This was composed in 1962. The first movement is classically structured, with a gracefully contoured first subject, a forceful ensuing idea and a murmurously lyrical second subject; the second movement generates an intensity of feeling which is the greater for the very restraint of its language; and the finale effectively introduces calm moments to offset the prevailing syncopated ebullience.
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This is the third volume in a progressive series of three study books that takes the young player from beginner to accomplished musician. It is carefully tailored for each instrument and focuses on exercises aimed to improve specific technical and musical demands of the instruments.
Also available: Starter Studies (Volume 1) – 44004898-44004907; Skillful Studies (Volume 2) – 44005028-44005036
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| Price | $12.59 (Save: $1.40) |
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem “At Twilight,” opus 39. Sensitively arranged here for oboe and piano by Wolfgang Birtel.
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New instrumental solo arrangements of Tárrega's enchanting guitar piece.
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A wedding without a famous wedding march – unimaginable! Wagner's 'Bridal Chorus' from 'Lohengrin' and Mendelssohn's 'Wedding March' from the incidental music of 'A Midsummer Night's Dream' vie for the favour of bridal couples and wedding parties. If, however, the music shall be festive, Mendelssohn's background music for the wedding ceremony remains first choice. In order that the march cannot only be performed with the organ but also with a melodic instrument with piano (or organ) accompaniment, the present editions provide easy-to-play arrangements.
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Fauré's well-known romantic, melancholy melody can now be played in a fresh arrangement for oboe and piano.
“This well-score setting of the Faure work is written for oboe with piano accompaniment. Featuring a romantic, somewhat melancholy melody played at a moderate tempo and accompanied by attractive harmonies, the piece was originally written for a concert of light music. The composer described the piece as 'elegant, but not particularly imposing.'”--The Instrumentalist
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Originally for Oboe, Strings and Cembalo, reduced here for piano accompaniment.
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Based on the orchestral score of the Concerto for Violin and Orchestra in D Major, Op. 77, and on the piano score by Joseph Joachim. This edition contains a new piano reduction which does not include the solo part material used in Joachim's edition.
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This series of eighteenth century Italian music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by six of the most important eighteenth-century Italian composers of oboe music. Intermediate Level.
Contents:
Alessandro Besozzi, Sonata V
Giovanni Battista Ferrandini, Sonata op. II no. 2
Giovanni Bendetto Platti, Sonata a oboe solo
Giovanni Bendetto Platti, Sonata a oboe solo
Filippo Prover, Sonata op. I, no. 4
Filippo Prover, Sonata op. I, no. 6
Giuseppe Sammartini, Sonata a oboe solo
Giuseppe Sammartini, Sonata a oboe solo
Antonio Vivaldi, Sonata per oboe solo RV 53
Antonio Vivaldi, Sonata a solo RV 28
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Also available for Soprano Saxophone/ Tape or CD.
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Movement 3 from “The Magic Oboe.”
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Dedicated to Harold Simoliar.
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Four-minute piece for oboe solo.
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Unique concerto for Oboe doubling on four other members of the oboe family including English Horn, Oboe d'Amore, Bass Oboe and Musette. Premiered at FEMUSC Brazil by Oboist Alex Klein.
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| List | $17.95 |
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| List | $47.00 |
| Price | $42.30 (Save: $4.70) |
