NEUAUFLAGE. Bewährtes System in neuem Gewand: Die Neuauflage der Klarinettenschule erscheint mit moderner Typographie, revidierten Texten, zusätzlichen beliebten Stücken und neuem ansprechendem Layout. Die Schule für Deutsches- und Böhm-System richtet sich an die Anfänger heutiger Generationen und ist für den Einzel- und Gruppenunterricht geeignet. Sie erscheint in drei Bänden, zu denen jeweils auch ein Spielbuch vorgelegt wird. Durch leichte Verständlichkeit, die Auswahl von zahlreichen Liedern sowie durchgehend vierfarbige Illustrationen spricht sie gezielt jüngere Klarinettenschüler ab etwa 8 Jahren an.
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List: 23.99
Peter Wastall's award-winning series of tutor books for woodwind and brass instruments, now available in revised and refreshed editions to instruct and inspire the next generation of musicians, guiding them from beginner level to Grade 3 standard.
Divided into units that provide clear explanations of each new stage of learning, alongside plentiful exercises and graded concert pieces, the LEARN AS YOU PLAY method is simple to understand and easy to use.
Demonstration and accompaniment audio tracks and printable piano accompaniments are accessible online.
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List: 19.99
A composer and conductor of genius, Eugène Bozza (1905–1991) left us several operas, ballets, large-scale symphonic and choral works, but his worldwide reputation is derived mainly from his many chamber works, written for various instrumental formations with a preference for wind instruments. Composed in 1954, Soir dans les montagnes is the companion piece to Jour dété à la montagne for flute quartet. Imbued with a certain serenity and outdoorsy freshness, it is reminiscent of many of Bozzas other works: for its “pastoral” title, for its character – sometimes calm, sometimes sprightly –, and for an elegant, transparent writing style enlivenedby striking rhythms and motifs.
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List: 19.99
This glorious collection provides hours of repertoire for instrumentalists. Includes: Amazing Grace (My Chains Are Gone) • As the Deer • The Blessing • Build My Life • Do It Again • Draw Me Close • Everlasting God • Goodness of God • Great Are You Lord • Here I Am to Worship (Light of the World) • How Great Is Our God • In Christ Alone • Living Hope • Mighty to Save • Oceans (Where Feet May Fail) • Open the Eyes of My Heart • Shout to the Lord • 10,000 Reasons (Bless the Lord) • This Is Amazing Grace • Way Maker • Yet Not I but Through Christ in Me • Your Name • and many more!
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List: 17.99
On the initiative of flutist Anja Weinberger, Barbara Heller composed variations on Advent and Christmas carols for flute solo, which are also suitable for other melody instruments. Heller chose Maria durch ein' Donrwald ging, Vom Himmel hoch, Auf dem Berge da wehet der Wind, Stille Nacht and Es ist ein Ros' entsprungen as themes for her variations. Brought to life in a special way, the traditional carols are equally suitable for church services and Advent concerts.
Anja Weinberger is a flutist and author. She studied music, musicology and art history, performs chamber music in a wide variety of formations, teaches pupils of all ages and works for a cultural platform. Her books Kulturgeschichten - nicht nur für Flötisten, Meine französischen Kulturgeschichten und Frauengeschichten - Kulturgeschichten aus Kunst und Musik have been published by Leiermann-Verlag.
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List: 13.99
André Chailleux (1904–1984), a composer and organist who graduated from the Paris Conservatoire, composed Andante et Allegro for alto saxophone and piano in 1958. It is a work of medium difficulty, with all the ingredients needed for students to progress – a good sense of phrasing; fingering dexterity; different modes of articulation and expression; contrasting sonorities; simple and compound time signatures, etc. – which has established itself comfortably in the pedagogical literature of saxophonists over generations.
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List: 20.99
For this volume in the Schott Student Edition, 12 easy dances were selected from Tilman Susatos famous collection Danserye and arranged for descant recorder with piano accompaniment. The ambitus ranges from d' to e' with the semitones f sharp' (once g sharp') and b flat'. With play-alongs.
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List: 13.99
These 4 Préludes for flute (treble [alto] recorder or txistu in f) and piano are originally written for txistu and follow the ambitus of the Basque instrument. The initial Prélude, Allegro, is marked by its joyous character, its aksak rhythm (3+3+2), its generous modulations and its uninterrupted flow in the spirit of the Humoresque. The second Prélude, Moderato, is distinguished by asofter expression, a principle of ornamental variation, combined with a search for tonal diversity. The third Prélude, also Moderato, is in ternary rhythm with long expressive melodic lines accompanied by chords in amphibraque rhythm. The conclusive Prestois a saltarello developed in a game of tight modulations
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List: 33.00
Highly regarded for the finesse and elegance of her spirited, humorous writing, the composer Jeanine Rueff (1922-1999) wrote numerous works for a variety of instruments, collaborating also with the renowned Marcel Mule, a great classical saxophonist known worldwide. Among her compositions for saxophone, three which have been played throughout the globe stand out: the Concertino for alto saxophone and string orchestra (1951), the Sonate for solo alto saxophone (1967) and her Concert en quatuor (1962). A good part of her catalogue is devoted to pedagogical pieces, like this lovely Chanson et Passepied (1951) for alto saxophone and piano which has become a must for players at an intermediate (after ap#proximately 6 years of lessons) level. Introduction and notes on interpretation in French and English by the saxophonist Nicolas Prost.
New engraving.
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List: 16.99
Pierre-Octave Ferroud (1900–1936) described his music as “without superfluous ornament or flaws, a music that is sturdy, healthy, optimistic, a music that just works”. Claude Debussy's Syrinx (1913) started a fashion for pastoral scenes; it was echoed by Arthur Honegger's Danse de la chèvre around 1919, then by Ferroud's Trois Pièces, which had its première on 13 December 1922. The first movement, “Bergère captive” [Captive shepherdess], embodies the pastoral idea with a melody which uses the Locrian mode of B to A. The following movements, “Jade” and “Toan-Yan”, are imbued with another theme that was fashionable at the time: orientalism. Since Chinese poetry often refers to jade, and in particular to the jade flute, it is only natural that Ferroud should have made the titleh is own, giving it a local flavour through pentatonic scales, glissandi, appoggiaturas and repetitive rhythms. Historical introduction and notes on interpretation in French and English by the flutist Anne Cartel.
New engraving.
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List: 14.99
This 1919 SONATA for Flute and Piano by Jaromír Weinberger (1896-1967) has been edited by Tristan Willems.
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List: 39.99
