The fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Bach, Weiss, Kellner and Corbetta amongst others, it presents a carefully selected range of works, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire. The book contains composer biographies and teaching notes on all of the works, and is accompanied by a CD recording of all pieces performed by Jens Franke. Suitable for students with 8-9 years of playing experience.
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This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two guitars. Focusing on easy repertoire, Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing. This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend.
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With a detailed preface in French, Italian, and English. Includes critical commentary, variants and observations.
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Contents: Courante • Gavotte MORE»
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Performed by Andrew LaFreniere, guitar
Accompaniment: Stuttgart Festival Orchestra
Conductor: Emil Kahn
Here is a beautiful collection of shorter pieces for guitar and orchestra. Gorgeously orchestrated to take full advantage of the guitar's unique qualities when set against an orchestral background, these pieces are a joy to play. This album makes a perfect choice for the early intermediate player who wants to advance technique in an orchestral setting. Never has the guitar been this much fun! Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment, minus the soloist.
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The Hal Leonard Guitar Play-Along series will assist players in learning to play their favorite songs quickly and easily. Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. Mac and PC users can also slow down the tempo without changing pitch! The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along.
Includes: Anji (Paul Simon) • Cavatina (John Williams) • Classical Gas (Mason Williams) • Dee (Randy Rhoads) • Embryonic Journey (Jorma Kaukonen) • Jesu, Joy of Man's Desiring (Leo Kottke) • Malagueña (Ernesto Lecuona) • Spanish Caravan (The Doors).
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Contents: Andante • Bourree • Double MORE»
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Guitar Solo MORE»
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'Sevilla' Sevillanas, from Suite Espanola by Albeniz, transcribed for the guitar by F. Tarrega, revised by Miguel Llobet.
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Carefully selected pieces to provide both a stimulus and a challenge, to encourage musical and technical progress.
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Guitar Solo
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Idiomatic transcriptions of Baroque lute pieces at an advanced level.
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Transcription for guitar based on the original version for cello solo.
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Learn the secrets of the world's most popular classical guitarist, and join Milos on his classical guitar journey! Be inspired, have fun and make new discoveries with Milos's personal stories, photos and the classical guitar pieces that he has loved and played over the years. From the very first guitar pieces that excited Milos as young boy of 8 in Montenegro to the repertoire he has performed and played in his concerts and on his albums worldwide. In book 1, Milos introduces some of the beginner pieces he first played. He'll give you some background information on each, as well as helpful exercises and tips to give you a great start to your practice.
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“My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substantial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra; but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.
The dramatis personae of this piece enter through the sound of the guitar as if it were a curtain. Through masks, voices and gestures,they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.”
– Hans Werner Henze
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A marvelous collection of music for guitar arranged at the easy to intermediate level of difficulty. All pieces are arranged for flat picked style guitar.
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Concentrating on the melody or harmony of a piece is a great exercise for when you have to do both. For this book, author James Douglas Esmond has chosen a dozen pieces out of the classical domain which are not found in the standard guitar repertoire. The pieces in this book start off fairly easy and progress to more challenging ones for intermediate guitarists. One guitar is great, but two is twice as nice – and working with other musicians is great fun. So get together with another guitarist and have a wonderful time discovering these guitar duet pieces! The accompanying CD features 24 tracks.
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