Contents: Bourré (Bach) • Grave (Abaco) • Concerto (Vivaldi) • Prelude and Allegro (d'Andrieu) • Sonata in C Minor (Handel) • Sonatina and Minuet (Beethoven) • Elegy and Andante (Bottesini) • Aria from Rigoletto (Verdi) • Adagio (Geissel) • Vocalise (Rachmaninoff) • Romance (Prokofiev) • Introduction and Tarentelle (Franchi) • Serenade (Beveridge) • Chaconne (Russell).
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| List | $12.99 |
| Price | $11.69 (Save: $1.30) |
Double Bass and Piano
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| Price | $17.09 (Save: $1.90) |
A tribute to Ray Brown including 18 transcriptions, performance notes, photos, and a foreword by Christian McBride. Songs include: Autumn in New York • Custard Puff • Days of Wine and Roses • Easy Does It • Gravy Waltz • Have You Met Miss Jones? • How High the Moon • I'm an Old Cowhand (From the Rio Grande) • I'm Glad There Is You (In This World of Ordinary People) • Killer Joe • Love Is Here to Stay • Mack the Knife • Minor Mystery • Moten Swing • Night Train • Sometimes I'm Happy • The Surrey with the Fringe on Top • Tune Up.
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Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving • Blowin' in the Wind • Clocks • Don't Stop Believin' • Every Breath You Take • Fireflies • Hey, Soul Sister • In My Life • Love Story • My Girl • Nights in White Satin • Sweet Caroline • Unchained Melody • Viva La Vida • What a Wonderful World • You've Got a Friend • and more.
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Contents: Bourré (Bach) • Grave (Abaco) • Concerto (Vivaldi) • Prelude and Allegro (d'Andrieu) • Sonata in C Minor (Handel) • Sonatina and Minuet (Beethoven) • Elegy and Andante (Bottesini) • Aria from Rigoletto (Verdi) • Adagio (Geissel) • Vocalise (Rachmaninoff) • Romance (Prokofiev) • Introduction and Tarentelle (Franchi) • Serenade (Beveridge) • Chaconne (Russell). This book also includes access to online professional recordings of piano accompaniments for each piece. The accompanying audio is accessed through Hal Leonard's popular MyLibrary system using the provided code. The audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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Performed by Andrew Kohn
Accompaniment: Gail Kusbit, piano
For the first time, all 30 of Franz Simandl's famous etudes are available with full piano accompaniment for your learning and practice pleasure. These are some of the most important pieces any double bassist will use. Covers all aspects of performance technique, including: attack, bowing, mordents and trills, intonation, dexterity, legato/marcato, leaps, syncopation, cantilena playing, and much, much more! The book includes online access to demonstration and backing tracks. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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We have uncovered a true delight for double bass players: a collection of twelve stylized waltzes by Beethoven's contemporary Domenico Dragonetti. The “Paganini of the double bass” grew up in Venice, but moved to London as an adult. It is there that he probably wrote the twelve waltzes. They are quite likely the earliest surviving works for double bass solo. These charming pieces have until now not been published in their entirety. Despite their virtuosic impression, the technical hurdles can be comfortably mastered; the pieces are therefore not only suited for the concert hall but are also perfect encores. This quality Urtext edition is thus able to fill a true gap in the repertoire.
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This collection contains 12 selections (from the Notebook of Anna Magdalena Bach, French Suites Nos. 2 & 4, and Six Little Preludes), transcribed by Frederick Zimmermann for double bass with piano accompaniment. Features a separate pull-out section for the double bass parts.
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This comprehensive volume contains well-known original works and transcriptions from the Baroque, Classical and Romantic periods by Bottesini, Capuzzi, Dragonetti, Eccles, Fauré, Koussevitzky, Lulier, Saint-Saëns, Simandl, Sperger and others. The repertoire is suitable for lessons, auditions, examinations and competitions. All pieces are printed in standard orchestral tuning; in addition, piano accompaniments for playing in solo tuning are available for download. Thus, the volume can be used flexibly in lessons at the upper classes of music schools as well as in studies.
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Following Dittersdorf (51480759) and Hoffmeister (51480721), Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in Henle's catalog. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger (1750-1812) and found in his estate, which raises a few questions on account of the many later additions in the solo part (especially concerning the octave transpositions). In Henle's Urtext edition, Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. The piano reduction is printed in two keys (C and D major), which allows for performances in the solo and orchestral tuning or, at will. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.
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This is the piano accompaniment CD for the folio that includes: Bourré (Bach) • Grave (Abaco) • Concerto (Vivaldi) • Prelude and Allegro (d'Andrieu) • Sonata in C Minor (Handel) • Sonatina and Minuet (Beethoven) • Elegy and Andante (Bottesini) • Aria from Rigoletto (Verdi) • Adagio (Geissel) • Vocalise (Rachmaninoff) • Romance (Prokofiev) • Introduction and Tarentelle (Franchi) • Serenade (Beveridge) • Chaconne (Russell).
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With this cornerstone of the double bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The piano part in D major and E major (!) can be used to accompany the doublebass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.
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The composition Tango basso by the double bass teacher Charlotte Mohrs is ideal as a lecture and exam piece for advanced students. Equipped with fingerings and bowings and complemented by an easy-to-play piano part, the motivating piece is an ideal addition to the teaching repertoire.
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Originally written for solo cello, these suites have been transcribed and revised for double bass. Based on the manuscript copy of the suites prepared by Anna Magdalena Bach (Staatsbibliothek zu Berlin).
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In spring 2002 the double bass made its première appearance in the Henle urtext catalogue as a solo instrument. The Hoffmeister Double Bass Concerto is joined by the “Elephant,” Camille Saint-Saëns's enchanting miniature from the Carnival of the Animals. This “hit,” one of the few double bass compositions attractive to learners and seasoned musicians alike, now appears in a Henle urtext edition for double bass in solo and orchestral tuning, with piano parts in F major and E flat major.
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Contents: Ensemble Selections: Symphony No. 3, Op. 55, 3rd and 4th movements (Beethoven) • Symphony No. 5, Op. 67, 2nd and 3rd movements (Beethoven) • Symphony No. 9, Op. 125, 4th movement (Beethoven) • Wozzeck, 2nd Act (Berg) • Symphony No. 2, Op. 73, 4th movement (Brahms) • Symphony No. 4, 4th movement (Bruckner) • Symphony No. 6, 1st movement (Bruckner) • Symphony No. 1, 1st and 4th movements (Bruckner) • Symphony No. 40, KV 550, 1st and 4th movements (Mozart) • Symphony No. 41, KV 551, 4th movement (Mozart) • Marraige of Figaro Overture, KV 492 (Mozart) • Magic Flute Overture, KV 620 (Mozart) • Symphony No. 8, 3rd and 4th movements (Schubert) • Die verkaufte Braut Overture (Smetana) • Till Eulenspiegels lustige Streiche, Op. 28 (Strauss) • Don Juan, Op. 20 (Strauss) • Ein Heldenleben, Op. 40 (Strauss) • Salome, Op. 54, 4th Scene (Strauss) • Der Rosenkavalier, Op. 59, 2nd Act Introduction (Strauss) • Rigoletto, 1st Act, No. 1 (Verdi) • La Traviata, 1sr Act 4th Scene, 2nd Act 7th and 8th Scenes (Verdi) • Die Macht des Schicksals Overture (Verdi) • Aida, 4th Act (Verdi) • Othello, 4th Act (Verdi) • Falstaff, 3rd Act, 1st Scene (Verdi) • Die Meistersinger von Nürnberg, 1st Act 3rd Scene 2nd Act 7th Scene (Wagner) • Die Walküre: 1st Act, Introduction, 1st and 2nd Scene; 2nd Act, Introduction, 1st and 5th Scenes; 3rd Act, 1st Scene (Wagner) • Siegfried, 2nd Act, 3rd Scene and 3rd Act Introduction (Wagner) • Der Freisschütz Overture, Op. 77 (Weber) • Euryanthe Overture, Op. 81 (Weber) • Oberon Overture (Weber). Solo Selections: Wozzek, 3rd Act (Berg) • Lulu, 1st Act, Prologue amd 2nd Act, 1st Scene (Berg) • Symphony No. 3 (Hartmann) • Symphony No. 1, 3rd movement (Mahler) • Palestrina, 1st Act, 3rd and 5th Scenes (Pfitzner) • Ariadne auf Naxos, Op. 60, 2nd Act (Strauss) • Pulcinella Suite, 7th Act (Stravinsky) • Rigoletto, 1st Act, No. 3 (Verdi) • Die Soldaten, 3rd Act, 4th Scene (Zimmermann).
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A collection of the most beautiful Russian pieces for double bass and piano, encompassing the period from Late Romanticism to Avant-garde: Tchaikovsky, Glière, Koussevitzky, Schillinger.
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David Walter demonstrates each of these wonderful advanced-level solos on double bass. These solos help you make all necessary adjustments to professional-level interpretation and technique. Includes a printed music score annotated with performance suggestions and online audio with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Includes works by Milton Weinstein, Antonio Capuzzi, Giovanni Bottesini, Domenico Dragonetti, and Paul Hindemith.
Performed by David Walter, double bass
Accompaniment: Judith Olson, piano
The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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| Price | $15.29 (Save: $1.70) |
Virtuoso David Walter plays each of these beginning-level solos on double bass. Then you join the professional accompanist and play the same solos in his place. Follow in the footsteps of the master! Includes a printed music score annotated with performance suggestions and online audio, with complete versions (with soloist) followed by piano accompaniments to each piece (minus the soloist.) Includes works by J.S. Bach, Saint-Saens, Vivaldi, and more.
Performed by David Walter, double bass
Accompaniment: Judith Olson, piano
The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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| List | $31.00 |
| Price | $27.90 (Save: $3.10) |
(piano accompaniment)
Includes: Andante from Symphony No. 5 (Tchaikovsky) • Andantino (Lemare) • Barcarolle from Tales of Hoffman (Offenbach) • Drink to Me Only with Thine Eyes • Evening Star from Tannhauser (R. Wagner) • Largo from New World Symphony (Dvorak) • Liebestraume (Liszt) • Melody in F (Rubenstein) • Nocturne (von Blon) • Swanee River (Foster) • Merry Widow Waltz (Lehar) • Volga Boatman
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In the late 1850s, when Rossini was composing only for his own private pleasure, he wrote a little elegy for double bass and piano that he entitled une larme (a tear). Its theme also served as the basis for a larger-scale set of variations for cello and piano. The importance that Rossini ascribed to this short piece for double bass is demonstrated not least by the fact that he made a richly ornamented dedication copy of it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle's other Urtext editions for this instrument, the double bass specialist Tobias Glöckler has prepared a version in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.
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21 pieces promoting good 'musical habits' such as proper hand position, body posture, holding the bow correctly and more.
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Double Bass Solo
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