Tchaikovsky spent the summer and autumn of 1880 at his sister's country estate in Kam'ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him again. “I'm sketching a symphony or string quintet just now; I don't know where it's going yet,” he wrote to his friend and patroness Nadezhda von Meck. In the end it turned out to be a Serenade for String Orchestra, which numbers among his most beautiful inspirations and is today a central work in the genre. The four movements captivate with their diverse moods – be it the Mozartian first movement “in the form of a sonatina”, the elegant Waltz, the melancholy “Elegia” or the rousing Finale. For this new source-critical edition it was possible to consult the autograph in Moscow as well as the early printed editions into which Tchaikovsky sometimes entered a number of minor revisions. Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire!
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The serenade flourished in Mozart's era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvorák's cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. Heput his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvorák's most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer's copy of the printed score with autograph corrections and additions has been consulted for Henle's Urtext edition.
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The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684-1754), which was celebrated in Bergen with several festive events. Initially, a piano version of the work was written in August 1884, but the composer already had the arrangement for string orchestra in mind, which he made just one month later. As a starting point, Grieg chose baroque dance movements from Holberg's era, but skilfully combined them with elements of his own tonal language, such as chromatic progressions and dynamic swells. The orchestral version of the “Holberg Suite”, which was very successful right from the beginning, is still one of Grieg's most popular compositions today and now enriches the Henle programme for string orchestra.
Cello Part
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Forsblad - Grade 2
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Short, practical arrangements for the developing ensemble. Includes: Frosty the Snow Man, Joy to the World, Silent Night, Hark the Herald Angels Sing, O Come All Ye Faithful, and The Christmas Song. Grade 3. Arranged for string ensemble.
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Rosenhaus - Grade 3
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Cocnerto G Major Violin Strings Continuo RV310 (Op. 3, No. 3) - Parts MORE»
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Concerto in B Minor for 4 Violins Violoncello Strings Continuo RV580 (Op. 3, No. 10) Parts MORE»
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Concerto A Minor Violin Strings Continuo RV356 (Op. 3, No. 6) Parts MORE»
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Bohemian composer Zdenek Fibich (1850-1900), now in the shadow of Smetana and Dvorak, was instrumental in the foundation of the Czech national school. His best-known work is this theme from his symphonic poem At Twilight. In 1908 violinist Jan Kubelik titled this melody Poème, which has become one of the most popular of classical themes.
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Concerto G Minor for 2 Violins Violoncello Strings Continuo RV578 (Op. 3, No. 2) Parts MORE»
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Arguably America's most notable art song, Samuel Barber's masterwork has been brilliantly arranged in this edition for strings by John Moss. Written for voice in 1938 and based on text by noted poet James Agee, Barber's music is highly emotional, a quality apparent in this skilled setting for strings. With solo parts for violin and viola, this edition is a superb opportunity to teach 20th century music at its very best.
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Amahl and the Night Visitors was the first opera to be commissioned especially for television and was premiered in 1951. With this well-crafted setting by Lloyd Conley, string orchestras can enjoy the charming stage music from this enduring holiday production.
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Concerto A Major for 2 Violins Strings Continuo RV519 (Op. 3, No. 5) Parts
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Concerto G Minor for 2 Violins Violoncello Strings Continuo RV578A (Variant of Op. 3, No. 2) Score
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The serenade flourished in Mozart's era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvorák's cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. Heput his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvorák's most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer's copy of the printed score with autograph corrections and additions has been consulted for Henle's Urtext edition.
MORE»
| List | $6.95 |
| Price | $6.26 (Save: $0.69) |
The serenade flourished in Mozart's era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvorák's cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. Heput his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvorák's most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer's copy of the printed score with autograph corrections and additions has been consulted for Henle's Urtext edition.
MORE»
| List | $6.95 |
| Price | $6.26 (Save: $0.69) |
The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684-1754), which was celebrated in Bergen with several festive events. Initially, a piano version of the work was written in August 1884, but the composer already had the arrangement for string orchestra in mind, which he made just one month later. As a starting point, Grieg chose baroque dance movements from Holberg's era, but skilfully combined them with elements of his own tonal language, such as chromatic progressions and dynamic swells. The orchestral version of the “Holberg Suite”, which was very successful right from the beginning, is still one of Grieg's most popular compositions today and now enriches the Henle programme for string orchestra.
Violin 1 Part
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Concerto D Minor for 2 Violins Violoncello Strings Continuo RV565 (Op. 3, NO. 11) Parts MORE»
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Concerto E Minor for 4 Violins Strings Continuo RV550 (Op. 3, No. 4) Parts MORE»
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