| List | $10.95 |
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| List | $10.95 |
| Price | $9.86 (Save: $1.09) |
For cello choir.
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2 violins and basso continuo; cello (viola da gamba) ad lib.
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| List | $26.99 |
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| List | $17.95 |
| Price | $16.16 (Save: $1.79) |
2 violins, 2 violas and 2 violoncellos.
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| List | $73.00 |
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| List | $15.00 |
| Price | $13.50 (Save: $1.50) |
Chamber Music for Strings
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2 violins, violoncello obl., strings and basso continuo.
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2 violins and basso continuo; cello ad lib.
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| List | $21.99 |
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2 violins and basso continuo; cello (viola da gamba) ad lib.
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| Price | $23.39 (Save: $2.60) |
| List | $22.99 |
| Price | $20.69 (Save: $2.30) |
Start Point is a collection of four tunes written for the Sanday Fiddle Club.First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Orkney Islands, where Maxwell Davies has lived since the 1970s. Evocative, unassuming, and accessible, the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble.
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Turkish pianist and composer Fazil Say (b. 1970) arranged this piece as an effective encore for piano. In this edition, it is arranged for six cellos (or string sextet).
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Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer's assistance and perhaps even his agreement – these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.
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May be performed separately: “Fanfare” (5')
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Composed for the Saint Louis Community Holocaust Observance (Yom HaShoah).
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Composed for Barry Green.
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Unaccompanied.
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