In the Viennese classical era a divertimento was a light, multi-movement instrumental piece of cheerful, dance-like character. Alongside Mozart, it was above all Hayydn who mastered the art of composing light, entertaining divertimentos of the finest quality. As so often with Haydn, the authenticity of of the divertimentos for piano, two violins and violoncello attributed to him is not always certain. The present edition offers the five verifiably authentic works of the catalog group Hob. XIV in its main section, and in the appendix the Divertimento Hob. XIV:C2, which in all likelihood was composed by Haydn. All six – predominantly in C major – are easy to play and thus well suited for domestic music-making. The piano dominates, while the strings provide sonority. For our Urtext edition, including the detailed preface, we were able to engage Haydn scholar Horst Walter.
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More than a few experts and aficionados count Mozart's string trio in E-flat major K. 563 among his most magnificent compositions. This masterwork, entered into Mozart's own catalog of works on 27 September 1788 as a “Divertimento,” presents the Urtext editor with great challenges. The autograph manuscript has been lost since that time, and no other first-rate source texts exist. The most reliable, albeit clearly imprecise, source is the first edition, published two months after Mozart's death. Many twentieth-century editions, however, unfortunately reprinted the musical text of Breitkopf & Härtel's so-called “Alte Gesamtausgabe” (Old Collected Edition), which was edited by none other than the violinist Joseph Joachim on the basis of incorrect copies and is therefore completely corrupt. Even the “Neue Mozart-Ausgabe” (New Mozart Edition) is not error-free. The Henle edition essentially follows the first edition, though aided by numerous corrective interventions, described in the Critical Commentary. The edition's Appendix presents the surviving fragment of the string trio movement in G major, K. Anh. 66 (562e). How unfortunate that Mozart never completed this equally wonderful music, which continues a little beyond the exposition and thus may quite aptly serve as a short encore. The three individual parts offer optimal flow for reading and playing thanks to the artful apportioning of notes in their layout, including, for instance, various foldout tables and individual pages left blank. The study edition (HN 9625), available separately, provides the full score to this edition of the parts.
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Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn's eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15-21. The Critical Report provides valuable information about the trios' genesis and sources.
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Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore, he did not write any new works for wind ensembles. By contrast, he ennobled his Trio op.87 – originally for two oboes and cor anglais – by making an additional version for two violins and viola. This charming work is published following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.
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Pachelbel's most popular work, the canon with ensuing gigue in D Major, might have been composed during his time in Thuringia between 1677 and 1695. Now available in Henle Urtext.
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2 violins, cello and piano (left hand).
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In 2005 the composer added the movement Ciaccona (in memory of Pope John Paul II) to his Polish Requiem. This edition has been transcribed for string duo with parts for violin, viola, and cello.
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Following the first two volumes of Haydn'S string trios in a study score (HN 9424 und 9425), we are now publishing the third and final one. Although Haydn is said to have composed about 60 string trios, most of them must be discounted for source-critical and stylistic reasons. The eighteen trios which definitely lay claim to authenticity were published in volumes 1 and 2. The third volume contains eight trios attributed to Haydn, although his authorship cannot be proven. In addition to the Urtext edition (HN 628) these charming works are now also available in a handy score format. The musical text is that of the Haydn Complete Edition and it has been complemented by a new and informative preface by the Haydn scholar Sonja Gerlach.
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Max Reger's two string trios stand alongside Mozart's Divertimento in E-flat major (K. 563) and Beethoven's op. 9 trios at the pinnacle of the genre. In their style and technical demands Reger has clearly taken these admired classical forebears as his guide. Both trios are classicist in nature and delight the listener with their relaxed and occasionally even joyful character. No wonder that they proved highly successful at their premières in 1904 and 1915! For his edition, the Reger specialist Michael Kube has examined the autograph scores and the first editions of both works. This edition in parts also comes in a miniature score with exactly the same text, published in Henle's Study Score Series (HN 9722).
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Pachelbel's most popular work, the canon with ensuing gigue in D Major, might have been composed during his time in Thuringia between 1677 and 1695. Now available in Henle Urtext.
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| Price | $4.46 (Save: $0.49) |
Light and Matter was jointly commissioned by the Library of Congress, Britten Sinfonia, Norrbotten NEO and the Aeolian Chamber Players in honour of the 50th anniversary of the Bowdoin International Music Festival. Composed in 2014 by Finnish composer Kaija Saariaho, the piece is for violin, cello and piano.
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Ghetto Terezín
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Due to a differing timbre, the viola receives its own voice in Carter's String Trio, which features the instrument prominently throughout the work. 7 minutes.
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The string trio arrangement of Elgar's first published work is still a popular piece that offers the players a rewarding task and guarantees enjoyable music-making.
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This Sonata in E minor was originally the first sonata in Trois Trios d'une Difficulté Progressive pour le Violincelle, Viola, et Violincelle, Op. 38. The present edition, arranged for three cellos, is ideal for cello lessons.
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Composed in 1945 MORE»
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Following the first two volumes of Haydn's string trios in a study score (HN 9424 und 9425), we are now publishing the third and final one. Although Haydn is said to have composed about 60 string trios, most of them must be discounted for source-critical and stylistic reasons. The eighteen trios which definitely lay claim to authenticity were published in volumes 1 and 2. The third volume contains eight trios attributed to Haydn, although his authorship cannot be proven. In addition to the Urtext edition (HN 628) these charming works are now also available in a handy score format. The musical text is that of the Haydn Complete Edition and it has been complemented by a new and informative preface by the Haydn scholar Sonja Gerlach.
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| Price | $19.76 (Save: $2.19) |
Reflections was written for Nordic Affect. The first performance was given on 30 September 2016 in Reykjavik, Iceland. Arranged for violin, viola and cello.
Anna Thorvaldsdottir frequently works with large sonic structures that tend to reveal the presence of a vast variety of sustained sound materials, reflecting her sense of imaginative listening to landscapes and nature. Her music tends to portray a flowing world of sounds with an enigmatic lyrical atmosphere.
Duration: 8 minutes.
LANGUAGE: English
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Violin, Viola and Violoncello. Score and parts.
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Written as a gift for the Late Music Concert Series, premiered in 2015 by the Albany Trio at St. Saviourgate Unitarian Chapel in York.
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Violin, violoncello (viola) and violone (double-bass or violoncello II).
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The Belgian composer, conductor and violinist Eugène Ysaÿe (1858-1931) was among the great virtuosos of his time. His trio “Le Londres” was originally conceived as a sonata for two violins for his pupil Queen Elisabeth of Belgium. As it was technically too demanding, Ysaÿe rearranged it for two violins and viola.
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String Trio: Violin, Viola, Cello
Score and Parts
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