Formerly released as a collection in one volume (50481735), these individual concertos are now available to musicians at affordable prices. The editions are by Barry Tuckwell, the most prominent French horn player of his generation. Parts are included for both Horn in F and Natural Horn.
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A composer and conductor of genius, Eugène Bozza (1905-1991) left us several operas, ballets, large-scale symphonic and choral works, but his worldwide reputation is derived mainly from his many chamber works, written for various instrumental formations with a preference for wind instruments. En forêt (1941), evoking a hunting party in the forest, was written for an entrance exam for the Conservatoire de Paris; this is why it calls for all kinds of technical challenges: it uses the entire range of the instrument, and features trills, the use of the mute, stopped sounds, glissandi, as well as, naturally, passages in fast tempos that require a high level of virtuosity. Introduction and notes on interpretation in French and English by the hornist Daniel Catalanotti. - New engraving.
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With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world not only by horn players, and together with Mozart's masterworks numbers among the essential pieces in the instrument's repertoire. Peter Damm, former principal horn for the Staatskapelle Dresden and world-class soloist, has not only performed the concerto publicly over 170 times himself, but has also presented pivotal research findings and publications on its genesis. Prepared after reviewing all surviving sources, the Urtext edition he has edited may thus been regarded as the edition of reference. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.
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Contents: Shenandoah • Adagio from Der Freischutz (Weber) • Andante Cantabile from Symphony No. 5 (Tchaikovsky) • Liebestraume (Liszt) • Andante from Concerto, Op. 64 (Mendelssohn) • Introduction to Third Act from Lohengrin (Wagner) • Poem (Fibich) • Home on the Range • Sing, Smile, Slumber (Gounod) • Sarabande and Gavotte (Corelli) • Bohemian Girl (Balfe) • The Victor (Endresen)
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10 songs carefully selected and arranged for first-year instrumentalists. Even novices will sound great! Audio demonstration tracks featuring real instruments are available via download to help you hear how the song should sound. Once you've mastered the notes, download the backing tracks to play along with the band! Songs include: The Ballad of Davy Crockett • Can You Feel the Love Tonight • Candle on the Water • I Just Can't Wait to Be King • The Medallion Calls • Mickey Mouse March • Part of Your World • Whistle While You Work • You Can Fly! You Can Fly! You Can Fly! • You'll Be in My Heart (Pop Version).
Online audio is accessed at halleonard.com/mylibrary
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for Horn and Piano Reduction.
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In the summer of 1888, while also working on his tone poem Don Juan, Richard Strauss composed this brief Andante for his father, Franz Strauss, a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement “of a still unfinished” sonata that Strauss, however, never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers, the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suitedfor teaching purposes and as an effective Romantic performance piece.
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Now solo instrumentalists can play along with a dozen favorite songs from Disney blockbusters such as Beauty and the Beast, The Lion King, Monsters, Inc., Toy Story 2 and other beloved movies. These book/online audio packs include recordings by a full symphony orchestra of demo tracks and backing-tracks only so you can sound like a pro playing with the orchstra! Songs include: Beauty and the Beast • Belle • Circle of Life • Cruella De Vil • Go the Distance • God Help the Outcasts • Hakuna Matata • If I Didn't Have You • Kiss the Girl • Prince Ali • When She Loved Me • A Whole New World.
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Carefully graded solos from very easy up to early intermediate levels with a professionally recorded demonstration/accompaniment CD. Features original compositions by many of today's finest composers as well as arrangements for great classic melodies for a total of 12 outstanding solos.
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Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. Alongside the technical challenges, the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn.
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Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 15 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air Gai (Berlioz) • Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • American Patrol (Meacham) • Andante Cantabile (Tartini) • Après un Rêve (Faurè) • Ballade (Shchyolokov) • Heroica (DeLamater) • In the Hall of the Mountain King from Peer Gynt (Grieg) • Pavane pour une Infante Défunte (Ravel) • Prelude and Fanfaronade (Koepke) • Serenade (Gounod) • Starling (VanderCook) • Serenade, Op. 22 No. 1 (Böhme) • Toreador's Song from Carmen (Bizet) • Where'er You Walk (Handel)
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Henrik Wiese has created a great stir in recent years with his many Mozart editions for Henle. He adheres strictly to Mozart's autograph score, allowing only a few sporadic editorial additions and discussing all important questions regarding dating and sources in his preface. As with the horn concertos published to date, this volume also includes an extra horn part in F. The piano reduction by Jan Philip Schulze pays heed to the demands of playability while producing a full-voiced piano texture appropriate to the horn.
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As with Schumann's “Concert Piece for four Horns” Op. 86 (HN 1138) Saint-Saëns' “Morceau de Concert” was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player Henri Chaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns' composition. Chaussier's invention did not gain acceptance amongst horn players - although the “Morceau de Concert” did! From today's standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can venture to play it.
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Perform timeless French horn works with the Stuttgart Festival Orchestra! Perfect for practice, rehearsal, auditions, contest solos, performances, and more! These two Mozart horn concerti are legendary, both being high-points in the repertoire. Regularly performed by every hornist at concerts and on recordings. Beautiful sonorities and Mozart's own unique classical style make for a not-to-be-missed experience. Includes a printed music score and online audio containing a complete performance with soloist; then a second version with the orchestral accompaniment, minus the soloist.
Performed by Willard Zirk, french horn
Accompaniment: Stuttgart Festival Orchestra
Conductor: Emil Kahn
The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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Adagio and Allegro is one of the first works of major importance written for the valve horn. The original title was Romance and Allegro and it was composed during the first few months of 1849, a period when Schumann also composed solo works for oboe and piano, clarinet and piano, as well as the Konzertstucke for four horns and orchestra.
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The second edition of these play-along packs feature new songs and access to demonstration and backing tracks audio online! Songs: Back to December • Blank Space • Fifteen • I Knew You Were Trouble • Love Story • Mean • Our Song • Picture to Burn • Shake It Off • Should've Said No • Teardrops on My Guitar • 22 • We Are Never Ever Getting Back Together • White Horse • You Belong with Me.
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Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated in 16th century Italy, already shows that it is by no means a dry etude. Alongside the technical challenges (stopped notes, fast scales, playing without valves using natural horn techniques), the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn. For our Urtext edition we consulted the autograph as well as the first edition that was originally for horn and piano: the later version with orchestral accompaniment does not stem from the composer.
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14 holiday songs for solo instrumentalists in one accessible collection! The price of this book includes access to online audio demonstration and backing tracks that allow players to slow down the audio without changing pitch, loop for challenging parts, and more. Includes: Blue Christmas • The Christmas Song (Chestnuts Roasting on an Open Fire) • Christmas Time Is Here • Feliz Navidad • Happy Xmas (War Is Over) • Have Yourself a Merry Little Christmas • Here Comes Santa Claus • Home for the Holidays • It's Beginning to Look like Christmas • Mele Kalikimaka • Merry Christmas, Darling • Rockin' Around the Christmas Tree • Rudolph the Red-Nosed Reindeer • Silver and Gold.
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Piano reduction by Jan Philip Schulze
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For unaccompanied French Horn
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Includes works by for Horn and Piano by Beethoven, Cherubini, Förster, Haydn, Mozart, Rossini, Schumann, Strauss, Telemann, and von Weber.
LUDWIG VAN BEETHOVEN: Sonata in F Major for Horn and Piano, Op. 17
LUIGI CHERUBINI: Two Sonatas (Concert Etudes) for Horn and String Orchestra
CHRISTOPH FÖRSTER: Concerto in E-flat Major for Horn and Orchestra
MICHAEL HAYDN: Concertino in D Major for Horn and Orchestra
WOLFGANG AMADEUS MOZART: Rondo in E-flat Major, K. 371
GIOACHINO ROSSINI: Prelude, Theme and Variations for Horn and Piano
ROBERT SCHUMANN: Adagio and Allegro for Horn and Piano
FRANZ STRAUSS: Concerto in C minor for Horn and Orchestra, Op. 8
GEORG PHILIPP TELEMANN: Concerto in D Major for Horn and Orchestra, TWV 51:D8
Carl MARIA VON WEBER: Concertino in E minor, for Horn and Orchestra, Op. 45
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Edited by Armin Raab
Fingering by Groethuysen and Ginzel
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Oddly, Mozart wrote out the score of his most famous horn concerto not only in black ink but also in red, green, and blue. Whether he meant this as a genial prank or had higher aspirations in mind will remain an eternal mystery. Whatever the case, Henle's piano reduction takes Mozart at his word and prints the enclosed urtext horn part in exactly the same colors as are found in the autograph score. Perhaps the multi--colored publication will inspire horn players to create new interpretations of this popular concerto.
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Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but – as the term Romance suggests – short “songs without words” that fully savor the typical romantic sound of the horn. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. Due to the fact that they are not overly technically demanding the Romances are also suitable for advanced students.
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