for Soloists, Chorus, Orchestra and Organ (ad lib)
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| Price | $16.19 (Save: $1.80) |
Monteverdi's opera L'Orfeo, first performed in Mantua in 1607, is an important milestone in the history of opera. In this new critical edition the entire libretto by Alessandro Striggio is reproduced, including those parts of the text that are not set to music, in the original Italian as well as in a German and English translation.
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| Price | $50.40 (Save: $5.60) |
Preface • I. Allegro con brio • II. Andante • III. Poco Allegretto • IV. Allegro
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| Price | $17.09 (Save: $1.90) |
| List | $17.99 |
| Price | $16.19 (Save: $1.80) |
The Eulenburg Audio+Score Series covers more than 200 years of the world's favorite classical music. Each of the 50 volumes consists of a clearly-presented and authoritative musical score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear, read, and understand music for everyone from the casual music lover to the expert enthusiast. Each volume includes a study score of the music with an informative article and a CD with a complete recording of the featured piece.
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| Price | $18.89 (Save: $2.10) |
The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Volume 95 includes a Naxos CD with a performance by the Polish National Radio Symphony Orchestra.
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| List | $28.99 |
| Price | $26.09 (Save: $2.90) |
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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The violin concerto from 1935 is probably the best-known and most frequently performed instrumental work by Alban Berg. Written on behalf of the violinist Louis Krasner, it is his last completed composition. Krasner played the solo part at the world premiere at the Palau de la Música Catalana in Barcelona on 19 April 1936 after Berg's death. The concert is dedicated to “The Memory of an Angel.” Berg processed the death of 18-year-old Manon Gropius, who had contracted polio, and his daughter Alma Mahler-Werfel's marriage to architect Walter Gropius. His intention was “to translate the traits of the young girl into musical characters”.
With more than 1,200 titles from orchestral and choral literature, chamber music and music theater, Edition Eulenburg is the largest score series in the world. It covers a large part of music history from the baroque to classical modernism and looks back on a long tradition.
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Preface • Editorial Notes • Textual Notes • Overture • Act I [Part I, Scene 1] • 1. Shake the cloud • 2. Banish sorrow • 3. Ah! Belinda • 4. Grief increases by concealing • 5. When monarchs unite • 6. Whence could so much virtue spring • 7./8. Fear no danger to ensue • 9. See, your royal guest appears • 10. Cupid only throws the dart • 11. If not for mine • 12. Pursue thy conquest, Love • 13. A Dance Gittars Chacony • 14. To the hills and the vales • 15. The Triumphing Dance • Act II, Scene 1 [Part I, Scene 2] 16. Wayward sisters • 17. Harm's our delight • 18. The Queen of Carthage • 19. Ho ho ho • 20. Ruin'd ere the set of sun? • 21. Ho ho ho • 22. But ere we this perfrom • 23. In our deep vaulted cell • 24. Echo Dance of Furies • Act II, Scene 2 [Part II, Scene 1] • 25. Ritornelle • 26./27. Thanks to these lonesome vales • 28. Gitter ground a Dance • 29. Oft she visits this loved mountain • 30. Behold, upon my bending spear • 31. Haste, haste to town • 32. Stay, Prince, and hear • 33. Ritornelle • Act III [Part II, Scene 2] • 34. Come away, fellow sailors • 35. The Sailors Dance • 36. See, see the flags • 37. Our next motion • 38. Destruction's our delight • 39. The Witches Dance • 40. Your counsel all is urg'd in vain • 41. Great minds against themselves conspire • 42. Thy hand, Belinda • 43. When I am laid in earth • 44. With drooping wings
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For chorus and orchestra.
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| List | $40.00 |
| Price | $36.00 (Save: $4.00) |
Originally scored for piano solo (#50481990 $7.95), Griffes' Pleasure Dome of Kubla Khan was later expanded into a tone poem for orchestra by the American impressionistic composer. It is based on the poetry of Samuel Taylor Coleridge and is scored for piano, voice, chamber ensemble & orchestra. This original version is combined with Frederic Stocks' 1920 revisions.
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Liturgy for Viola Solo and orchestra.
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Text by Belá Balasz. German and English text.
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Concerto A Minor for 2 Violins Strings Continuo RV522 (Op. 3, No. 8). Intro in Italian and English.
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Score includes:
Two Pieces for String Octet, Op. 11
Elegy and Polka sans Op. for String Quartet
String Quartet No. 1, Op. 49
String Quartet No. 2, Op. 68
String Quartet No. 3, Op. 73
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For Alto, Flute, Tuba, 6 Percussionists and Live Electronics.
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| Price | $58.49 (Save: $6.50) |
Mozart's Piano Concerto is one of his most played works. The autograph score is very well preserved and beautifully written. Mozart wrote hurriedly but always clearly, occasionally making corrections; and towards the end the writing becomes increasingly fleeting. Thanks to this high quality facsimile edition we are almost able to peer over his shoulder into the score. The publisher produced his first edition using this autograph score. It came into the possession of the collector Charles Malherbe, who in turn bequeathed it to the Paris conservatory. Today it is one of the treasures in the Grande Rserve held in the music department at the French National Library in Paris. The pianist and conductor Andrés Schiff prompted us to produce this facsimile, substantially contributing to its publication (which is why it can be offered at an attractive price for Mozart's anniversary year in 2006). His preface bears witness to his great enthusiasm for this exceptional work and manuscript.
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With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger's last opus. Shortly after he had sent it to his publisher, he died of a heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, Henle now publishes it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.
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With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world (not only) by horn players, and together with Mozart's masterworks, numbers among the essential pieces in the instrument's repertoire. Peter Damm, former principal horn for the Staatskapelle Dresden and world-class soloist, has not only performed the concerto publicly over 170 times himself, but has also presented pivotal research findings and publications on its genesis. Prepared after reviewing all surviving sources, the Urtext edition he has edited may thus been regarded as the edition of reference. The orchestral score, available in a practical study edition, eliminates innumerable errors from the first edition.
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“His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer's progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: The Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven's great skill. Henle's Urtext edition also contains additional parts for horns in F.
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| List | $19.95 |
| Price | $17.96 (Save: $1.99) |
