This is the first-ever method that teaches you how to play in a rock band. Learn what all the great musicians seem to know intuitively – how to listen, interact and respond, improvise, and become part of the groove. The book and play-along CD will help improve your timing, technique, and reading ability. Become the great player that everyone wants to have in their band!
Lessons throughout the book guide you through technique that's specific to learning to play cello in a contemporary ensemble, complete with daily practice routines. The CD features outstanding Berklee players and covers a wide variety of styles: rock, funk, jazz, blues, swing and bossa nova!
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An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying CD.
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Analysis of fundamental principles, technical exercises and examples from the cell repertoire all demonstrate “The Art of Playing the Cello”, written during the lifetime of the celebrated cellist Maurice Gendron and now published by his pupil Walter Grimmer.
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50 easy duets in the first position. A beautiful collection for beginner's lessons, with very melodious pieces covering all technical and musical aspects of cello playing.
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Dotzauer études have been part of the standard repertoire in cello lessons for generations. Johann Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good étude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. This new edition of the 18 progressive études Op. 120 follows the original sources and contains the original text. While the Dotzauer études are usually only available in selected editions today, opus 120 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons.
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The first volume of a method in 4 books, Cello Method – Scales and Arpeggios, Volume 1 was composed by Paul Bazelaire (1886-1958) based on scales and arpeggio studies. This set of works covers all the scales and can therefore be used to introduce beginners to scales and arpeggios or by advanced cello players to master the perfect technique on this particular subject. This book of 47 pages is definitely a must-have for developing the basics, and is followed by volumes of daily exercises and twelve studies of velocity. Paul Bazelaire was a French cellist and composer who won many literature and poetry prizes. MORE»
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Contents: Cantabile • Doppelgriffe • Staccato • Verschiedene Stricharten • Gebrochene Akkorde • Der Gebrauch des Daumens • Erzielung eines breiten Strichs • Vor- und Doppelschläge • Abwechselnder Bogenstrich • Das rechte Handgelenk • Charakteristische Etüde • Der Triller • Fingerfertigkeitsetüd • Lockerungsetüde • Doppelgriffe • Chromatische Etüde • Oktaven. MORE»
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An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying CD.
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The three-volume textbook with complementary tune books lays the foundation for a solid technical and musical training. Structured in an easy and understandable way, it is aimed at older children, young people and adults. The accompanying CD offers a rhythmic motivating playback of many pieces. This is how cello playing is great fun! Aligned with the methodological structure of the Cello Method, the tune books offer a wealth of beautiful pieces: works from the Baroque to the Romantic era, from Vivaldi to Schubert. They are also popular folksongs as well and modern pieces in fresh arrangements which are fun for pupils to play. The books include a piano part and playback CDs - for more motivation and pleasure inpractising and playing!
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The Koeppen Cello Method consists of 3 progressive method books, each with a supplementary tune book, and lays the foundation for a solid technical and musical training. Structured in an easy and understandable way and full of fun rhythmic exercises and popular styles, it is aimed at young people and adults. All books are accompanied by a CD which will help motivate and inspire.
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This volume gradually introduces the most important thumb techniques:
At first, the 4 finger patterns in thumb position are introduced systematically. The thumb first remains placed over the octave harmonics. Later, other thumb positions are added. At the end of the volume, the change from one thumb position to the other and theoctave parallels are practised.
In order that the student does not miss out on the fun, each topic comes with 'tailor-made' pieces and arrangements of the author from classical, folk, rock, and jazz music. Many pieces also come with piano parts and mp3s for download. The programme is completedby many examples from the classical cello literature.
The author recommends using the comprehensive material in various ways. The order can be changed without any problems. Chapters or difficult passages can be skipped and practised later. This volume should be used over a longer period, yet can be occasionally laidaside for a while.Ideal to complement, for example, Gabriel Koeppen's cello method (Schott, volume 1: 49045393) or any other textbook.
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Part 6 of this excellent series covers arpeggios on 4 strings, variations in triplets, variations in semiquavers and bowing styles.
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Fitting the violoncello like a glove, the concert études by the Russian composer Mikhail Bukinik (1872-1947) are also suited for concert performances. The études are compulsory pieces at the International Cello Competition in Markneukirchen in May 2005.
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This collection was used as a standard work for cello lessons at the Paris Conservatoire in the 19th century. This new edition marks any departures from the original edition and useful tips and practice suggestions.
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Scales and arpeggios for Grades 1 and 2 transformed into 30 imaginative pieces guaranteed to make learning quicker and lessons more fun! Also ideal for developing rhythmic skills. Each scale and arpeggio can be accompanied by a cello duet part (for the teacher of Grade 4-5 standard pupil) or a simple piano accompaniment.
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The Russian cellist Stutschewsky (1891-1982) has developed an extremely effective exercising programme for the right hand based on melodic and harmonic patterns. MORE»
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German, English, French.
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Printed in 1687, these 12 pieces are the earliest printed works for solo cello and probably the very first pieces to be written for solo cello. Includes a facsimile of the 1687 edition.
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The 21 exercises that introduced the thumb position to cellists has never ceased to be the staple of advanced technique for the instrument.
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The basics of cello technique in selected studies. Volume 1 covers orientation on the fingerboard via changes of position, vibrato and trills, changes of strings, and double stops.
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The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practicing processes. Text in English.
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These classic, extensive studies by Maurits Frank (1892-1959) cover four areas to improve left hand technique: intonation, fluency, reaching extensions and building muscle tone.
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The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises atall levels of difficulty.
The studies originally come from the appendix to Kummer's Celloschule für den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced.
Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil.Friedrich August Kummer (1797-1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.
Contents
- 1st Position
- Position Changes
- String Crossing
- Bow Exercises
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The etudes of Friedrich August Kummer are best suited for lessons, especially for the accompaniment of a 2nd cello. They are distinguished by a very systematic structure, are sent through the fifth circle, and contain exercise material in all degrees ofdifficulty.
Originally the etudes are from the appendix of Kummers Celloschule for the first lesson op. 60. For the first time, this new editioncompletes them in two volumes as 92 progressive etudes. It follows the first edition published in 1839 (publisher Friedrich Hofmeister, Leipzig) and essentially adopts the original fingerings and line names. For easier readability, the number of finger sets has been slightly reduced.
Volume 1 (ED 22371) is aimed at the beginnings and middle classes, Volume 2 (ED 22372) focuses on the musical lecture of the advanced pupil.Friedrich August Kummer (1797-1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg, and he formed renowned cellists like Julius Goltermann or Bernhard Cossmann
Content:- Exercises in Style - Chromatic Scales - Arpeggio - Staccato - Musical ornaments - Double-stops - Thumb position - Harmonics - Octaves - Thirds and Sixths
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Dotzauer's études have been part of the standard repertoire in cello lessons for generations. This new edition of the 12 Études Op. 107 follows the original sources and contains the original text. While the Dotzauer études are usually only available in selected editions today, opus 107 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons. The Études Op. 107 contain some of Dotzauer's best-known études of medium difficulty, in the 1st to 4th position and with major technical problems such as arpeggios, velocity, string crossings, slow and fast bowing, double stops, two-part playing, etc.
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Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good étude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. 24 Caprici in tutti tuoni Op. 35 (1816) is Dotzauer's masterpiece, wonderfully showing off the varied tone colors and playing techniques of the violoncello. Demanding études for lessons and performances, with beautiful melodic and harmonic ideas, some with slow expressive introductions, some with artistic arpeggios or contrapuntal polyphony. This new edition follows the original sources and contains the original text.
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A direct and interesting route to sound technique through live music making. For 10 years upwards.
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