Carolyn Hamlin has created a thrilling new setting for this honored hymn. Richard Nichols has arranged brass parts that work with the organ in a number of different configurations. Solo trumpet and Organ, but also Brass Quintet, Trio - all work to make this setting one of the most useful and celebratory.
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Debussy, Saint-Saens, and Langlais are three of the most important names in French organ composition. Each is a true master. This collection brings together classic five Preludes from these three giants. Excellent for concert or worship, each piece is an impressionistic gem. Edited by Lyndell Leatherman.
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When her friend, famed organist Tom Hazelton, passed away, Carolyn Hamlin was commissioned to compose a piece in tribute. From Earth to Glory was the outcome, and it was premiered at his memorial service. We are proud to publish this stirring concert or worship service organ piece in memory of a great man.
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This second volume of Hymn Fanfares for brass, organ and percussion continues the festive mood presented in the first volume. In keeping with other collections in the Fanfares series, each piece in it can stand alone in concert or in a service, or serve as the introduction to the congregational hymn. This collection includes: Fanfare on Azmon • Fanfare on Ein Feste Burg • Fanfare on Lyons • Fanfare on Madrid • Fanfare on Melita. Brass instrumentation is for two trumpets and two trombones (opt. fr. horn subs for trombone 1). The book includes a CD with instrumental parts so organists can practice or perform on their own.
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Includes: Trumpet Pastorale (Richard E. Frey) • Processional for Organ (Warren Martin) • Processional Music (Kenneth Mahy)
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“Worship Hymns for Organ and Brass” is a series with remarkable versatility. The arrangements are for organ with solo trumpet or brass ensemble and percussion. All parts are upper intermediate level with optional high notes for trumpets and horn. While the parts are not demanding, they have a level of artistry that is compelling to all of the performers involved. Instrumental options with organ include: solo trumpet; brass trio (2 trumpets and 1st trombone); brass quartet (2 trumpets and 2 trombones OR 1st trombone and tuba); brass quintet (All but horn, 2nd trombone or tuba); and brass sextet. Versatile and regal, perfect for the most triumphant season of the year.
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William Albright's “Whistler Nocturnes” pay homage to, react to, and commune with three paintings by James McNeil Whistler. This is a highly advanced organ solo in the manner of the composer's seminal Organbooks from the 1970s. Unavailable via publication for 30 years, this edition is a collaboration with organist and scholar Douglas Reed, who has recorded the entire Albright output for the King of Instruments and was a personal friend of the composer, who passed away in 1998.
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| List | $19.99 |
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Gospel Fantasy on “Siyahamba” and ShorTaccata on “Kumbaya” are together in this small collection. Siyahamba is a popular Zulu folk song/hymn that has been elevated to a fantasy for organ. Joyful, rhythmic, playful, makes this a great prelude or postlude or concert piece for any season. Kumbaya is usually a gentle, prayerful song, but this arrangement gives it gusto never enjoyed so much before.
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“A ten-minute suite consisting of four short pieces aimed at providing aspiring organists with new and progressive repertoire. Thesepieces celebrate different aspects of a child's Christmas as seen from an adult perspective and takes influence from the text 'A Box of Delights' by John Masefield, with its magical and pagan overtones. In the music there are quotations from other Bingham pieces, and from Christmas carols.
Christmas Past Christmas Present is also available for piano: (https://www.musicroom.com/judith-bingham-christmas-past-christmas-present-piano-musnov100324).”
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For solo organ - dedicated to Luca Myers & the Choir of Sidney Sussex, Cambridge
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Le Poisson Magique is a work by John McCabe for organ. A full performance of the piece lasts around 6 minutes.
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Composer and organist, Joseph Bonnet (1884-1944) is considered one of the most major French pipe organ players. It is no surprise, therefore, that 12 Pieces are very well informed. Following his studies at the Paris Conservatoire, Gounod took over as concert organist at the institution. The third volume of 12 Pieces for Organ was compiled in 1913, following two preceding, successful volumes of the same nature. The first of the twelve pieces of volume 3 includes in memoriam, remembering the victims of the Titanic. Moreover, a helpful index of performance directions is included. For all advanced, aspiring organists, Bonnet's 12 Pieces is an essential addition to the repertoire.
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7. Scherzo; 8. Toccata sur le Veni Creator; 9. Prière; 10. Jeux de Rythmes; 11. Interlude; 12. Variations sur un Noël angevin
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The Glorious Bodies, by Olivier Messiaen is a composition that depicts his Roman Catholic faith. Written for organ in 1939, it is a mix between Indian music and Gregorian Plainsong. This third volume includes the final three pieces of the whole composition: 5. Force et agilité des Corps Glorieux, 6. Joie et clarté des Corps Glorieux and 7. Le Mystère de la Sainte-Trinité. This piece is divided into 7 sections: 1. Subtilité des Corps Glorieux 2. Les eaux de la Grâce 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilité des Corps Glorieux 6. Joie et clarté des Corps Glorieux 7. Le Mystère de la Sainte-Trinité. Olivier Messiaen (1908-1992) was a French organist and composer who was also passionate about ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing, and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the Bird Catalogue in 7 volumes and the Treatise on Rhythm, Colour and Ornithology in 7 volumes.
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Transcriptions of works by: Canteloube, Fauré, Gaubert, Gnecchi, Harsanyi, Hüe, Jongen, Laparra, Mangagialli, Nin, Ravel and Vittadini MORE»
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1. Douloureux; 2. Comme un Choral; 3. Allant; 4. Clair heureux; 5. Pathétique sans Lenteur; 6. Douloureux; 7. Décidé, fièrement; 8. Berceuse mystérieusement; 9. Allant; 10. Allant; 11. Sans Lenteur; 12. Allant, Brillant, Eclatant MORE»
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Composed by Joseph Bonnet, Twelve Pieces, Op. 7 is a set of organ studies for upper intermediate players. An index at the beginning gives an English translation of the terms used in the book. It features: 1. Dédicace 2. Étude de concert 3. Clair de lune 4. Stella matutina 5. Songe denfant 6. Chant de Printemps 7. Prélude au Salve Regina 8. Romance sans Paroles 9. Pastorale 10. Deuxième légende 11. Elfes 12. Caprice héroïque. Joseph Jongen was a Belgian organist, composer and professor of harmony and counterpoint. He won the Belgian Prix de Rome and composed numerous pieces including music chamber works, symphonies, concertos and songs. His most famous piece is the Symphonie Concertante (1926). MORE»
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1. Prélude; 2. Lamento; 3. Toccata; 4. Nocturne; 5. Ave Maris Stella; 6. Rêverie; 7. Intermezzo; 8. Fantaisies sur deux Noëls; 9. Epithalme; 10. Légende symphonique; 11. Canzone; 12. Rhapsodie catalane
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10 Pieces
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for organ
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New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire.
With works by José Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezón, Pedro de Araujo, Antonio de Cabezón and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmáry and Alfred Müller-Kranich.
The new Spanish organ of the Hochschule für Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquín Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule für Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'.
Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration.
The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument.
Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire. MORE»
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During his lifetime, Krebs was regarded as an extraordinary composer and organist with virtuosic skills. The second volume of his collected organ works contains 17 organ trios WV 435-451.
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This work is based on an aria from Handel's Suite I in B-flat major for harpsichord HWV 434. The 25 variations with final fugue in their ornate polyphonic design lend themselves excellently to the organ.
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