Extracted from the critical edition. This work was unknown in Debussy's lifetime, and appears in print here for the first time.
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Philip Glass' Piano Concerto No 2 was composed in 2004 and has a duration of approximately 34 minutes.
Commissioned by the Nebraska Lewis and Clark Bicentennial Commission, Board of Regents of the University of Nebraska, and the Lied Center for Performing Arts.
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Inspired by a Japanese water garden admired by the composer, The Water Garden for piano four hands was written for Dutch piano duo Beth & Flo.
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Includes 2 scores.
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Samudra Manthan, a suite for one piano four hands, was commissioned by a piano duo ZOFO who is based in San Fransisco and active internationally, and was written in 2015. It was world premiered in the United States in 2017 and Japan premiered at at Kusatsu International Summer Music Academy & Festival in 2018 by ZOFO.
The work consists of five pieces based on Hindu mythology. Each piece can be performed separately.
The stories of the mythology relating to pieces are as follows. However, the musical content of each piece is not always descriptive.
I. Prologue
II. Milk Ocean
III. Halahala
IV. Amrita
V. Rahu-Ketu MORE»
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This is the first publication of Liszt's Piano Sonata in the transcription for two pianos by Camille Saint-Saëns. Saint-Saëns made this transcription in November, 1914, and premiered it with the pianist Louis Diémer on December 3, 1914.
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Contents: Serenade No. 1 D-Major Op. 11 • Serenade No. 2 A-Major Op. 16 • Akademische Festouvertüre C-minor Op. 80 • Tragische Ouvertüre Op. 81. Complete Edition with Critical Report; Series IA, Vol. 4
Clothbound Score
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Chapter 11 of James Joyce's Ulysses is a real treasure trove of existing and invented words and names; each word and name triggers off a whole series of associations, images, stories and sounds - particularly when the reader is a Hungarian composer who comes across the phrase “Liszt's rhapsodies”.
I immediately heard music by Franz Liszt in my head and visualised the two protagonists in the novel sitting on a terrace drinking coffee, chatting and dreaming, witty and endearing - which is also a perfect description of this small piano composition for four hands. Peter Eötvös
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Cole Porter's only attempt at a “serious” composition came with the ballet score Within the Quota, when Darius Milhaud suggested Porter as a composer to pair with his La Création du monde. Both pieces were rapturously received by the Parisian press at the October 1923 premiere at the Théâtre des Champs-Élysées. Cole Porter later believed the score to be lost. In 1970 the score was discovered at Yale, from which William Bolcom and Richard Rodney Bennett created this two-piano version. The ballet is about an immigrant to New York who encounters a seductive heiress, a tap-dancer, a flapper, a cowboy, and a movie star beauty. Two copies needed for performance.
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Digter Og Bonde - Ouverture (Poet and Peasant) for Piano Duet by Franz von Suppé.
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Includes two player's scores.
Nico Muhly's Fast Patterns for two Pianos, adapted from the fourth movement of Patterns for solo organ. Commissioned by the London Piano Festival and premiered on 8th October 2016 at King's Place, London, by Charles Owen & Katya Apekisheva.
Duration approximately: 5 minutes
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Farewell to Oxford is a short piano duet (four hands) commissioned by Messiah University and first performed in April 2024.
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Can a classical pianist also improvise? Play without sheet music or by ear? However much we would like the answer to this question to be “Of course!”, unfortunately, few pianists feel comfortable in this area. Furthermore, we are ashamed that after playing the piano for so many years, we cannot play anything by ear or simply play anything without looking at the sheet music. And there is no reason to be ashamed at all because, after all, if we have never learned any kind of improvisation, we do not have such a skill. I emphasize – a skill, not just ability. [...] Improvisions is a collection of compositions for four hands, in which the primo piano part contains short, improvised passages based on the method created by the author that introduces the practice of improvising. Each passage will include an original melody created by the performer and played with the accompaniment of the secondo piano part. Marta Molodynska-Wheeler, fragment of preface The author intends the collection for people of all ages who want to learn improvisation skills.
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