Daugherty describes this piece as “a musical journey into how the human spirit discovers ways to deal with upheaval, adversity and adapting to a new environment.” Based on the tragedies faced by Native Americans as they were forcibly removed from their ancestral homelands, specifically the Cherokee's relocation march known as the 'Trail of Tears.'
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Moyse provides the perfect study book for advanced flautists. With instructions in French, English and German, 20 Exercises and Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and became known for his trademark tone: clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse also taught the flute and published a substantial number of study books for the instrument. 20 Exercises and Studies focuses on elements including long slurs, trills and pauses. Being a prominent flute player himself, Moyse's 20 Exercises and Studies is well-informed and essential to aspiring, advanced flautists.
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Professor Gergely Ittzés invites you to an expedition exploring the instrument flute, with a focus on sounds and playing techniques beyond classical flute playing. This journey requires curiosity, playfulness, imagination, perseverance, and patience. As a reward for your efforts, you can be certain that the journey will be worthwhile, regardless of how far you wish to go. You will make new discoveries and experience previously unknown sensations and sounds.
Throughout this process, you will acquire knowledge that will benefit you directly or indirectly, even if you are performing traditional tasks. The edition is a valuable resource for anyone interested in the flute, whether for instrumental practice, composition, or the intensive study of this versatile instrument and its sound worlds.
Gergely Ittzés presents 42 imaginative miniature studies that lead the reader into new worlds of sound. His precise instructions and fascinating interpretation of the pieces make Ittzés' Flute Expedition an indispensable travel companion. Ittzés is deeply influenced by Hungarian music and continues the tradition of Mikrokosmos (Bartók), Fingerlarks (Veress) and Játékok (Kurtág).
Ittzés is a reliable and trustworthy artist when it comes to playing and performing the most demanding flute repertoire of our time. He provides guidance and inspiration for every nuanced gesture, explicit fingering, and technical, acrobatic, and polyphonic requirement. His latest work offers a guide to modern flute playing.
Additional material, including explanatory texts in English, German, and Hungarian, as well as notes on fingering notation and symbol legends, is available for download at Schott. To implement the techniques used in this Flute Expedition effectively, accompanying video material is also available through the edition. There is also an opportunity to directly contact the author and discuss ideas and experiences of using Flute Expeditions with other musicians in an online group.
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Selected works from the most prominent G. Schirmer and AMP composers, including music by Barber, Corigliano, Harbison, Martinu, Moyse, Muczynski, and others. With detailed notes on the music. Suitable for the advanced high school and college level player. Includes works for solo flute as well as flute and piano.
Contents: BARBER: Canzone, Op. 38a • CORIGLIANO: Voyage • GRIFFES: Poem • HARBISON: Lullaby • HEIDEN: Allegretto from Sonatina for Flute and Piano • HUSA: Allegretto Giocoso from Sonatina for Flute and Piano • KERNIS: Air • MARTINU: Adagio from Flute Sonata No. 1 • MECHEM: Wedding Madrigal • MUCZYNSKI: Allegro con Moto from Flute Sonata, Op. 14 • WORKS FOR SOLO FLUTE: LADERMAN: Presto • MOYSE: Improvisation, Op. 48 • Pensee Musicale, Op. 46 • Impromptu, Op. 54
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As a notable flute player, Marcel Moyse (1889-1984) studied at the Paris Conservatoire under the direction of virtuoso flautists, Paul Taffanel, Adolphe Hennebains and Philippe Gaubert. His accomplishment on the instrument soon established itself on paper, with the composer producing many study and exercise books for the flute. This includes the acclaimed 25 Études Mélodiques. The compilation covers aspects such as, articulation, ornamentation, range and rhythm in the form of moderately difficult variations. Furthermore, with notes in French, English, German, Spanish and Japanese, this Moyse study book is distinctly versatile. Marcel Moyse was responsible for the training of a gifted generation of performers and so it is no surprise that his 25 Études Mélodiques has been crucial to the progress of advanced flute studies.
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Composer Pierre Camus (1885-1948) is little known today. However, his Chanson et Badinerie is a sublime addition to the flute's repertoire and proves to be an exciting, yet challenging piece for performers. Camus' piece for flute and piano accompaniment is in two movements. Chanson (Song) is composed in 6/8 meter and reflects French romantic characteristics in its use of lyrical melodies, use of the lower register of the flute, and chromaticism. The Badinerie contrasts with this with a faster tempo, 2/4 meter, chordal piano accompaniment and scalic semiquaver flourishes. All of these elements combine in Camus' Chanson et Badinerie to make for an exciting addition to the advanced flautist's repertoire.
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Moyse provides the perfect study book for beginner to advanced flautists. With directions in French, English, German, Spanish and Japanese, 100 Easy and Progressive Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone, clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 100 Easy and Progressive Studies, based on studies by Crammer, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, among other aspects. Being a prominent flute player himself, Moyse's 100 Easy and Progressive Studies is well-informed and essential to aspiring flautists.
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L'école de L'articulation de Marcel Moyse (1889-1984) propose des exercices et études sur les articulations pour la fûte.
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| Price | $29.34 (Save: $3.26) |
Moyse provides the perfect study book for beginner to advanced flautists. With directions in French, English, German and Japanese, 100 Easy and Progressive Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone; a clear, flexible and penetrating tone, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 100 Easy and Progressive Studies, based on studies by Crammer, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, amongst other aspects. Being a prominent flute player himself, Moyse's 100 Easy and Progressive Studies is well-informed and essential to aspiring flautists.
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| List | $28.60 |
| Price | $25.74 (Save: $2.86) |
Agrestide, Op. 44 by Eugène Bozza (1905-1991) is a piece for flute and piano written for the Paris Conservatoire contest. Dedicated to Gaston Crunelle, a professor at the Paris Conservatoire, this piece is very difficult and was composed in 1942. This Op. 44 is divided in 4 distinct parts: Moderato (like a Pastoral), Cadenza, Andantino, Anime and Piu Vivo. Agrestide, Op. 44 is really melodic and would also be perfect for a contest or recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets, among others.
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Written by the French flautist and composer Marcel Moyse and published in 1927, Technique – Chromaticism proposes a method to work on technique and chromaticism. Created for the use of advanced flautists, the exercises should help players to gain clarity and sonority. Considered as a maestro by some musicians, Marcel Moyse has composed many flute methods and exercise books also published by Alphonse Leduc, such as Scales and Arpeggios (1933), Daily Exercises (1922) and On Sonority (1934). His methods are widely used and recognised worldwide.
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Having studied the flute with virtuosos Paul Taffanel, Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire, Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. Forty-Eight Studies of Virtuosity for Flute is one of many popular study books by the renowned flautist. During his career, Moyse frequently played solo flute with many orchestras, including performing the main concertos of the repertory. As well as performing and composing, Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI, the composer moved to the United States where he continued to perform, compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique, including Forty-Eight Studies of Virtuosity, which today remain universally accepted and popular. Moyse's book is essential to all aspiring, advanced flautists.
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Moyse provides the perfect study book for advanced flautists. With text in French, English, German, Spanish and Japanese, 24 Caprice Studies by Boehme for Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone: clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 24 Caprice Studies, based on studies by Boehm, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, among other aspects. Being a prominent flute player himself, Moyse's 24 Caprice Studies is well-informed and essential to aspiring flautists.
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Thirteen intermediate flute solos from the nineteenth century. Includes arrangements and original pieces by Albéniz, Chaminade, Massenet, Chopin, and more. With composer bios.
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for flute solo
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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, Aria for Flute (or Oboe), Clarinet and Piano being no exception. Composed in 1927 and revised in 1930, Aria is suitable for advanced level woodwind players. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted, often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques, and being significantly very rhythmic, Ibert's woodwind duet, Aria is an exciting addition to the advanced flute, oboe and clarinet repertoire.
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Aria, written in 1930 by Jacques Ibert (1890-1962), is a small study initially for voice and piano but arranged in this edition for flute and piano. This version and the one for alto saxophone and piano are the ones the most commonly used. The flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
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50 Melodic Studies After Demersseman, Op. 4 – Volume 1, edited by the French flautist and composer Marcel Moyse (1889-1984), contains a set of 25 studies out of 50 for beginner flautists, initially written by Jules Demersseman (1833-1866), a French flautist. Considered as a maestro, Marcel Moyse has composed many flute methods and exercise books also published by Alphonse Leduc, such as Mécanisme-Chromatisme (1927) and De la Sonorité (1934). His methods are widely used and recognised worldwide.
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Composed by Jules Demersseman (1833-1866), Great Concert Fantasy, Op. 52 has been reviewed by the French flautist Marcel Moyse. Written for flute and piano, it is based on Obéron by Weber, and would fit players with advanced skills and abilities and strong endurance. Part of the series Flute Classics, this piece number 76 is among those adapted by P. Taffanel, Ph. Gaubert, M. Moyse and others. Great Concert Fantasy starts with the piano alone, soon joined by the flute. The main theme does not start before the top of the second page of the flute score which is then followed by variations and the finale.
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Take the stage with the Christopher Norton:
–Stunning music for solo flute and piano for intermediate to advanced-level players, from the creator of Microjazz
–15 entertaining and inventive pieces based on well-known American folk tunes, Christmas carols and nursery rhymes
–Spectacular performance and accompaniment tracks available online
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Despite his studies being interrupted by WWI, Jacques Ibert won the Grand Prix de Rome at his first attempt, proving his significant compositional ability, such as his Jeux - Sonatine for Flute (or Violin) and Piano. Jeux was composed towards the beginning of Ibert's professional career, and can be played on either the fute or violin. As suggested by the title, it is an animated and dynamic piece, reflecting the composer's preferred harmonic choices of the Classical tradition, despite developing it in his unique style. Jeux contains two contrasting movements, “Animé” and “Tendre,” utilising the entire range of the flute. Suitable for intermediate- to advanced-level flautists, this Ibert piece is a pleasant and varied addition to the flute's repertoire.
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Composed by Jules Demersseman (1833-1866), Concert Solo No. 6, Op. 74 has been reviewed by the French flautist Marcel Moyse. Written for flute and piano, it would fit players with advanced skills and abilities and a great endurance. It contains up to 5 flats and 4 sharps. Part of the series Flute Classics, this piece number 76 is among those adapted by P. Taffanel, Ph. Gaubert, M. Moyse and others. Very enjoyable, yet very difficult, this piece was written as a concert solo and could be easily be used in recitals or contests. Considered as a maestro by some musicians, Marcel Moyse has composed many flute methods and exercise books that have also been published by Alphonse Leduc. His methods are widely used and recognised worldwide.
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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and Marcel Moyse (1889-1984), a prominent French flautist, arranged the compilation for flute and piano in 1933 to great acclaim. Stories for Flute and Piano is made up of six movements; 1) The Leader of the Gold Turtles, 2) The Little White Donkey, 3) In the Sad House, 4) The Crystal Cage, 5) The Market of Fresh Water, and 6) The Procession of Balkis. Containing a variety of musical aspects and techniques, Moyse's arrangement for flute and piano of Ibert's Stories is an exciting addition to the intermediate level flautist's repertoire. MORE»
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Italian flautist and composer, Giuseppe Gariboldi (1833-1905) moved to Paris after his studies where he worked as a virtuoso flute player and prolific composer. Being exceedingly talented, Gariboldi's compositions range from operettas to studies, including his ever-popular teaching aid, Complete Study of Scales. Covering a huge spectrum of scales, studies in Complete Study of Scales address scales in varying articulation, rhythms, dynamics, note values, ranges and ornamentation, among other things, in order to ensure adequate progression. Giuseppe Gariboldi's Complete Study of Scales is essential to accompany all flautist's technical progress.
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Forty-Eight Virtuoso Studies, Vol. 2 by Marcel Moyse is the second and last volume of this series, tailored to upper-advanced flautists. Highly complex and challenging, this volume features 23 pieces, the studies 25 to 48, and will help the flautist to master and perfect their technique. It is a must-have for those who want to keep improving at higher levels. Considered as a maestro by his peers, Marcel Moyse has composed many flute methods and exercise books also published by Alphonse Leduc, such as, for the same level, 12 Studies in Virtuoso After Chopin and 10 Studies After Wieniawsky. His methods are widely used and recognised worldwide. MORE»
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