Performance sets for solo with orchestra are available (rental). Click here for information and to receive a quote.
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This Henle Urtext edition is unrivalled in layout and precision. The professional journal “Rohrblatt” wrote shortly after its publication (in 2004): “An editorial stroke of genius... Every oboist who attempts this concerto must have his interpretation measured against this edition.” Such praise principally honors the editor, the famous oboist Ingo Goritzki. It was his idea to offer a supplement to the edited instrumental part that presents both sources of the work – each problematic in various ways – together with the edited part. Owing to this chosen arrangement of the score one can see all variants at a glance, and make one's own justified performance decisions. Particularly problematic and oft-debated passages are discussed in detail by Professor Goritzki. The above-cited praise for “an editorial stroke of genius” also applies to Mozart expert and pianist Robert Levin, who has composed idiosyncratic cadenzas in the master's style especially for Henle's edition of Mozart's oboe concerto; very much in the improvisatory spirit of a cadenza, one can jump from one place to another in the template thanks to a simple (numerical) cross-reference system, and thus craft one's “own” cadenzas. Finally, a word about the much-praised piano reduction for this edition, which comes from Mozart expert and renowned continuo specialist Siegfried Petrenz. He aims for a well-sounding and not too technically-challenging keyboard part that is clearly removed from those often-found piano reductions that orient themselves around an orchestral scoring. In so doing, he also takes account of the typical instructional situation in which a professional accompanist is not always available to the oboist.
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Jean-Baptiste Loeillet (1680 - 1730) gained fame as a composer of elegant instrumental works. This Sonata in C Major for Oboe and Piano is edited and arranged by Evelyn Rothwell.
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For oboe and string orchestra (piano reduction).
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Carl Nielsen's Two Fantasy Pieces Op.2 are 2 contrasting pieces for the advancing oboist. The piece begins with a lyrical Romanze and concludes with a rhythmic and punchy Humoresque. For oboe with piano accompaniment. The oboe part is also included on a separate insert.
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Edited and arranged by Evelyn Rothwell. Figured bass realized by A. Gibilaro.
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Internationally renowned oboe soloist and orchestral musician John Winstead plays the demo tracks for this book/2-CD pack which includes 14 classical favorites: Larghetto from Cimarosa's Oboe Concerto in C Minor • Allegro from Telemann's Fantasia III • Allegro Guisto, Grave, and Allegro from Vivaldi's Concerto in F Major • Pan, Phaeton, Niobe, Bacchus, Narcissus, and Arethusa from Britten's The Six Metamorphoses After Ovid • and Stehe Still, Im Treibhaus and Träume from Wagner's Wesendonch Lieder Suite.
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From the movie Stepmom.
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Sonata for Oboe and Piano, duration c. 16-17 minutes.
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This version of Handel's Air and Rondo is edited and arranged by Evelyn Rothwell. 'Air' is grade 3 standard, while the 'Rondo' is grade 5 standard.
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For oboe and piano. Also includes a part for clarinet in B flat or A.
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Carl Nielsen's Fantasy Pieces for oboe and piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with his String Suite Op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for oboe, which were to appear in 1890 as his Opus 2. The two movements, Romance and Humoreske, are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the “young, talented composer” took the public and critics by storm at their first performance in March 1891.
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