Don Quijote de la Mancha, drama in three acts by Ventura de la Vega (1807-1865), inspired by the work of Miguel de Cervantes (1547-1616).
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The Sonata in B minor undoubtedly is the most important piano composition by Franz Liszt and a pinnacle of piano literature. The creation of the work around 1850 coincides with the period in which Liszt concentrated on the organ and its possibilities of sound and expression as well as on the music by Johann Sebastian Bach. Liszt composed several works for organ himself and arranged both some of his own works and works by other composers for this versatile instrument.
While working on the arrangement, Andreas Rothkopf acted on the maxim to stay close to the original work with its finely nuanced texture and find his own tonal language appropriate for the organ on the basis of Liszt. For a better understanding of the arrangement, the interpreter may want to have a profound knowledge of the original piano text.
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Cosmogonie was written after an improvisation of the composer at the Haarlem International Organ Improvisation Competition, Rotterdam 1981. The given theme was an abstract graphic by Enrique Raxach. The result is an evocation of the opening verses of the Genesis.
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Composed from various popular Aragonese melodies, Villancico Aragonés is a testimony of the composer's love for Spain.
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Bogurodzica (Mother of God/Theotokos), Carmen patrium, (Hymn of motherland) is a solemn ornamented setting of the oldest Polish hymnattributed to Saint Adalbert of Prague (955-997) and notated at the beginning of the 15th century. The powerful registration and majestic character of the organ work is inspired by the Grand-Orgue of the Basilique du Sacré-Coeur in Paris.
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Composed by Joseph Bonnet, Twelve Pieces, Op. 7 is a set of organ studies for upper intermediate players. An index at the beginning gives an English translation of the terms used in the book. It features: 1. Dédicace 2. Étude de concert 3. Clair de lune 4. Stella matutina 5. Songe denfant 6. Chant de Printemps 7. Prélude au Salve Regina 8. Romance sans Paroles 9. Pastorale 10. Deuxième légende 11. Elfes 12. Caprice héroïque. Joseph Jongen was a Belgian organist, composer and professor of harmony and counterpoint. He won the Belgian Prix de Rome and composed numerous pieces including music chamber works, symphonies, concertos and songs. His most famous piece is the Symphonie Concertante (1926). MORE»
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“For me, Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.” It was with these programmatic words that Max Reger prefaced his answer to a survey “What does Johann Sebastian Bach mean to me, and what is his significance for our time?”, posed by the editors of a magazine in 1905. Reger had already proven his adoration of Bach with his magnificent homage to the composer, written and published in 1900 and probably the best-known of his works for organ. It is an established work in the concert repertoire of well-known virtuosi, but is also increasingly being performed by ambitious church musicians. Henle has now published this sea of notes and performance directions in an edition with a particularly clear and readable text.
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65 beloved classics arranged in big, easy-to-read notation in a small, convenient size. Songs include: The Bare Necessities • Be Our Guest • Beauty and the Beast • Can You Feel the Love Tonight • Chim Chim Cher-ee • A Dream Is a Wish Your Heart Makes • Hakuna Matata • Kiss the Girl • Mickey Mouse March • Reflection • Something There • A Spoonful of Sugar • Under the Sea • When She Loved Me • A Whole New World • You'll Be in My Heart (Pop Version) • and more.
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| List | $42.00 |
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New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire.
With works by José Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezón, Pedro de Araujo, Antonio de Cabezón and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmáry and Alfred Müller-Kranich.
The new Spanish organ of the Hochschule für Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquín Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule für Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'.
Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration.
The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument.
Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire. MORE»
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During his lifetime, Krebs was regarded as an extraordinary composer and organist with virtuosic skills. The second volume of his collected organ works contains 17 organ trios WV 435-451.
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