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24 favorite melodies from top classical composers in easy duet arrangements for two instrumentalists are featured in this collection, including: Air on the G String • Blue Danube Waltz • Canon in D • Eine Kleine Nachtmusik • Hallelujah Chorus • Jesu, Joy of Man's Desiring • Minuet in G Major • Ode to Joy • Pictures at an Exhibition • Sheep May Safely Graze • Trumpet Voluntary • William Tell Overture • and more. Arrangements work for two cellos or can be used with the other string titles from this series.
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In the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories.” It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own.
This first volume contains the three Piano Trios op. 1, the very first works of all which Beethoven deemed publishable and deserving of an opus number. This was followed by the Trio op. 11 for clarinet or violin, cello and piano (“Gassenhauer”). Beethoven drew a great deal of attention to himself when he presented the three Trios op. 1 to the public (including Joseph Haydn) probably in August 1795, at a soirée given by Prince Lichnowsky. They have remained precious exemplars of their genre to this day.
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Grab a friend and your 6-strings and make some beautiful Christmas music for your family and friends! 25 holiday classics arranged for guitar duet, including: The Christmas Song (Chestnuts Roasting on an Open Fire) • Christmas Time Is Here • Feliz Navidad • Happy Xmas (War Is Over) • Have Yourself a Merry Little Christmas • A Holly Jolly Christmas • Jingle Bell Rock • Let It Snow! Let It Snow! Let It Snow! • Mary, Did You Know? • Silver Bells • Somewhere in My Memory • This Christmas • White Christmas • and more. Please note: this book includes standard notation only, no tablature.
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Contents: Away in a Manger • Czechoslovakian Carol • Deck the Hall • The First Noel • Go, Tell It on the Mountain • Hark! the Herald Angels Sing • Here We Come A-Wassailing • In Dulci Jubilo • Joy to the World • O Christmas Tree • O Come, All Ye Faithful (Adeste Fideles) • O Thou Joyful • Silent Night • While Shepherds Watched Their Flocks.
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Hailing from Italy, Mr. Massimiliano Martinelli and Mrs. Fulvia Mancini (Mr & Mrs Cello) are professional cellists, bringing forth their love and veneration for the cello and classical performance into the modern music industry. Students and professionals alike can play their original arrangements presented in full score and as separate Cello 1 and Cello 2 pull-out parts. Pieces include: Cinema Paradiso • Godfather Medley • Love Story • Mia & Sebastian's Theme (from La La Land) • Mission: Impossible Theme • Moon River (from Breakfast at Tiffany's) • No Time to Die • and more.
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In the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories.” It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own.
This second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicatee Archduke Rudolph and is undisputedly Beethoven's most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810/11, it was not published until 1816.
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22 mega hits in easy duet arrangements for two instrumentalists are featured in this collection: All About That Bass • Brave • Can't Stop the Feeling • Grenade • Hey, Soul Sister • I Will Wait • Poker Face • Say Something • Shake It Off • Shape of You • Story of My Life • and more. Arrangements work for two violins or can be used with the other string titles from this series.
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For 2 cellos and piano.
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22 Christmas favorites for two instrumentalists are featured in this collection. Songs include: Angels We Have Heard on High • Away in a Manger • Deck the Hall • Jingle Bells • Joy to the World • O Holy Night • Silent Night • We Wish You a Merry Christmas • and more. This book can also be played with the cello book.
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22 showstoppers in easy duet arrangements for two instrumentalists are featured in this collection, including: Any Dream Will Do • Bring Him Home • Cabaret • Edelweiss • For Forever • Hello, Dolly! • I Believe • Memory • One • Popular • Seasons of Love • Seventy Six Trombones • Tomorrow • Where Is Love? • You've Got a Friend • and more. Arrangements work for two violins or can be used with the other string titles from this series.
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“At certain points it will be like a serious song, at others like a happy dance...” This was how Dvorák described the work which he was composing at the time to a friend in 1890. The word “Dumka” (plural “Dumky”) actually describes a Slavic dance-form with a noticeable alternation between melancholic and dance-like boisterous passages. The Dumka is a recurring theme in Dvorák's chamber music; although always only as a single movement. The unusual form of this piano trio – it has a succession of six “Dumky,” each with its own very distinctive character and great expressiveness – means that it is one of the Czech master's best-loved works.
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This collection of 25 original violin and viola duets (grade 3-4) is an absolute “must” for every string teacher's library, for classroom practice or for contest.
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An arrangement of the haunting melody from the powerful film.
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For Violin and Viola.
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22 Christmas favorites for two instrumentalists are featured in this collection. Songs include: Angels We Have Heard on High • Away in a Manger • Deck the Hall • Jingle Bells • Joy to the World • O Holy Night • Silent Night • We Wish You a Merry Christmas • and more. This book can also be played with the violin edition.
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23 Disney favorites in easy duet arrangements for two instrumentalists are featured in this collection: Beauty and the Beast • Circle of Life • Evermore • Friend like Me • How Far I'll Go • Let It Go • Mickey Mouse March • Supercalifragilisticexpialidocious • When You Wish upon a Star • A Whole New World • Zip-A-Dee-Doo-Dah • and more. Arrangements work for two cellos or can also be used with the other strings titles from this series.
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Contents: Austrian Carol • Bring a Torch, Jeannette, Isabella • God Rest Ye Merry, Gentlemen • Good King Wenceslas • Il Est Ne (He Is Born) • Jolly Old St. Nicholas • Mary Had a Baby • O Come, Little Children • O Little Town of Bethlehem • Pat-A-Pan (Willie, Take Your Little Drum) • Polish Carol • Ring, Little Bells • Up on the Housetop • We Three Kings of Orient Are • We Wish You a Merry Christmas.
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30 lovely songs arranged for violinsts familiar with first position and comfortable reading basic rhythms. In each two-page arrangement, violin 1 and violin 2 each take a turn playing the melody, for a fun and challenging ensemble experience. This edition includes: Always • And So It Goes • Edelweiss • Heaven • I Will Remember You • Misty • My Funny Valentine • Somewhere Out There • Song from a Secret Garden • The Way You Look Tonight • Where Have All the Flowers Gone? • and more.
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23 blockbuster hits in easy duet arrangements for two instrumentalists are featured in this collection: City of Stars • Footloose • Hallelujah • Moon River • The Pink Panther • Puttin' on the Ritz • Skyfall • That's Amore • and more. Arrangements work for two of the same instrument or can also be used with the other strings titles from this series.
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Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky's famous patroness. Most of the autograph material was thought to have been lost and was only discovered over 100 years later, in 1982, in the estate of Debussy's pupil Maurice Dumesnil. When Henle published the first edition in 1986, the music world welcomed the trio with open arms. Ensembles rushed to play it, and numerous recordings followed. Although formal conventions prevail, the work displays a melodic freshness as well as inflections and phrases that are typical of Debussy.
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One needn't hesitate a second in assigning Schubert's two piano trios to his best works. Both were written no later than 1827, hence one year before the composer's death, and are typical of the works of his maturity: abounding in blissful melodies paired with formative power and profound depths of expressiveness. Whereas Schubert had sold the E flat major Trio op. 100 D 929 to the Leipzig publisher Probst (it appeared just after Schubert's death, however), the B flat major Trio op. 99 D 898 did not make it to publication during Schubert's lifetime.The Adagio in E flat major op. post. 148 D 897, which is reproduced in the Appendix and which has become known as Notturno, was most likely originally planned as the slow movement of the B flat major Trio. With its expressiveness ascending to darkest despair, Schubert possibly considered it as unsuited for publication.It was not published until 1846; in the Appendix of this volume one will find Schubert's first attempt in this genre, which he wrote at the age of 15 in Summer 1812.
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Includes two performance scores
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No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the sources were meticulously examined, text-critically evaluated and documented for the very first time. The editing and marking of the solo parts by Tabea Zimmermann and Frank Peter Zimmermann are a crowning point in this co-production with Breitkopf & Härtel.
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Named one of the “Best Mandolin Books of All Time” by BookAuthority.org!
Unique arrangements by two skilled arrangers for a beautiful playing result. The book includes access to online audio for download or streaming of recordings of each invention plus separate mandolin and guitar parts.
Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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In two private performances for Prince Lobkowitz in the spring of 1804, two new works by Beethoven were played for the first time: his Third Symphony op. 55 and the Triple Concerto op. 56 for piano, violin, cello and orchestra. The art-loving patron Lobkowitz was thus able to appraise two freshly composed works, and Beethoven was able to make many an improvement before publication. The first public performance of the Triple Concerto presumably took place only four years later in February 1808 in Leipzig's Gewandhaus. Since then, this work has belonged to the standard repertoire of every symphony orchestra. The piano reduction of this Urtext edtion is based on the score of the Beethoven Complete Edition, which was likewise made by Bernard van der Linde. The editor's preface provides detailed information about the complicated source situation of this concerto for three soloists.
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