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This Henle edition is full of mistakes! The publisher can freely admitt this, because the odd notes here all come from Mozart himself - he consciously inserted them into his Musical Joke. In this amusing and mischievous piece, Mozart does not chiefly parody musicians who play wrong notes (the later title “Village Musicians” was not his). Rather, in this chamber music joke he aims an angry side-swipe at dilettante composer-colleagues of his time, whose lack of imagination and artless compositional technique are here mercilessly demonstrated. A musical and intellectual delight for today's performers and audiences alike, now performable for the first time using a genuine Urtext quality edition based on the autograph in Berlin.
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It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind instrument. While in many cases the original model is unknown, this is not true in the case of the D major Concerto BWV 1054, which was written in 1738 as an arrangement of the E major Violin Concerto BWV 1042. Once again Bach succeeds in conjuring a brilliant and idiomatic keyboard work from the violin part. Not only because of this, but also principally due to its lively and cheerful outer movements, BWV 1054 belongs among the highlights of Bach's rich compositional output. The study edition of this Henle Urtext edition offers the complete orchestral score.
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This slipcase contains all of Joseph Haydn's famous symphonies from his mature creative period: the six “Paris” Symphonies (Hob. I:82-87), the twelve “London” (Hob. I:93-104) as well as five symphonies whose origins lie in between these and of which three (Hob.I:90-92) could be referred to as “Paris Symphonies, Part II”, since they were written for the same French client as “Part I”. The musical text is taken from the Haydn Complete Edition, the commentary texts were newly written by Haydn experts. A true treasure forall who are interested in the classical symphony, and an essential acquisition for Haydn enthusiasts!
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The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning; a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn's heading “Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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Around 40 minutes in length and scored for diverse instruments including horns, trumpets and timpani, the Serenade in D major by Johannes Brahms comes close to the symphony. Written in 1858/59 by the up-and-coming composer, opus 11 started out as a simpler work with four movements for “small orchestra” before turning into the “Symphony Serenade” that we know today. Our study score not only offers the scholarly musical text from the Brahms Complete Edition but also an extensive preface in which the editor Michael Musgrave presents the complicated genesis of Brahms's first great orchestral work.
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For 4 Soloists (SATB), 2 Mixed Choirs (SATB/SATB) and Orchestra. MORE»
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HPS 886 MORE»
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Commissioned by the Boston Symphony Orchestra. “A dense, dark work that penetrates deeply into the soul of Whitman's response to the assassination of a great leader” - Atlanta Constitution
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A concert opener inspired by the music of James Brown.
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Inspired by one of the colorful legends associated with Angelfire, New Mexico.
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Piano, chorus, and orchestra.
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Guitar and orchestra.
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“Across the Water” is a piano concerto based on familiar songs, all with water themes. The result is effective music with a simple, folk language, yet with the drama and variety inherent to the concerto genre. Full score is available for purchase or rental with the complete set of parts.
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