This prayer is the foundation of Orthodox faith in the Holy Trinity. Says Tavener: “In setting it to music, I have tried to capture something of the deep conjunction and repentance which lie at the heart of Orthodoxy”. This work for unaccompanied SATB choir and SSAAA semichorus was commissioned by the Cambridge Tavener Choir. It was first performed in April 1996 at Jesus College Chapel, Cambridge, by the Cambridge Tavener Choir conducted by Owen Rees.
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Miniature vocal score of Tavener's 1993 work for STB soloists and SSAATB chorus. With English and Russian words.
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For SSAATB Choir A Cappella, edited by Andrew Parker.
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Price | $3.56 (Save: $0.39) |
He Carried Me Away In The Spirit for mixed SATB chorus a cappella was written for the choir, Commotio, and their conductor, Matthew Berry. This motet is a companion to the short unaccompanied motet Pure River Of Water Of Life both with texts from the final chapters of Revelation. If performed together, He Carried Me Away In The Spirit should be sung first and can segue into Pure River Of Water Of Life A Piano accompaniment is included for rehearsal purposes.
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Anthem for mixed voice choir, soloists, strings, keyboard and instrumental continuo.
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John Leavitt graces us with a new, more accessible edition of an early music classic. Jacob Arcadelt's early sacred music has a serenity and a purity of sound and mood that is enhanced in this arrangement for treble voices. This edited arrangement is sung a cappella and is also available for SATB choirs. This is a marvelous choice for winter or Christmas concert, contest, or festival; or for exposure to some of the great music of the sixteenth century.
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Parts for strings available (vn 1-3, va, vc, db.)
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Uses: Benediction, concert, general
Scripture: Colossians 1:24-29; Exodus 33:12-14
David Schwoebel composed this benediction to honor Bingham Vick, celebrated choral conductor and educator from Furman University. A beautiful piece based on an ancient Gaelic poem, this brief blessing may become a tradition as your concert or worship service closer. Superb! A cappella. Duration: ca. 1:48.
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A uniquely evocative setting of the Gloria. Elegant and fluid lines suggestive of Gregorian chant are changed into a freely sung soundscape of great beauty and richness. With percussion.
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This joyful and animated setting of Psalm 24 is the eighth movement of Raminsh's grand-scale work Symphony of Psalms. Full vocal and orchestral materials are available from Boosey & Hawkes Rental Library.
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A Canticle of Mary: “My soul magnifies the Lord and my spirit rejoices in God, my Savior,” this setting attempts to capture the mystical, miraculous quality that seems to emanate from these words. Duration: ca. 8:00.
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Mixed Choir (SSAATTBB), soloists (SATB) and orchestra. Choral score.
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John Newton's famous and beloved hymn is perhaps the most well-known song in the world. This traditional setting for SSAA a cappella will surely have a profound effect on your singers and audiences. Performance Time: Approx. 3:15.
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Composed for SSAATTBB edited by Patrick Russill. MORE»
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The choral setting with its largely modal harmony is not complicated; however, the singers should have some experience in sustainingdissonances. The piece is ideal for sacred evning music during the Advent season, leading to quiet and calm. Latin. MORE»
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