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This sonata for two flutes and piano by Franz Doppler was rediscovered by Prof. András Adorján in the former production archive of the Schott music publishing house and is now published completely for the first time. An undated handwritten note on the title page of the manuscript solves the riddle: “NB. Von dieser Sonate nur Andante u. Rondo stechen zu lassen und das Stück demgemäss zu titulieren”. [NB. Engrave only Andante a. Rondo of this Sonata and name the piece accordingly.] This is why only the last two movements were printed by Schott and this composition survived as a fragment. Andante and Rondo are very popular among flautists. Now they can enjoy the whole sonata including the first two movements Moderato and Menuetto.
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Contents: What bliss, what joy (Welche Wonne, welche Lust) from The Abduction from the Seraglio • Who has found a sweetheart (Werein Liebchen hat gefunden) from The Abduction from the Seraglio • When the tears of joy flow (Wenn der Freude Tränen fliessen) from The Abduction from the Seraglio • You will frolic no more (Non più andrai) from The Marriage of Figaro • Oh, come, do not delay (Deh vieni non tardar) from The Marriage of Figaro • There we will join hands (Là ci darem la mano) from Don Giovanni • Beat me, handsome Masetto (Batti, batti, o bel Masetto) from Don Giovanni • Oh, come to the window (Deh vieni alla finestra) from Don Giovanni • Do not be bashful (Non siate ritrosi) from Così fan tutte • An aura of love (Un'aura amorosa) from Così fan tutte • Love is a little thief (È amore un ladroncello) from Così fan tutte o Who blindly believes (Chi ciecamente crede) from La clemenza di Tito • The Bird Catcher am I (Der Vogelfänger bin ich ja) from The Magic Flute • How strong is your magic (Wie stark ist nicht dein Zauberton) from The Magic Flute • A maiden or wife (Ein Mädchen oder Weibchen) from The Magic Flute.
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Inserts for clarinet & piano.
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Solo Parts with Piano Reduction
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Béla Bartók's “44 Duos” for violins are a set of marvelous musical miniatures that draw on the composers love of Eastern European folk music. Ranging from easy to advanced standard, they have long been the province only of string players with arrangements first for cellos and more latterly for violas. Now they are available to delight flautists and will be ideal for recitals, either as a main program item or as encores, just as violinists have enjoyed them since their composition.
Arranger Fereshteh Rahbari comments that it is thanks to the development of the flute over the last four decades, especially in its speaking quality, that these effective new arrangements could be made.
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Philip Sparke's delightful original duets introduce new musical elements in a logical order to facilitate the speedy growth of the “complete musician.” Teacher and student – or two students – can perform together and experience the benefits of ensemble playing early in the learning process. MORE»
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| List | $13.00 |
| Price | $11.70 (Save: $1.30) |
Clarinet, French horn, and piano.
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| Price | $26.96 (Save: $2.99) |
Originally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flute and oboe. Chamber orchestra and piano reduction versions are available from the publisher. Movements: I. Allegro Vivo, II. Lento, III. Rondo
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First performed in 2001 in Amsterdam by Charles Neidich and Ayako Oshima, and recorded by them on Bridge Records. “Hiyoku” is a poetic word, originally used by the ancient Chinese poet, Bai Juyi, later adopted by Japanese authors. It means two birds flying together with the connotation of eternal love.
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Lively, intermediate arrangements of 19th and 20th century Mexican folk dances, with notes on each piece. Besides performances, the CD includes play-along tracks of each of the flute parts.
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| Price | $22.49 (Save: $2.50) |
There are still little, unknown gems to be found by even the greatest and most famous names in music history. This charming, short duo in two movements will delight flautists: Neither flute part is technically very demanding and it is therefore well-suited as easy teaching material. The dedication “for friend Degenharth” (a lawyer amongst Beethoven's close circle of friends) leaves open whether it was commissioned or a gift. The work was not published during Beethoven's lifetime, but the autograph has survived. Our edition follows the musical text in the Beethoven Complete Edition and offers Urtext in customary Henle quality.
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Recorded by Eugene Rousseau and Dennis Bamber. For any two like saxophones. Grade IV-V.
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