Contains 19 famous pieces.
Contents: Children's Corner • Deux Arabesques • Le petit negre • Pour le Piano • Preludes, Livre I • Preludes, Livre II • Reverie • Suite Bergamasque
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A spectacular finding concerning Mozart occured in the autumn of 2014 when a hitherto totally unknown manuscript by Mozart's own hand was discovered in Budapest. It is the larger part of the autograph of one of Mozart's most well-known piano sonatas – the Piano Sonata in A major which begins with the moving Siciliano theme and contains the everlasting “Turkish March” as its last movement.
Everyone is familiar with this piano work – and yet no one has yet known it entirely. It's only now that the definitive Urtext of important parts of this masterwork was able to be published. The deviations from the score of the sonata as generally used up until today can be regarded as grave differences. They are described in the edition. The detailed critical commentary is available free-of-charge for download on www.henle.de.
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In autumn 2024, the Morgan Library in New York announced a sensation: in a legacy, curator Robinson McClellan had discovered a postcard-sized manuscript of a waltz in a minor with the inscription “Chopin”. Chopin experts all over the world have meanwhile scrutinized and confirmed the authenticity of the manuscript: undoubtedly an autograph by the Polish composer, it is moreover the short waltz of a hitherto unknown original work. Scholars and pianists have since then fallen into a waltz fever! In close collaboration with the Morgan Library, G. Henle Publishers has the privilege to present the first Urtext edition of the new Chopin waltz: in addition to the musical text edited by Jeffrey Kallberg, it also offers a facsimile of the autograph. In his epilogue, the internationally renowned Chopin researcher provides fascinating observations concerning the genesis and intention of the small composition. We were able to engage star pianist Lang Lang, who introduced this sensational discovery to the world with his premiere recording, to supply the fingerings. A gem for all Chopin fans and piano aficionados!
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Tender is the night on what is, perhaps, Keith Jarrett's most intimate album. It is comprised of solo piano renderings of jazz ballads and folk songs, played with unmistakable affection. Jarrett dispenses with the jazz soloist's conventional emphasis on dexterity, the 'clever' phrase, the virtuosic sleight-of-hand. Instead he strips these songs to their melodic essence and, gently, lays bare their emotional core.
This transcription, which has Keith Jarrett's personal approval, was worked out at the keyboard and aims, above all, for maximum playability within the greatest tonal range. Friedrich Grossnick, as an experienced pedagogue, has produced an outstanding score with particular sensitivity to Jarrett's interpretation thus enabling its faithful recreation on the piano.
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To see other NFMC selections, click here.
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If you're ready to start putting those piano lessons to work and play some of the most beautiful classical music of all time, this collection will get you on your way! It features 50 more simply arranged, must-know solos by Bach, Beethoven, Rachmaninoff, and more with no duplication from the original First 50 book! This edition features: Air on the G String (J.S. Bach) • Air from Water Music (Handel) • Also Sprach Zarathustra (Strauss) • Ave Maria (Bach/Gounod) • Cello Concerto in B Minor, Op. 104 (Dvorák) • Delilah's Aria (Mon coeur s'ouvre a ta voix) (Saint-Saëns) • The Entertainer (Joplin) • Jupiter (Holst) • Military Polonaise, Op. 40/1 (Chopin) • Piano Concerto No. 1 in B-flat Minor, 1st mvt (Tchaikovsky) • Piano Concerto No. 2 in C Minor, 1st mvt (Rachmaninoff) • Piano Concerto No. 21 in C Major, 1st mvt (Mozart) • Promenade from Pictures at an Exhibition (Moussorgsky) • Rhapsody in Blue (Gershwin) • Ride of the Valkyries (Wagner) • Sonata Pathétique, Op. 13, 2nd mvt (Beethoven) • The Sorcerer's Apprentice (Dukas) • Spring from the Four Seasons (Vivaldi) • Swan Lake (Tchaikovsky) • Symphony No. 5, 1st (Beethoven) • Toreador Song (Bizet) • Wedding March (Mendelssohn) • and more.
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Schubert's 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositonal path. From the first attempts of the gifted 16- to 19-year-old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas. Volume II of the three-book Henle Urtext edition contains not only the G Major Sonata D 894 op. 78, with its glorious piano writing full of delicate expressiveness, but also the three great sonata masterpieces in C minor, A Major and B flat Major, with which Schubert looks far into the future and which have long since taken their place in the classical canon of piano sonata literature.
Contents: Sonata in G Major, Op. 78, D 894 • Sonata in C minor, D 958 • Sonata in A Major, D 959 • Sonata in B-flat Major, D 960
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According to Ravel himself, the strange title of the little piano piece composed in 1899, “Pavane for a dead princess,” should not be ascribed too much importance. He chose it mainly because he liked the alliteration it contained. At the same time he did, however, agree that the music evokes “a pavane that a little princess once might have danced at the Spanish court.” Following its premiere in 1902 the simple but effective piece gained unparalleled popularity, not least reflected in the numerous arrangements made of it, one of which, for small orchestra, was by Ravel himself. Henle publishes the work in its original version.
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This favorite piano cycle was composed by Mussorgsky in about 3 weeks, and was inspired by the drawings and watercolors of a his friend, the painter Victor Hartmann. Many changes have been made to the score over the years but this edition presents the work as Mussorgsky originally composed it.
Contents: Ballet of the Chicks in their Shells • Catacombae • The Gnome • Great Gate of Kiev • The Hut on Fowl's Legs • The Market Place in Limoges • The Old Castle • The Ox Cart • Samuel Goldenberg & Schmuyle • Tuileries.
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This matching folio to Einaudi's 2022 recorded Decca album Underwater features 12 new pieces: Luminous • Rolling Like a Ball • Indian Yellow • Flora • Natural Light • Almost June • Swordfish • Wind Song • Atoms • Temple White • Nobody Knows • Underwater.
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These piano studies, fully worked out in summer 1848, but presumably sketched earlier, were published in the German original editionat the beginning of 1849 simply with the numbering 1-3. In the first French edition published at the end of that year, they were given the new title “Trois Caprices poétiques” - possibly at the publisher's request - and also received the characteristic individual titles “Il lamento”, “La leggierezz”- and “Un sospiro”, which have remained for these pieces that are still popular today. In comparison with the early studies, in which the purely technical performing aspect is to the fore, the idea of poetic sound is at the heart of these compositions, which were clearly written for concert performance. For this revised version, several newly-discovered or newly-available sources were available, including the autograph which served as the engravers copy.
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Arrangements at the lower intermediate level of the greatest composer of the modern tango.
Contents: Ausencias • Chanson de la Naissance • El Viaje • Libertango • Los Suenos • Milonga for Three • Oblivion • Sensuel • Sentimental • Sin Rumbo • Street Tango • Vuelvo Al Sur
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With Frédéric Chopin's Fantaisie-Impromptu in C sharp minor, G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music. This ear-worm is “romantic” in the best sense: stormy, iridescent cascades produced by refined rhythms surround the hymn-like melody of the middle section. It is hardly surprising that Chopin fans easily end up rhapsodizing! What is surprising, however, is that the piece, still so popular today, is untitled in the source materials, and was not published until after the composer's death. Moreover, there exist two versions; we print them both in our individual Urtext edition, which makes it easier to compare them with one another.
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55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a “who's who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn's sonatas will further cement their place in the world of music. Volume III offers the crowning achievement of Haydn's sonata-writing with these late works, including famous works such as the stormy Sonata in E minor Hob. XVI:34 and the “grand” Sonata in E-flat Major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity, which is why these sonatas remain firmly anchored in concert life to this day.
CONTENTS:
Piano Sonata in D Major, Hob. XVI:33
Piano Sonata in E minor, Hob. XVI:34
Piano Sonata in G Major, Hob. XVI:40
Piano Sonata in B-flat Major, Hob. XVI:41
Piano Sonata in D Major, Hob. XVI:42
Piano Sonata in A-flat Major, Hob. XVI:43
Piano Sonata in C Major, Hob. XVI:48
Piano Sonata in E-flat Major, Hob. XVI:49
Piano Sonata in C Major, Hob. XVI:50
Piano Sonata in D Major, Hob. XVI:51
Piano Sonata in E-flat Major, Hob. XVI:52
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The Perfect Music Series for Piano Students and for Those Returning to the Piano.
Each volume in the “At the Piano” series includes original pieces by one composer. The works are arranged in progressive order of difficulty and complement one another conceptually. Each piece ranges from one to eight pages. All volumes contain fingering and practical tips on technique and interpretation. The “At the Piano” series is an ideal introduction to the world of classical piano music and is particularly suitable for piano students and for all those who are returning to the piano after a long break. The series is edited by Sylvia Hewig-Tröscher, a piano professor at the Hochschule für Musik und Theater in Munich. She has decades of experience teaching young people and adults, gives concerts and masterclasses around the world, and is a much sought-after educator.
This volume opens with especially easy minuets written by Mozart when he was just eight years old. A successful mix of well-known and unusual pieces leads the player all the way to the profound Fantasy in D minor. A special feature here is the C-major study, which has not been available in any Henle edition until now. Selected individual movements from Mozart's piano sonatas show the stylistic and emotional breadth and subtlety of his music, and offer manifold opportunities to practise and overcome specific technical challenges.
Contents: Minuet in G Major, K. 1e • Minuet in F Major, K. 5 • Minuet in C Major, K. 6 • Minuet in F Major, K. 6 • Piece in F Major from The London Sketchbook, K. 15hh • Contredanse, K. 534 • Etude in C Major, K. 626b/48 • Allegro from Piano Sonata in C Major, K. 545 “Sonate facile” • Rondo from Piano Sonata in C Major, K. 545 “Sonate facile” • Adagio from Piano Sonata in E-flat Major, K. 282 • Allegro from Piano Sonata in G Major, K. 283 • Andante cantabile from Piano Sonata in C Major, K. 330 • Menuetto from Piano Sonata in A Major, K. 331 • Allegretto from Piano Sonata in B-flat Major, K. 570 • Twelve Variations on “Ah, vous dirai-je, Maman,” K. 265 • Fantasy in D minor, K. 397
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The Classical Piano Sheet Music Series includes compilations of intermediate level pieces, with convenient coil binding so the music lays flat, ensuring smooth page turns. Includes: Inventions Nos. 1-15, BWV 772-786; Sarabande from English Suite No. 2 in A minor, BWV 807; Gavotte I from English Suite No. 3 in G minor, BWV 808; Musette from English Suite No. 3 in G minor, BWV 808; Sarabande from English Suite No. 5 in E minor, BWV 810; Gavotte II from English Suite No. 6 in D minor, BWV 811; Minuet I from French Suite No. 2 in C minor, BWV 813; Gavotte from French Suite No. 5 in G Major, BWV 816; Minuet from French Suite No. 6 in E Major, BWV 817; Minuet from Overture in F Major, BWV 820; Gavotte en Rondeau from Overture in G minor, BWV 820; Minuet I from Overture in Gminor, BWV 822; Minuet II from Overture in G minor, BWV 822; Minuet III from Overture in G minor, BWV 822; Scherzo from Partita No. 3 in A minor, BWV 827; Aria from Goldberg Variations, BWV 988; Bourrée from Lute Suite No. 1 in E minor, BWV 996; Prelude from Suite in F minor BWV 823; Prelude No. 1 in C Major from The Well-Tempered Clavier, Book 1, BWV 846; Prelude No. 2 in C minor from The Well-Tempered Clavier, Book 1, BWV 847; Preludes, BWV 924-928, 930-931, 933-943, 999.
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This folio collection, curated by the composer, comes with a specially written preface and features all 18 tracks from his album Night which was inspired by the twilight hours at his home in New York City.
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Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin's love for his native Poland, but also to the depth of the composer's feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.
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George Frideric Handel's powerful musical personality reveals itself not only in the large forms of opera, oratorio, and orchestra suite, but also in his compositions for keyboard. The focus here is on eight Suites of his first printed collection from 1720, which by no means comprise standardized sequences of dance movements. On the contrary – free-form movements of great artistic weight predominate, inserting themselves between lighter dance pieces. Handel's suites always display a distinctive individuality, and deserve a larger presence in our concert halls. We were able to engage Handel specialist Anthony Hicks as the editor of this Urtext edition.
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55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a “who's who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn's sonatas will further cement their place in the world of music. Volume I contains Haydn's early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficulty, without which modern piano instruction would be nearly unthinkable. Time and again, the authenticity of individual sonatas from this group has been questioned – the preface by Armin Raab, the Scholarly Director of the Joseph Haydn Institute, now provides comprehensive information on new findings regarding this important topic area.
CONTENTS:
Piano Sonata in C Major, Hob. XVI:1
Piano Sonata in B-flat Major, Hob. XVI:2
Piano Sonata in C Major, Hob. XVI:3
Piano Sonata in D Major, Hob. XVI:4
Piano Sonata in A Major, Hob. XVI:5
Piano Sonata in D Major, Hob. XVI:5a
Piano Sonata in G Major, Hob. XVI:6
Piano Sonata in C Major, Hob. XVI:7
Piano Sonata in G Major, Hob. XVI:8
Piano Sonata in F Major, Hob. XVI:9
Piano Sonata in C Major, Hob. XVI:10
Piano Sonata in G Major, Hob. XVI:11
Piano Sonata in A Major, Hob. XVI:12
Piano Sonata in E Major, Hob. XVI:13
Piano Sonata in D Major, Hob. XVI:14
Piano Sonata in E-flat Major, Hob. XVI:16
Piano Sonata in B-flat Major, Hob. XVI:18
Piano Sonata in D Major, Hob. XVI:19
Piano Sonata in G minor, Hob. XVI:44
Piano Sonata in E-flat Major, Hob. XVI:45
Piano Sonata in A-flat Major, Hob. XVI:46
Piano Sonata in E minor, Hob. XVI:47
Piano Sonata in G Major, Hob. XVI:G1
Piano Sonata in E-flat Major, Hob. XVI:Es2
Piano Sonata in E-flat Major, Hob. XVI:Es3
Piano Sonata in D Major, Hob. XVII:D1
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This cycle of six piano pieces was composed in 1896, just four years after Rachmaninov had completed his studies at the Moscow Conservatory, and it already shows signs of the mature master he would become. Deeply expressive and complex in texture, the six pieces clearly point towards Rachmaninov's later large cycles such as the Préludes and the Études-Tableaux. For this edition Henle has been able to consult the autographs held by the Glinka Museum in Moscow, which have enabled them to correct numerous mistakes and inaccuracies that had found their way into the first edition. As a bonus, it offers an appendix with the late version of the second “Moment musical” in e-flat minor that Rachmaninov published in the USA in 1940. Henle has been able to recruit no less a figure than Marc-André Hamelin to undertake the fingerings here.
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Sometimes you just need some soothing piano music to relax, unwind, and let go. This collection gathers nearly 40 beautiful classical favorites for the intermediate-level player. Works include: Air (from Water Music) (Händel) • Arietta, Op. 12, No. 1 (Grieg) • Bagatelle in G Major, Op. 126, No. 5 (Beethoven) • Canon in D (Pachelbel) • Clair De Lune (Debussy) • Gymnopedie No. 1 (Satie) • Lullaby (Cradle Song) (Brahms) • La Pastorale (Burgmüller) • Piano Sonata No. 8 “Pathetique” (Beethoven) • Prelude in A Major, Op. 28, No. 4 (Chopin) • Prelude in C Major (Bach)• Reverie (Debussy) • Slumber Song (Gurlitt) • The Swan (Le Cygne) (Saint-Säens) • Waltz in A-Flat Major, Op. 39, No. 15 (Brahms) • and more.
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Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Some pieces have been transposed and simplified for ease of playing. Includes 30 selections: Ave Maria (Schubert) • Clair de Lune (Debussy) • Gymnopédie (Satie) • Largo from The Four Seasons, Winter (Vivaldi) • Liebesträum No. 3 (Liszt) • Love Theme from Romeo and Juliet (Tchaikovsky) • Nimrod: Variations from Enigma (Elgar) • Panis Angelicus (Franck) • Romance from Eine Kleine Nachtmusik (Mozart) • Wiegenlied (Brahms) • and more.
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38 pieces from the English Suites, French Suites, Inventions, Well-Tempered Clavier, and more.
Contents: English Suite No. 2, Sarabande • English Suite No. 3, Gavotte I and II • English Suite No. 4, Menuet I and II • English Suite No. 5, Sarabande • English Suite No. 6, Saraband and Double and Gavotte II • French Suite No. 2, Sarabande and Menuet • French Suite No. 4, Sarabande and Menuet • French Suite No. 5, Gavotte and Bourree • French Suite No. 6, Gavotte and Menuet • Goldberg Variations, Aria • Lute Suite No. 1, Bouree • Overture in F Major, BWV 820, Menuet • Overture in G minor, BWV 822, Gavotte, Menuet I and II • Partita No. 1, BWV 825, Menuet I and II • Partita No. 2, BWV 826, Sarabande
MISCELLANEOUS PRELUDES: Prelude in G Major, BWV 902a • Prelude in C Major, BWV 924 • TWO-PART INVENTIONS: Invention No. 1 in C Major, BWV 772 • Invention No. 2in C minor, BWV 773 • Invention No. 4 in D minor, BWV 775 • Invention No. 14 in B-flat Major, BWV 785
THE WELL-TEMPERED CLAVIER, BOOK I: Prelude No. 1 in C Major, BWV 846 • Prelude No. 9 in E Major, BWV 854 • Prelude No. 12 in F minor, BWV 857 • Prelude No. 16 in G minor, BWV 861
THE WELL-TEMPERED CLAVIER, BOOK II: Prelude No. 1 in C Major, BWV 870 • Prelude No. 7 in E-flat Major, BWV 876 • Fugue No. 7 in E-flat Major, BWV 876 • Fugue No. 9 in E Major, BWV 878 • Prelude No. 12 in F minor, BWV 881 • Prelude No. 16 in G minor, BWV 885
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20 short pieces packed with the unique harmonies and melodies which set Prokofiev apart as a distinct voice in 20th century piano literature. With historical and performance notes. Late Intermediate to Advanced Level.
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Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Johann Friedrich Burgm]ller (1806-1874) was born into a German musical family; both his father and brother were also well-known composers. Settling in Paris after 1832, his light and intimate playing style won popularity in the salons of the day. Originally titled 25 Études faciles et progressives, composées et doigtées expressément pour l'entendue des petites mains, his Opus 100 pieces are perennial favorites among piano students and their teachers.
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The Classical Piano Sheet Music Series includes compilations of intermediate-level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This edition features 22 Chopin favorites: Mazurka, Op. 17, No. 4 • Mazurka, Op. 68, No. 3 • Mazurka, Op. 67, No. 2 • Nocturne in C Minor, KK. IVB, No. 8 • Nocturne in C-Sharp Minor, KK. Anh. Ia, No. 6 • Nocturne in E-Flat Major, Op. 9, No. 2 • Nocturne, Op. 32, No. 1 • Polonaise in G Minor, KK IIa, No. 1 • Prelude in a Major, Op. 28, No. 7 • Prelude in B Minor, Op. 28, No. 6 • Prelude in C Minor, Op. 28, No. 20 • Prelude in C-Sharp Minor, Op. 45 • Prelude in D-Flat Major, Op. 28, No. 15 “Raindrop” • Prelude in E Minor, Op. 28, No. 4 • Prelude in F-Sharp Major, Op. 28, No. 13 • Valse Brillante in a Minor, Op. 34, No. 2 • Waltz in A-Flat Major, Op. 69, No. 1 • Waltz in B Minor, Op. 69, No. 2 • Waltz in D-Flat Major (“Minute Waltz”), Op. 64, No. 1 • Waltz, Op. 18 • Waltz, Op. 70, No. 2 • Waltz, Op. 64, No. 2.
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Contents: Preludio • Molto Vivace • Paysage • Mazeppa • Feux Follets • Vision • Eroica • Wilde Jagd • Ricordanza • Allegro Agitato Molto • Harmonies du Soir • Chasse-Neige
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