HPS 630
Instrumentation: Flute, Clarinet, Bassoon I, Bassoon II, Trumpet in A, Trumpet in C, Trombone I (Tenor), Trombone II (Bass).
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| Price |  $22.49 (Save: $2.50)  | 
Shostakovich originally intended his Symphony No.6 to be a monumental homage to Lenin for vocal soloists, choir and large orchestra. Even in the year before its completion, he announced in the press that Vladimir Mayakovsky's poem “Vladimir Ilyich Lenin” was to form the textual basis for it. However, what was finally premiered in Moscow on 21 November 1939 as Symphony No. 6 did not meet these expectations in the slightest; nor was such a “Lenin Symphony” ever published by Shostakovich. The purely instrumental work opens with an expansive, introverted Largo followed by a short Scherzo and a brilliant “music hall gallop”, which Shostakovich considered the most accomplished piece of the symphony.
This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in 'The New Collected Works of Dmitri Shostakovich'.
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| List | $53.00 | 
| Price |  $47.70 (Save: $5.30)  | 
Performance time - ca. 9:00
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| List | $565.00 | 
| Price |  $508.50 (Save: $56.50)  | 
Performance time - ca. 9:00
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| Price |  $76.50 (Save: $8.50)  | 
Performance time - ca. 3:50
Commissioned by the 1984 Los Angeles Olympic Organizing Committee.
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| Price |  $508.50 (Save: $56.50)  | 
Performance time - ca. 7:30
Includes: County Galway, June 1892; The Fighting Donnellys; Joseph and Shannon; Blowing Off Steam; Finale
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| Price |  $58.50 (Save: $6.50)  | 
Total performance time - ca. 23:00
I. The Asteroid Field (4:50)
II. Parade of the Ewoks (4:10)
III. Cantina Band (2:15)
IV. Here They Come (2:15)
V. Luke and Leia (4:45)
VI. The Forest Battle (4:05)
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Performance time - ca. 13:00
1. Closing In
2. Reflections
3. Joy Ride
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| Price |  $49.50 (Save: $5.50)  | 
Contents: Old American Songs (Complete) • Piano Concerto • John Henry • El Salón México• Fanfare for the Common Man.
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| Price |  $58.50 (Save: $6.50)  | 
In September 1961, Yevgeny Yevtushenko's poem 'Babi Yar' appeared in the Soviet Literaturnaya Gazeta, addressing the mass shooting  in 1941 of more than 33,000 Jewish men, women and children on the outskirts of Kyiv by the city's German occupiers. Deeply moved by the poem, Shostakovich took it as the starting point for his Symphony No. 13 for bass, male choir, and orchestra. The work was premiered on 18 December 1962 at the sold-out Great Hall of the Moscow Conservatory, despite resistance and intimidation from the political leadership which sought to avoid such an explicit reference to Jewish suffering. The first performance, which was acclaimed by the audience, was mentioned in Pravda the next day with only a brief single sentence.
This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in 'The New Collected Works of Dmitri Shostakovich'.
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| List | $76.00 | 
| Price |  $68.40 (Save: $7.60)  | 
Performance time - ca. 13:30
I. Fawkes the Phoenix (4:05)
II. Dobby the House Elf (3:30)
III. Gilderoy Lockhart (2:00)
IV. The Chamber of Secrets (3:45)
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| List | $625.00 | 
| Price |  $562.50 (Save: $62.50)  | 
Contents: The Young Person's Guide to the Orchestra • Matinées Musicales • Soirées Musicales • The Courtly Dances from Gloriana.
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| Price |  $54.00 (Save: $6.00)  | 
Contains both the corrected and revised edition of 1920 (first publication) and the revised edition of 1947.
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| Price |  $43.20 (Save: $4.80)  | 
“City Noir is a symphony inspired by the peculiar ambience and mood of Los Angeles 'noir' films, especially those produced in the late forties and early fifties. My music is an homage not necessarily to the film music of that period but rather to the overall aesthetic of the era. This symphony becomes the third in a triptych of orchestral works that have as their theme the California experience, its landscape and its culture. The two previous are The Dharma at Big Sur and El Dorado. City Noir was commissioned by the Los Angeles Philharmonic in association with the London Symphony Orchestra, Cité de la Musique and ZaterdagMatinee.” -John Adams
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“Oboe Concerto 1945, inspired by an American soldier, an oboist from Chicago,” was what Richard Strauss wrote down. And the oboist and soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for the first time in a Henle Urtext edition in both full score and piano reduction!
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As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in E flat major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss' poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss' death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the Bavarian State Opera in Munich, learned first-hand about the performance tradition and genesis of the concertoas a pupil of Gottfried von Freiberg.
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| List | $34.00 | 
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Performance time - ca. 4:45
One of America's most historic moments was accompanied by this very unique work, composed especially for the occasion and performed by a quartet of America's finest artists – Yo-Yo Ma, Itzhak Perlman, Anthony McGill, and Gabriela Montero. Maestro Williams has rescored his monumental work into a dramatic movement for string orchestra – a stunning display of emotion, musical power and grace. An advanced level piece for mature groups.
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| List | $195.00 | 
| Price |  $175.50 (Save: $19.50)  | 
Contents: Les Illuminations • Serenade Op. 31 • Nocturne • Now Sleeps the Crimson Petal.
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| Price |  $46.80 (Save: $5.20)  | 
Preface -.- Konzert: • I. Allegro moderato • II. Canzonetta. Andante • III. Finale. Allegrio vivacissimo
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Critical Edition. Revision approved by The Ives Society, 2001.
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| Price |  $31.50 (Save: $3.50)  | 
| List | $28.99 | 
| Price |  $26.09 (Save: $2.90)  | 
Performance time - ca. 13:00
1. Closing In
2. Reflections
3. Joy Ride
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| List | $625.00 | 
| Price |  $562.50 (Save: $62.50)  | 
Total performance time - ca. 18:00
I. Swashbuckler (The Adventures of Mutt) (3:10)
II. Marion's Theme (3:30)
III. The Crystal Spell (3:50)
IV. A Whirl Through Academe (3:30)
V. Irina's Theme (3:20)
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| Price |  $832.50 (Save: $92.50)  | 
Full Orchestral Score
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| List | $68.00 | 
| Price |  $61.20 (Save: $6.80)  |