There's always time for the blues. This original by John Clayton (and recorded by the Clayton-Hamilton Jazz Orchestra on “Heart and Soul”) is set in a bluesy and relaxed tempo and provides lots of room for soloists to “holler” at each other. After the opening conversation between two trumpets, the sax section lays down the main theme followed by answers provided by the brass. Solos for tenor, alto, trombone, piano follow, and finally the full band takes us the rest of the way. This is a great chart to settle back on and just swing!
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Exploring a wealth of overlapping instrumental colors, this very delicate and superbly orchestrated setting made its first appearance recorded by Diana Krall. A study in tension and release, there is a haunting quality that helps make this a stunningly beautiful arrangement, and clearly shows why John Clayton is one of the premier writers in the business today. (Alto Saxes double on Clarinet, and Bari. Sax doubles Bass Clarinet)
Recorded on “Smack Dab in the Middle” – The Hal Leonard Jazz Orchestra, conducted by John Clayton (07011581)
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Composed by Yoko Kanno for the Japanese anime television series Cowboy Bebop, the tune Tank! has taken on a life of its own. John Wasson's driving Latin funk version was written for his Strata Big Band and recorded on the album Chronicles. It features the quirky melody, sizzling brass punches, solo space for alto sax, and shows off every section of the band. A real screamer!
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Monk was a master of composing unconventional and angular melodic lines. John Clayton provides a jagged yet stimulating chart that features dueling trumpets and an exciting full band shout chorus. From the recording “Explosive! - Milt Jackson Meets The Clayton-Hamilton Jazz Orchestra.”
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Here's a fresh new take on a traditional jazz standard. The style is still uptempo swing, and the saxes maintain a fair share of the spotlight along with ensemble hits and solo spots for drums. However, there is a brief excursion into 5/4 and a few other meter surprises that help give this outstanding chart a contemporary edge.
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Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads to a sizzling salsa groove which gradually intensifies throughout. The distinctive melody is complemented with lushly scored countermelodies, and all rhythm section parts are carefully notated for authenticity. Playable with 1 or 2 percussionists.
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| Price | $6.75 (Save: $0.75) |
From the Sammy Nestico album “Night Flight,” here is a classic flag-waver that pulls out all the stops. Driving and modal, this scorcher offers enjoyable challenges for every section. There is plenty of variety and dynamic range in this one, in addition to solos for tenor and trumpet.
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Originally written for the Stan Kenton Orchestra and featured on the new Mark Taylor/Steve Fidyk Big Band recording “A Perfect Match” (heard here), this is a challenging yet rewarding samba for mature bands. Primarily a feature for flugelhorn and trombone, the full ensemble answers with hot unison lines and screaming punches. This one demands attention!
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Written for Walt Disney World, Sammy's masterful touch shows in this fiery medley of Mickey Mouse March and Zip-A-Dee-Doo-Dah. Mostly a study in ensemble scoring in a wide variety of tempos and styles, this chart is vintage Sammy at his swingin' best. Tenor sax gets a chance to solo in a quasi gospel style vamp near the end.
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Mingus loved the blues, and this powerful and highly energized arrangement from the CD “Live In Time” is a staple in the book of the Mingus Big Band. It features the signature bass line scored for the lower voices and full ensemble lines that really roar. Can be played as fast as you dare!
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John gives this classic jazz tune by Sonny Stitt the royal treatment with this burning up-tempo swinger. This exciting chart features the entire sax section and builds to a wild shout chorus for the entire ensemble. Displaying John's mastery of the big band idiom, this one is a winner!
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From the Clayton-Hamilton Jazz Orchestra CD Groove Shop, here is John's uptempo and energetic take on this Hoagy Carmichael favorite. Perfect as an opener, this explosive chart features tenor sax as well as dynamic parts for the full ensemble.
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This classic Marvin Gaye hit has always been a favorite with jazzers and has great crossover appeal. From the CD “Out of the Woods” by the Les Hooper Band, this funky version is infused with a West Coast attitude and is packed with energy and drive. A solo for alto sax is featured.
From the CD “Out of the Woods” by the Les Hooper Band. Courtesy of Hooperman Records. Visit: www.leshooper.com
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Skillfully arranged in an authentic Glenn Miller style (and recorded by the Glenn Miller Alumni Band on “In A Christmas Mood”), this outstanding medley includes the holiday favorites O Holy Night (in a jazz ballad style), Joy to the World, O Little Town of Bethlehem and an up-tempo swing version of Deck the Hall. Wonderful sounds from the swing era of the '40s in an entertaining holiday setting.
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Recorded by Chick Corea in the early 1970s, Señor Mouse is a sophisticated samba that exemplifies Corea as a skilled and visionary composer. Mike Tomaro's sizzling chart for mature bands maintains an energetic flow throughout, using a wide range of dynamic levels and textures. Includes solos for alto and guitar.
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Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L.A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually builds to a feverish pitch with periodic wild intrusions from the full ensemble. Feel the burn!
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From the James Williams CD “Alter Ego” (Sunnyside 1007) this beautiful arrangement features lush harmonies and a moderate tempo. The recording features a front line of Flute, Soprano Sax, and Guitar; however a more traditional instrumentation works effectively as well.
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The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most notable symphonic work, now adapted in this stunning version for full orchestra.
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There is never a lack of attitude from the Clayton-Hamilton Jazz Orchestra as evidenced by this bluesy shuffle from their CD “Shout Me Out.” With the saxes on the head, complemented by screaming ensemble punches and a tempo that's just right, you have a formula for a real winner! Solos for tenor, trumpet and drums.
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Master arranger Les Hooper adds his distinctive flair to this already quirky and distinctive theme song. Filled with twists and turns, this chart is sure to be a favorite with audiences and a blast to perform!
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Recorded by Weather Report on their landmark 1977 album Heavy Weather, Havona epitomizes the high-energy jazz fusion style of Jaco Pastorius. This version for Little Big Band is a real showpiece for the bass player and includes a transcription of Jaco's part along with an alternate easier part. Also included is a flexible solo section for any player.
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3 Horns plus Rhythm (Grade 4-5) (Hargrove)
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Michael Abene not only produced the 1992 GRP All-Star Big Band recording, but he contributed some of the hippest arrangements as well. This unique treatment of the Horace Silver classic is an excellent example of Michael's creative style. This publication is the authentic chart rescored for standard instrumentation by Michael himself. The variety of styles and ample settings for improvisation make this one a real showpiece. (Woodwind doubles optional).
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