Performance time - ca. 7:30
Includes: County Galway, June 1892; The Fighting Donnellys; Joseph and Shannon; Blowing Off Steam; Finale
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Performance time - ca. 4:45
One of America's most historic moments was accompanied by this very unique work, composed especially for the occasion and performed by a quartet of America's finest artists – Yo-Yo Ma, Itzhak Perlman, Anthony McGill, and Gabriela Montero. Maestro Williams has rescored his monumental work into a dramatic movement for string orchestra – a stunning display of emotion, musical power and grace. An advanced level piece for mature groups.
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Price | $175.50 (Save: $19.50) |
Contents: Quiet City • Lincoln Portrait • Danzón Cubano • Clarinet Concerto • Three Latin-American Sketches.
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from: Anton Bruckner: Sämtliche Werke • Kritische Gesamtausgabe Band IX
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With a detailed preface by Giselher Schubert
Mahler 2 - written between 1888 and 1894 and known as 'Resurrection Symphony.' Mahler found inspiration for the final, 'Resurrection' movement at the funeral of Hans von Bülow.
Content:
Preface
Vorwort
I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
II. Andante moderato. Sehr gemächlich. Nie eilen
III. In ruhig fliessender Bewegung
IV. Urlicht. Sehr feierlich, aber schlicht (Choralmässig)
V. Im Tempo des Scherzos. Wild herausfahrend
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Shostakovich's Symphony No. 8 was composed within a period of only a few weeks in 1943. Its unusual formal structure, with five very unevenly balanced movements, was not the only thing to alienate the critics at first: above all, the expected triumphant final movement was missing, which would have symbolised the turning point of the on-going war after the Battle of Stalingrad. While it was officially agreed that this symphony reflected the horror of war, the conductor Kurt Sanderling, a friend of Shostakovich, said that it was a representation of the “horror of an intellectual's life at that time”.
This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in 'The New Collected Works of Dmitri Shostakovich'.
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Price | $52.20 (Save: $5.80) |
This suite was made by Prokofieff from the score of his third ballet for Diaghilev. Gerard McBurney comments that the ballet was “a highly entertaining product of that 1920s fashion for making art about the brave new world of machines and heavy industry and strong-muscled men engaged in hard labour. For good measure Prokofieff and his collaborators threw in a light-hearted sub-plot as well, about a sailor and his girl. The result is one of his most poster-paint scores, filled with bright and brittle imagery, breezy optimism and pulsing motor-rhythms.” When Prokofieff extracted the symphonic suite he cut and reordered the material and altered quite a few passages, to give the piece more of a symphonic feel and make it more effective in the concert hall. He ends the suite with the most exciting and original music in the score, an apotheosis of the life and sounds of an early 20th-century factory. He makes marvellous use of the orchestra to describe the humming and whirring of machinery, complete with spinning cogs and flywheels and the thunder of hammers and chains.
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Composed for Ocean Grove, NJ, Summer Music Festival
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First performed in November 1954 by the Warsaw Philharmonic Orchestra conducted by Witold Rowicki. Duration c.29mins. Orchestral material available for hire from Chester Music.
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Symphony inspired by the opera Doctor Atomic.
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Composed in 2008-09, Graffiti is Lindberg's first work for chorus and orchestra, and it earned him the 2009 Finnish Composer Society's Award. The libretto for the half-hour work is compiled from ancient Latin graffiti discovered during excavations of Pompeii, the city destroyed by volcanic eruption in 79 CE. Some of the writings are specific to the time and place, such as publicity for gladiatorial combats, but many of the political denunciations, silly aphorisms, and sexual encounters either documented or solicited could, with the Roman names changed, be found in present-day settings. Lindberg assembled the brief texts without aiming to create a narrative or thematic scheme, his intention being to evoke “a grand choral and orchestral fresco of the life of the town.” A work of great energy and originality, and a significant addition to the repertoire of large-scale choral writing.
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Preface -.- Konzert: • I. Allegro moderato • II. Canzonetta. Andante • III. Finale. Allegrio vivacissimo
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English Only – Cloth Score.
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Total performance time - ca. 18:00
I. Swashbuckler (The Adventures of Mutt) (3:10)
II. Marion's Theme (3:30)
III. The Crystal Spell (3:50)
IV. A Whirl Through Academe (3:30)
V. Irina's Theme (3:20)
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A symphony in one movement, composed by Jean Sibelius (1865-1957) in 1924. The work lasts approximately 22 minutes.
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Price | $46.80 (Save: $5.20) |
Full Orchestral Score
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Modeled on Stravinsky's “Le Chant du Rossignol,” this 14-minute work for orchestra is an homage to the work and wit of Nicholas Slonimsky, the Russian eccentric literary genius who wrote The Thesaurus of Scales and Melodic Patterns (1947), from which Adams drew scales and harmonies.
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List | $14.99 |
Price | $13.49 (Save: $1.50) |
One of the most notable movements from Dmitri Shostavovich is transformed into this superb new edition that is well within the reach of most orchestras. Stephen Bulla's arrangement is appropriately truncated, and carefully altered with key, range and technique, and orchestration considerations for today's school, festival and regional orchestras. (G. Schirmer, Inc.)
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Festive Overture, Op. 96
Overture on Russian and Kirghiz Folk Songs, Op. 115
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In June 1905, Ravel told a friend shortly before setting off on a long holiday: “I was terribly busy because of a piece for harp commissioned by the Érard company. I was able to finish it after a fashion, thanks to 8 days of dogged work and three sleepless nights.” But the piece itself shows nothing of the haste in which it was written. In fact, it seems as if Ravel knew how to explore all the musical possibilities of the harp in this brief, but highly striking piece. This septet with its unusual combination of instruments is a further enrichment of Henle's Urtext editions of Ravel's chamber music.
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