In autumn 2024, the Morgan Library in New York announced a sensation: in a legacy, curator Robinson McClellan had discovered a postcard-sized manuscript of a waltz in a minor with the inscription “Chopin”. Chopin experts all over the world have meanwhile scrutinized and confirmed the authenticity of the manuscript: undoubtedly an autograph by the Polish composer, it is moreover the short waltz of a hitherto unknown original work. Scholars and pianists have since then fallen into a waltz fever! In close collaboration with the Morgan Library, G. Henle Publishers has the privilege to present the first Urtext edition of the new Chopin waltz: in addition to the musical text edited by Jeffrey Kallberg, it also offers a facsimile of the autograph. In his epilogue, the internationally renowned Chopin researcher provides fascinating observations concerning the genesis and intention of the small composition. We were able to engage star pianist Lang Lang, who introduced this sensational discovery to the world with his premiere recording, to supply the fingerings. A gem for all Chopin fans and piano aficionados!
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CHAMINADE: Sérénade, Op. 29 • Scarf-Dance (Pas des Écharpes) from Cinq Airs de Ballet Calliroë, Op. 37b, No. 2 • Lolita (Caprice Espagnol), Op. 54 • COUPERIN: Soeur Monique from the eighteenth order of the Third Book of Harpsichord Pieces • Suite in C minor from the third order of the First Book of Harpsichord Pieces • DEBUSSY: Children's Corner • Deux Arabesques • La plus que lente • Le petit nègre • Pour le piano • Les sons et le parfums tournent dans l'air du soir from Préludes, Book I • Des pas sur la neige from Préludes, Book I • La fille aux cheveux de lin from Préludes, Book I • La Cathédrale engloutie from Préludes, Book I • Minstrels from Préludes, Book II • La Puerta del vino from Préludes, Book II • La terrasse des audiences du clair de lune from Préludes, Book II • Rêverie • Suite bergamasque • FAURÉ: Impromptu in A-flat Major, Op. 34, No. 3 • Nocturne in E-flat Major, Op. 36, No. 4 • Berceuse in E Major, Op. 56, No. 1 • Improvisation in C-sharp minor, Op. 84, No. 5 • RAVEL: Minuet on the Name of Haydn • Pavane for a Dead Princess (Pavane pour une infante défunte) • Sonatine • SATIE: Three Gymnopédies • Three Gnossiennes
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ALBÉNIZ: España • J.S. BACH: Fugue in C Major, BWV 953; Fugue in C minor, BWV 961; Prelude and Fugue in G Major, BWV 902; Prelude and Fugue in D minor, BWV 899; Prelude and Fugue in E minor, BWV 900; Sinfonia No. 2 in C minor, BWV 788; Sinfonia No. 15 in B minor, BWV 801 • BARTÓK: Allegro barbaro • BEETHOVEN: Adagio sostenuto from Piano Sonata in C-sharp minor, Moonlight, Op. 27, No. 2; Andante cantabile from Piano Sonata in C minor, Pathétique, Op. 13 • BRAHMS: Intermezzo in A Major from Six Pieces for Piano, Op. 118, No. 2; Rhapsody in G minor, Op. 79, No. 2 • BURGMÜLLER: La sérénade (Serenade) from 18 Characteristic Studies, Op. 109, No. 11; Le réveil dans les bois from 18 Characteristic Studies, Op. 109, No. 12• CHOPIN Fantasie-Impromptu, Op. 66 (Posthumous); Mazurka in A minor, Op. 17, No. 4; Nocturne in E-flat Major, Op. 9, No. 2; Nocturne in E minor, Op. 72, No. 1 (Posthumous); Polonaise in A Major, Military, Op. 40, No. 1; Waltz in A-flat Major, Op. 69, No. 1 (Posthumous); Waltz in C-sharp minor, Op. 64, No. 2; Waltz in D-flat Major, Minute, Op. 64, No. 1 • COUPERIN: Le Reveille-matin from Suite No. 4 of Harpsichord Pieces, Book 1 • DEBUSSY: Arabesque No. 2 from Two Arabesques; Clair de lune from Suite bergamasque; La Cathédrale engloutie from Préludes, Book 1; La fille aux cheveux de lin from Préludes, Book 1; Sarabande from Pour le piano • DVORÁK: Poco lento e grazioso from Humoresques, Op. 101, No. 7 • FIELD: Nocturne in C minor • GRIEG: Wedding Day at Troldhaugen from Lyric Pieces, Op. 65, No. 6 • GRIFFES: The White Peacock from Roman Sketches, Op. 7, No. 1 • LISZT: Il Penseroso from Années de Pèlerinage, Deuxiéme année: Italie; Liebestraum No. 3 from Three Liebesträume: Three Notturnos • MENDELSSOHN: Rondo capriccioso, Op. 14; MENDELSSOHN: Song Without Words in A Major, Op. 19, No. 3 • RACHMANINOFF: Prelude in G minor, Op. 23, No. 5; Prelude in G Major, Op. 32. No. 5 • D. SCARLATTI: Piano Sonata in D Major, K. 96, L. 465; Piano Sonata in A Major, K. 208, L. 238 • SCHUBERT: Impromptu in G-flat Major from Four Impromptus, Op. 90, No. 3; Moment Musicaux in C Major from Moments musicaux, Op. 94, No. 1 • SCHUMANN: Soaring (Aufschwung) from Fantasiestücke, Op. 12, No. 2; The Bird as Prophet (Vogel als Prophet) from Forest Scenes, Op. 82, No. 7; Why? (Warum?) from Fantasiestücke, Op. 12, No. 3 • SCRIABIN: Prelude in G-flat Major, Op. 11, No. 13; Prelude in A minor, Op. 11, No. 2 • TCHAIKOVSKY: Chant sans paroles from Souvenir de Hapsal, Op. 2, No. 3
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The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók. (English/Spanish/Japanese/Portuguese text). In 1945 Bela Bartók described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the “world of the little ones, the children”. Stylistically Mikrokosmos reflects the influence of folk music on Bartok's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty. Major teaching points highlighted in Mikrokosmos 2: Staccato, legato; Accompaniment in broken triads; Accents
Volume 1 contains Nos. 1-36
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Each volume in the “At the Piano” series includes original pieces by one composer. The works are arranged in progressive order of difficulty and complement one another conceptually. Each piece ranges from one to eight pages. All volumes contain fingering and practical tips on technique and interpretation. The “At the Piano” series is an ideal introduction to the world of classical piano music and is particularly suitable for piano students and for all those who are returning to the piano after a long break. The series is edited by Sylvia Hewig-Tröscher, a piano professor at the Hochschule für Musik und Theater in Munich. She has decades of experience teaching young people and adults, gives concerts and masterclasses around the world, and is a much sought-after educator.
Although Frédéric Chopin was one of the greatest piano virtuosos of his time, even pianists of moderate technical ability can enter into his Romantic, magical realm. His mastery was such that his own, unmistakeable style is tangible even in his shorter, less difficult pieces such as his mazurkas and waltzes. Our selection offers a progressive introduction to the musical language of this Polish-French master.
Contents: Waltz in A minor, KK IVb, No. 11 • Waltz in B minor, Op. Post. 69, No. 2 • Waltz in C-sharp minor, Op. 64, No. 2 • Prelude in C minor, Op. 28, No. 20 • Prelude in B minor, Op. 28, No. 6 • Prelude in E minor, Op. 28, No. 4 • Prelude in E Major, Op. 28, No. 9 • Prelude in D-flat Major, Op. 28, No. 15 “Raindrop” • Mazurka in A minor, Op. Post. 68, No. 2 • Mazurka in B-flat Major, Op. 7, No. 1 • Mazurka in G minor, Op. 24, No. 1 • Mazurka in G minor, Op. Post. 67, No. 2 • Nocturne in G minor, Op. 15, No. 3 • Nocturne in C-sharp minor, KK Iva, No. 16 • Nocturne in E-flat Major, Op. 9, No. 2 • Funeral March from Sonata No. 2 in B-flat minor, Op. 35 • Polonaise in C-sharp minor, Op. 26, No. 1
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Although it was only published in 1905, Debussy made it clear that this was an early work by writing the date of composition “1890” on the proofs. He had sold the manuscript, now lost, to the publisher Choudens in 1890 without it actually being published. Yet the delayed publication date shows that Debussy was still very convinced of the value of the work. The composition has four movements and became popular in particular on account of the slow movement Clair de lune (HN 391), which seems to evoke the atmosphere of a moonlit night with its particular aura. Countless transcriptions for various groups of instruments demonstrate the unbroken popularity of the piece, but also of the complete suite.
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Books 1 and 2 have been combined, making this a great value for piano teachers and students. Authorized revised edition.
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All the pieces from the album Disney Goes Classical presented in classical versions of iconic Disney themes, arranged for solo piano, and piano/vocal/guitar where appropriate. Songs include: Almost There (from The Princess and the Frog) • The Bare Necessities (from The Jungle Book) • Beauty and the Beast • Can You Feel the Love Tonight? (from The Lion King) • Colors of the Wind (from Pocahontas) • Go the Distance (from Hercules) • How Far I'll Go (from Moana) • I See the Light (from Tangled) • Let It Go (from Frozen) • Overture from Mary Poppins • Part of Your World (from The Little Mermaid) • Reflection (from Mulan) • When She Loved Me (from Toy Story 2) • When You Wish Upon a Star (from Pinocchio) • A Whole New World (from Aladdin).
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Nothing can quite compare to the satisfaction, pleasure and joy of learning and playing the finest pieces of classical music and this terrific volume gives you the opportunity to do exactly that! Inside there are more than 60 easy pieces and keyboard miniatures by master composers. All the pieces are printed in their original form though have had sensible expression marks and fingerings added. There is a wonderful range and diversity to these pieces with works by the likes of Bach, Haydn, Mozart and also lesser-known composers, set for piano solo.
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J.S. BACH: French Suite No. 5 in G Major, BWV 816; Invention No. 4 in D minor, BWV 775; Invention No. 3 in D Major, BWV 774; Invention No. 6 in E Major, BWV 777; Prelude in D minor, BWV 935; Prelude in G minor, BWV 930; Prelude in E minor, BWV 938; Prelude in D minor, BWV 926 • BARTÓK: Bear Dance from Ten Easy Pieces; Sonatina • BURGMÜLLER: The Light-hearted Maiden from 18 Characteristic Studies, Op. 109, No. 6; At the Spinning Wheel, Op. 109, No. 18; The Spring, Op. 109, No. 5; Parting, Op. 109, No. 16; The Gypsies, Op. 109, No. 4; Sylphs, Op. 109, No. 15; March, Op. 109, No. 17; The Gondolier's Refrain, Op. 109, No. 14 • CHOPIN: Mazurka in A minor, Op. 67, No. 4 (Posthumous); Mazurka in B-flat Major, Op. 7, No. 1; Mazurka in G minor, Op. 24, No. 1; Nocturne in C minor, KK. IVb, No. 8; Prelude in C minor, Op. 28, No. 20; Prelude in D-flat Major,Raindrop,Op. 28, No. 15; Prelude in E Major, Op. 28, No. 9; Waltz in A minor, KK. IVb, No. 11; Waltz in B minor, Op. 69, No. 2 (Posthumous); Waltz in E-flat Major, KK. IVb, No. 10 • DEBUSSY: Arabesque No. 1 from Two Arabesques; Des pas sur la neige from Préludes, Book 1; Le petit nègre; Rêverie; Children's Corner • FIELD: Nocturne in E minor • GRIEG: March of the Trolls from Lyric Pieces, Op. 54, No. 3; Notturno from Lyrics Pieces, Op. 54, No. 4 • HELLER: Sailor's Song from 25 Melodious Studies, Op. 45, No. 14; Warrior's Song from 25 Melodious Studies, Op. 45, No. 15 • LISZT: Consolation No. 3 from Consolations; Four Little Piano Pieces • MACDOWELL: Shadow Dance from 12 Etudes for the Development of Technique and Style, Op. 39, No. 8; To a Water Lily from Woodland Sketches, Op. 51, No. 6 • MENDELLSSOHN: Song Without Words in E Major, Op. 19, No. 1; Song Without Words in F-sharp minor, Venetian Boat-Song No. 2, Op. 30, No. 6; Song Without Words in G minor, Venetian Boat-Song No. 1,Op. 19, No. 6; Song Without Words in A minor, Op. 19, No. 2 • MOSZKOWSKI: Scherzino from Ten Small Pieces, Op. 77, No. 2 • Tarentelle from Ten Small Pieces, Op. 77, No. 6 • PURCELL: Suite No. 5 in C Major • RAVEL: Prelude • REINECKE: Sonatina in C Major, Op. 47, No. 1 • SATIE: Three Gymnopédies; Gnossienne No. 1 from Three Gnossiennes • SCHUBERT: Moment musicaux in A-flat Major from Six moments muiscaux, Op. 94, No. 2; Moment musicaux in F minor from Six moments musicaux, Op. 94, No. 3; Moment musicaux in A-flat Major from Six moments musicaux, Op. 94, No. 6 • SCHUMANN: Selections from Scenes from Childhoo, Op. 15; Selections from Album for the Young, Op. 68 • SCRIABIN: Prelude in E minor, Op. 11, No. 4; Prelude in D-flat Major, Op. 11, No. 15 • TCHAIKOVSKY: Chanson Triste from 12 Pieces, Op. 40, No. 2; The Hobby Horse from Album for the Young, Op. 39, No. 3
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Recorded in a remote monastery in Verona, Ludovico Einaudi's In a Time Lapse explores the concept of capturing emotions and experiences in a single moment in time. This exclusive matching piano folio presents all 14 tracks from the album plus five bonus pieces.
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In a span of only eight years, between 1794-1802, Beethoven composed twenty piano sonatas, among them his so-called “Grande sonate pathétique” op. 13. It marks the consummation of his Classical style, yet also already alludes to his Heroic Period with its intensely Romantic characteristics. Composed in the “tragic” key of C minor, it foreshadows the expressive drama of later masterworks such as the Fifth Symphony or the Coriolan Overture. Of the famous sonatas, this one is the most technically manageable and thus proves immensely popular with advanced piano students. The new Urtext edition from G. Henle Publishers hails from the successful Beethoven collaboration between Norbert Gertsch and Murray Perahia, as usual with fingering and interpretive suggestions from the great pianist.
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It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes 60 classical pieces: Air (from Water Music) (Handel) • Canon (Pachelbel) • Carnival of Venice • Für Elise (Beethoven) • Humoresque (Dvorak) • Jesu, Joy of Man's Desiring (J.S. Bach) • Lullaby (Brahms) • The Moldau (Smetana) • On the Beautiful Blue Danube (Strauss) • Pomp and Circumstance (Elgar) • Trumpet Voluntary (Clarke) • William Tell Overture (Rossini) • and many more.
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Contents: Almost Too Serious • At the Fireside • Blindman's Bluff • A Child Falling Asleep • Curious Story • Frightening • Important Event • The Knight of the Rocking-Horse • Of Strange Lands and People • Perfectly Contented • Pleading Child • The Poet Speaks • Reverie.
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Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Throughout his life, Satie was so surrounded with the creative and modern atmosphere that permeated La Belle Epoque (The Beautiful Era), that he himself became a symbol of the age. These six short pieces from the composer's early years capture the graceful conventionality that defines Satie. Intermediate Level.
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Each volume in the “At the Piano” series includes original pieces by one composer. The works are arranged in progressive order of difficulty and complement one another conceptually. Each piece ranges from one to eight pages. All volumes contain fingering and practical tips on technique and interpretation. The “At the Piano” series is an ideal introduction to the world of classical piano music and is particularly suitable for piano students and for all those who are returning to the piano after a long break. The series is edited by Sylvia Hewig-Tröscher, a piano professor at the Hochschule für Musik und Theater in Munich. She has decades of experience teaching young people and adults, gives concerts and masterclasses around the world, and is a much sought-after educator.
You do not need to be a piano virtuoso to enter into the dream world of French Impressionism. With Debussy this is especially straightforward because he knows how to create masterly miniatures possessing poetic depth, even with simple technical means. “Clair de lune” is probably the best known of these, though by no means the only example, as our selection here proves. And whoever works through this volume successfully can then play a real concert piece in the shape of “La Cathédrale engloutie,” the final work in our selection.
Contents: The Little Shepherd from Children's Corner • Golliwogg's Cakewalk from Children's Corner • Doctor Gradus ad Parnassum from Children's Corner • Arabesque No. 1 from Deux Arabesques • La Fille aux cheveux de lin from Préludes, Book 1 • La Cathédrale engloutie from Préludes, Book 1 • Clair de lune from Suite bergamasque • Sarabande from Pour le piano • La plus que lente
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The Preludes of Op. 28 include all 24 major and minor tonalities arranged in a circle of fifths, with each major key being followed by its relative minor. Contrary to custom of using this type of piece as didactic material, Chopin's cycle was intended as concert music. The Preludes are a diverse variety of mood, tempo, articulation, texture, etc.
The National Edition of the Works of Fryderyk Chopin
Published by PWM
Exclusively Distributed by Hal Leonard Corporation
Co-Editors
Jan Ekier and Pawel Kaminski
The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.
The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.
The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume.
The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the “harmonic legato” (a performance technique often used by Chopin and now forgotten).
About the National Edition
Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin
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Czerny's opus 849 studies provide a convenient bridge between Practical Method for Beginners, Op. 599 and The School of Velocity, Op. 299. The studies are presented as legitimate literature, emphasizing their musical potential, in conjunction with their technical benefit.
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Alexander Scriabin occupies a special position among the Russian piano composers around the turn of the 19th to the 20th century. Already in his early works, he went beyond the Chopinesque traditions of his contemporaries Glazunov and Rachmaninoff. As he also did in his innumerable preludes, of which he brough together 24 in his op. 11, allowing for each major and minor key. However, in spite of keeping to the strict order of the circle of fifths, he took care to ensure that “each prelude is a small composition which can exist self-contained, independent of the other preludes.” By comparing the autograph and the first edition of 1897, this Henle Urtext edition has corrected a number of errors and inaccuracies. A grandiose work which should belong in the repertoire of every pianist.
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Contents: Autumn Song • Barcarolle • By the Hearth • Carnival • Christmas • Harvest Song • Hunter's Song • Sleigh Ride • Snowdrop • Song of the Lark • Song of the Reaper • Starlit Night.
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When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces op. 118 – they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces, and she attested that they contained “a wealth of sentiment in the smallest of dimensions.” Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquility.” Opus 118 contains two of the composer's best-known miniatures – the Intermezzo in A major and the Romance in F major. This volume is based on the musical text in the New Brahms Complete Edition.
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Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Songs include: American Beauty Theme (Thomas Newman) • Big My Secret (from The Piano) (Michael Nyman) • Cinema Paradiso Love Theme (Ennio Morricone) • Dawn (from Pride & Prejudice) (Dario Marianelli) • Fly (Ludovico Einaudi) • In the Morning Light (Yanni) • Light of the Seven (from Game of Thrones) (Ramin Djawadi) • Metamorphosis Two (Philip Glass) • A Model of the Universe (from The Theory of Everything) (Johann Johannsson) • Somewhere in Time Theme (John Barry) • Watermark (Enya) • Written on the Sky (Max Richter) • and more.
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Two Pianos, Four Hands. 2 Copies needed to perform.
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A collection of Glass's solo piano music, including “Metamorphoses One to Five” collected together for the first time. Suitable for intermediate to advanced pianists.
Contents: Metamorphosis 1-5 • Mad Rush • Wichita Vortex Sutra
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ANONYMOUS: Minuet in C minor, BWV Appendix 121 • C.P.E. BACH: March in G Major, BWV Appendix 124 • J. S. BACH: Bourée from Lute Suite No. 1 in E minor, BWV 996; Invention No. 14 in B-flat Major, BWV 785; Invention No. 4 in D minor, BWV 775; Invention No. 10 in G Major, BWV 781; Invention No. 1 in C Major, BWV 772; Invention No. 13 in A minor, BWV 784; Invention No. 2 in C minor, BWV 773; Invention No. 8 in F Major, BWV 779; Prelude in F Major, BWV 927; Prelude in C minor, BWV 999; Prelude No. 1 in C Major from The Well-Tempered Clavier, Book I, BWV 846; Prelude in D minor, BWV 926; Prelude in C minor, BWV 934; Prelude in C Major, BWV 924 • BARTÓK: Bagatelle from 14 Bagatelles, Op. 6, No. 4 • BEETHOVEN: Six Variations on a Swiss Song, WoO 64; Twelve German Dances, WoO 13 • BURGMÜLLER: Selections from 25 Easy and Progressive Studies, Op. 100; Selections from 18 Characteristic Studies, Op. 109 • CHOPIN: Prelude in A Major, Op. 28, No. 7; Prelude in B minor, Op. 28, No. 6; Prelude in E minor, Op. 28, No. 4 • CLEMENTI: Sonatina in F Major, Op. 36, No. 4 • DIABELLI: Sonatina in C Major, Op. 168, No. 3 • DUSSEK: Sonatina in G Major, Op. 20, No. 1 • GRIEG: Selections from Lyrics Pieces • GURLITT: Hunting Song from Albumleaves for the Young, Op. 101, No. 19; The Little Wanderer from Albumleaves for the Young, Op. 101, No. 12 • HANDEL: Air con variazioni from Suite in B-flat Major, HWV 434; Allegro from Suite in G minor, HWV 432 • HELLER: Autumn Song from 25 Etudes for Piano, Op. 47, No. 3; In Venice from 25 Etudes for Piano, Op. 47, No. 14; Sorrow and Joy from 25 Melodious Etudes, Op. 45, No. 4; The Avalanche from 25 Melodious Etudes, Op. 45, No. 2; The Brook from 25 Melodious Etudes, Op. 45, No. 1 • KUHLAU: Sonatina in C Major, Op. 55, No. 1 • KULLAK: Grandmother Tells a Ghost Story from Scenes from Childhood, Op. 81, No. 3; On the Playground from Scenes from Childhood, Op. 6, No. 4 • LICHNER: Sonatina in C Major, Op. 49, No. 1; Sonatina in C Major, Op. 4, No. 1 • LISZT: Farewell; Gray Clouds • MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 • MENDELSSOHN: Confidence from Songs Without Words, Op. 19, No. 4; Consolation from Songs Without Words, Op. 30, No. 3; Tarantella from Songs Without Words, Op. 102, No. 3 • PURCELL: Suite No. 1 in G Major; Suite No. 6 in D Major; Suite No. 8 in F Major • SCHUBERT: Scherzo in B-flat Major, D. 593 • SCHUMANN: About Strange Lands and People from Scenes from Childhood, Op. 15, No. 1;Little Lullaby from Albumleaves, Op. 124, No. 6; Selections from Album for the Young, Op. 68 • TCHAIKOVSKY: Selections from Album for the Young, Op. 39
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New music engravings, new English translations make this an informed, deluxe edition of the classic piano finger exercises. With historical and pedagogical articles by Matthew Edwards.
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