Nothing can quite compare to the satisfaction, pleasure and joy of learning and playing the finest pieces of classical music and this terrific volume gives you the opportunity to do exactly that! Inside there are more than 60 easy pieces and keyboard miniatures by master composers. All the pieces are printed in their original form though have had sensible expression marks and fingerings added. There is a wonderful range and diversity to these pieces with works by the likes of Bach, Haydn, Mozart and also lesser-known composers, set for piano solo.
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The Classical Piano Sheet Music Series includes compilations of intermediate-level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This edition features 22 Chopin favorites: Mazurka, Op. 17, No. 4 • Mazurka, Op. 68, No. 3 • Mazurka, Op. 67, No. 2 • Nocturne in C Minor, KK. IVB, No. 8 • Nocturne in C-Sharp Minor, KK. Anh. Ia, No. 6 • Nocturne in E-Flat Major, Op. 9, No. 2 • Nocturne, Op. 32, No. 1 • Polonaise in G Minor, KK IIa, No. 1 • Prelude in a Major, Op. 28, No. 7 • Prelude in B Minor, Op. 28, No. 6 • Prelude in C Minor, Op. 28, No. 20 • Prelude in C-Sharp Minor, Op. 45 • Prelude in D-Flat Major, Op. 28, No. 15 “Raindrop” • Prelude in E Minor, Op. 28, No. 4 • Prelude in F-Sharp Major, Op. 28, No. 13 • Valse Brillante in a Minor, Op. 34, No. 2 • Waltz in A-Flat Major, Op. 69, No. 1 • Waltz in B Minor, Op. 69, No. 2 • Waltz in D-Flat Major (“Minute Waltz”), Op. 64, No. 1 • Waltz, Op. 18 • Waltz, Op. 70, No. 2 • Waltz, Op. 64, No. 2.
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The compositions in Easy Piano Pieces for Children have all been carefully selected for the beginner pianist. Over 100 selections in this songbook are progressively graded, with editorial markings and suggested fingering, allowing beginner children to learn with specially selected songs that they will enjoy playing.
This large songbook includes classic favorites by Mozart, Debussy and Grieg, piano miniatures by Schumann, Arensky and Türk, as well as selections from Bartók's For Children, among many others. Each piece is graded with a star to indicate difficulty, while a glossary of music symbols and a keyboard chart are included to help early students with note and key recognition.
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The largest one-volume collection available of Ravel's piano music, at a value price, in the original editions. Includes 30 pieces.
Contents: Serenade Grotesque • Menuet en ut diese mineur • La Parade • Pavane pour une infante defunte • Jeux d'eau • Sonatine • Menuet sur le nom de Haydn • Valses nobles et sentimentales • A la maniere de Borodine • A la maniere de Emmanuel Chabrier • Prelude • La Valse • MIROIRS: Noctuelles • Oiseaux tristes • Une barque sur l'ocean • Alborada del gracioso • La Vallee des cloches • GASPARD DE LA NUIT: Ondine • Le Gibet • Scarbo • EXTRAITS DE DAPHNIS ET CHLOE: Danse Graciese et legere de Daphnis • Fragments symphoniques • Scene de Daphnis et Chloe • LE TOMBEAU DE COUPERIN: Prelude • Fugue • Forlane • Rigaudon • Menuet • Toccata
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New music engravings, new English translations make this an informed, deluxe edition of the classic piano finger exercises. With historical and pedagogical articles by Matthew Edwards.
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Each volume in the “At the Piano” series includes original pieces by one composer. The works are arranged in progressive order of difficulty and complement one another conceptually. Each piece ranges from one to eight pages. All volumes contain fingering and practical tips on technique and interpretation. The “At the Piano” series is an ideal introduction to the world of classical piano music and is particularly suitable for piano students and for all those who are returning to the piano after a long break. The series is edited by Sylvia Hewig-Tröscher, a piano professor at the Hochschule für Musik und Theater in Munich. She has decades of experience teaching young people and adults, gives concerts and masterclasses around the world, and is a much sought-after educator.
Although Frédéric Chopin was one of the greatest piano virtuosos of his time, even pianists of moderate technical ability can enter into his Romantic, magical realm. His mastery was such that his own, unmistakeable style is tangible even in his shorter, less difficult pieces such as his mazurkas and waltzes. Our selection offers a progressive introduction to the musical language of this Polish-French master.
Contents: Waltz in A minor, KK IVb, No. 11 • Waltz in B minor, Op. Post. 69, No. 2 • Waltz in C-sharp minor, Op. 64, No. 2 • Prelude in C minor, Op. 28, No. 20 • Prelude in B minor, Op. 28, No. 6 • Prelude in E minor, Op. 28, No. 4 • Prelude in E Major, Op. 28, No. 9 • Prelude in D-flat Major, Op. 28, No. 15 “Raindrop” • Mazurka in A minor, Op. Post. 68, No. 2 • Mazurka in B-flat Major, Op. 7, No. 1 • Mazurka in G minor, Op. 24, No. 1 • Mazurka in G minor, Op. Post. 67, No. 2 • Nocturne in G minor, Op. 15, No. 3 • Nocturne in C-sharp minor, KK Iva, No. 16 • Nocturne in E-flat Major, Op. 9, No. 2 • Funeral March from Sonata No. 2 in B-flat minor, Op. 35 • Polonaise in C-sharp minor, Op. 26, No. 1
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In a span of only eight years, between 1794-1802, Beethoven composed twenty piano sonatas, among them his so-called “Grande sonate pathétique” op. 13. It marks the consummation of his Classical style, yet also already alludes to his Heroic Period with its intensely Romantic characteristics. Composed in the “tragic” key of C minor, it foreshadows the expressive drama of later masterworks such as the Fifth Symphony or the Coriolan Overture. Of the famous sonatas, this one is the most technically manageable and thus proves immensely popular with advanced piano students. The new Urtext edition from G. Henle Publishers hails from the successful Beethoven collaboration between Norbert Gertsch and Murray Perahia, as usual with fingering and interpretive suggestions from the great pianist.
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For the first time in print, 15 works complete with notes for each written by Max Richter. Selections include The Blue Notebooks, Infra 3, Leo's Journal and more.
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Bach gave his wife Anna Magdalena two handwritten books of music. The second one is of particular value with its gilt-edged, vellum-covered binding. In this little book of 1725 he noted down numerous piano works in the most different styles – both his own and by other composers. The Henle Urtext edition, which incidentally is one of our bestselling titles, faithfully reproduces the complete contents of this manuscript, aside from the movements from the “French Suites” (HN 71) und “Partitas” (HN 28) in the notebook, which can be found elsewhere in the Henle catalogue. It is also an example of beautiful engraving by hand.
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The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók. (English/Spanish/Japanese/Portuguese text). In 1945 Bela Bartók described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the “world of the little ones, the children”. Stylistically Mikrokosmos reflects the influence of folk music on Bartok's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty. Major teaching points highlighted in Mikrokosmos 2: Staccato, legato; Accompaniment in broken triads; Accents
Volume 1 contains Nos. 1-36
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This edition of The Russian School of Piano Playing is divided into three separate volumes. Book 1, which is in two volumes, contains the material from Part I (48010303) and Part II (48010304) of the original Book 1. Part I takes the average student to the end of the first year, and Part II covers the second year. Book 2 (48010301) takes the student to a more advances stage, leading him/her on to repertoire pieces.
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Books 1 and 2 have been combined, making this a great value for piano teachers and students. Authorized revised edition.
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Contents: Autumn Song • Barcarolle • By the Hearth • Carnival • Christmas • Harvest Song • Hunter's Song • Sleigh Ride • Snowdrop • Song of the Lark • Song of the Reaper • Starlit Night.
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This edition of The Russian School of Piano Playing is divided into three separate volumes. Book 1, which is in two volumes, contains the material from Part I (48010303) and Part II (48010304) of the original Book 1. Part I takes the average student to the end of the first year, and Part II covers the second year. Book 2 (48010301) takes the student to a more advances stage, leading him/her on to repertoire pieces.
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ALBÉNIZ: España • J.S. BACH: Fugue in C Major, BWV 953; Fugue in C minor, BWV 961; Prelude and Fugue in G Major, BWV 902; Prelude and Fugue in D minor, BWV 899; Prelude and Fugue in E minor, BWV 900; Sinfonia No. 2 in C minor, BWV 788; Sinfonia No. 15 in B minor, BWV 801 • BARTÓK: Allegro barbaro • BEETHOVEN: Adagio sostenuto from Piano Sonata in C-sharp minor, Moonlight, Op. 27, No. 2; Andante cantabile from Piano Sonata in C minor, Pathétique, Op. 13 • BRAHMS: Intermezzo in A Major from Six Pieces for Piano, Op. 118, No. 2; Rhapsody in G minor, Op. 79, No. 2 • BURGMÜLLER: La sérénade (Serenade) from 18 Characteristic Studies, Op. 109, No. 11; Le réveil dans les bois from 18 Characteristic Studies, Op. 109, No. 12• CHOPIN Fantasie-Impromptu, Op. 66 (Posthumous); Mazurka in A minor, Op. 17, No. 4; Nocturne in E-flat Major, Op. 9, No. 2; Nocturne in E minor, Op. 72, No. 1 (Posthumous); Polonaise in A Major, Military, Op. 40, No. 1; Waltz in A-flat Major, Op. 69, No. 1 (Posthumous); Waltz in C-sharp minor, Op. 64, No. 2; Waltz in D-flat Major, Minute, Op. 64, No. 1 • COUPERIN: Le Reveille-matin from Suite No. 4 of Harpsichord Pieces, Book 1 • DEBUSSY: Arabesque No. 2 from Two Arabesques; Clair de lune from Suite bergamasque; La Cathédrale engloutie from Préludes, Book 1; La fille aux cheveux de lin from Préludes, Book 1; Sarabande from Pour le piano • DVORÁK: Poco lento e grazioso from Humoresques, Op. 101, No. 7 • FIELD: Nocturne in C minor • GRIEG: Wedding Day at Troldhaugen from Lyric Pieces, Op. 65, No. 6 • GRIFFES: The White Peacock from Roman Sketches, Op. 7, No. 1 • LISZT: Il Penseroso from Années de Pèlerinage, Deuxiéme année: Italie; Liebestraum No. 3 from Three Liebesträume: Three Notturnos • MENDELSSOHN: Rondo capriccioso, Op. 14; MENDELSSOHN: Song Without Words in A Major, Op. 19, No. 3 • RACHMANINOFF: Prelude in G minor, Op. 23, No. 5; Prelude in G Major, Op. 32. No. 5 • D. SCARLATTI: Piano Sonata in D Major, K. 96, L. 465; Piano Sonata in A Major, K. 208, L. 238 • SCHUBERT: Impromptu in G-flat Major from Four Impromptus, Op. 90, No. 3; Moment Musicaux in C Major from Moments musicaux, Op. 94, No. 1 • SCHUMANN: Soaring (Aufschwung) from Fantasiestücke, Op. 12, No. 2; The Bird as Prophet (Vogel als Prophet) from Forest Scenes, Op. 82, No. 7; Why? (Warum?) from Fantasiestücke, Op. 12, No. 3 • SCRIABIN: Prelude in G-flat Major, Op. 11, No. 13; Prelude in A minor, Op. 11, No. 2 • TCHAIKOVSKY: Chant sans paroles from Souvenir de Hapsal, Op. 2, No. 3
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All the pieces from the popular album Disney Goes Classical by the Royal Philharmonic Orchestra are included in this special collection, arranged especially for piano solo (and piano/vocal/guitar where appropriate). The arrangements are classical versions of iconic and beloved Disney themes. Songs include: Almost There (from The Princess and the Frog) • The Bare Necessities (from The Jungle Book) • Beauty and the Beast • Can You Feel the Love Tonight? (from The Lion King) • Colors of the Wind (from Pocahontas) • Go the Distance (from Hercules) • How Far I'll Go (from Moana) • I See the Light (from Tangled) • Let It Go (from Frozen) • Overture from Mary Poppins • Part of Your World (from The Little Mermaid) • Reflection (from Mulan) • When She Loved Me (from Toy Story 2) • When You Wish Upon a Star (from Pinocchio) • A Whole New World (from Aladdin).
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Each volume in the “At the Piano” series includes original pieces by one composer. The works are arranged in progressive order of difficulty and complement one another conceptually. Each piece ranges from one to eight pages. All volumes contain fingering and practical tips on technique and interpretation. The “At the Piano” series is an ideal introduction to the world of classical piano music and is particularly suitable for piano students and for all those who are returning to the piano after a long break. The series is edited by Sylvia Hewig-Tröscher, a piano professor at the Hochschule für Musik und Theater in Munich. She has decades of experience teaching young people and adults, gives concerts and masterclasses around the world, and is a much sought-after educator.
You do not need to be a piano virtuoso to enter into the dream world of French Impressionism. With Debussy this is especially straightforward because he knows how to create masterly miniatures possessing poetic depth, even with simple technical means. “Clair de lune” is probably the best known of these, though by no means the only example, as our selection here proves. And whoever works through this volume successfully can then play a real concert piece in the shape of “La Cathédrale engloutie,” the final work in our selection.
Contents: The Little Shepherd from Children's Corner • Golliwogg's Cakewalk from Children's Corner • Doctor Gradus ad Parnassum from Children's Corner • Arabesque No. 1 from Deux Arabesques • La Fille aux cheveux de lin from Préludes, Book 1 • La Cathédrale engloutie from Préludes, Book 1 • Clair de lune from Suite bergamasque • Sarabande from Pour le piano • La plus que lente
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The Preludes of Op. 28 include all 24 major and minor tonalities arranged in a circle of fifths, with each major key being followed by its relative minor. Contrary to custom of using this type of piece as didactic material, Chopin's cycle was intended as concert music. The Preludes are a diverse variety of mood, tempo, articulation, texture, etc.
The National Edition of the Works of Fryderyk Chopin
Published by PWM
Exclusively Distributed by Hal Leonard Corporation
Co-Editors
Jan Ekier and Pawel Kaminski
The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.
The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.
The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume.
The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the “harmonic legato” (a performance technique often used by Chopin and now forgotten).
About the National Edition
Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin
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The Classical Piano Sheet Music Series includes compilations of intermediate level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This edition features: Adagio in C Major for Glass Harmonica, K. 356 (617a) • Air in A-flat Major, K. Anh. 109b, No. 8 (15ff) • Allegro in B-flat Major, K.3 • Allegro in F Major, K. 1c • Allegro in F Major, K. Anh. 109, No. 1 (15a) • Andante in C Major, K. 1a • Andante in E-flat Major, K. 15mm • Andantino in E-flat Major, K. 236 (588b) • Contradance in D Major, K. 534 “The Thunderstorm” • Contradance in G Major, K. 15e • Contradance in G Major, K. 269b • Eight Variations on a March from Les mariages samnites, K. 352 • Funeral March for Signor Maestro Contrapunto, K. 453a • Gavotte in F Major from Les petits riens, Anh. 10 (299b) • German Dance in C Major, K. 605, No. 3 • Larghetto in F Major, K. deest • Minuet in B-flat Major, K. 15pp • Minuet in C Major, K. 6 (I) • Minuet in D Major, K. 7 • Minuet in Major, K. 94 (73h) • Minuet in E-flat Major, K. 15qq • Minuet in F Major, K. 1d • Minuet in F Major, K. 2 • Minuet in F Major, K. 5 • Minuet in F Major, K. 6 (II) • Minuet in G Major, K. 15c • Minuet in G Major, K. 15y • Minuet in G Major, K. 1e/1f • Piece for Clavier in F Major, K. 33B • Rondo in C Major, K. 334 (320b) • Rondo in F Major, K. 15hh • Six Variations on “Mio caro Adone,” K. 180 • Sonata in C Major K. 545 “Sonata facile” • Twelve Variations on “Ah, vous dirai-je Maman,” K. 265 “Twinkle, Twinkle, Little Star”
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When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his “Lieder ohne Worte,” he effusively thanked him for this gift. However, the gift that Mendelssohn, in his turn, made to posterity with these Songs Without Words could probably not have been foreseen even by him at the time. These “Original Melodies”, “Romanzen” or “Clavierstücke”, which only later gained the title “Lieder ohne Worter”, enjoyed great success during the composer's lifetime, and should be included amongst the most rewarding pieces of 19th-century piano literature. Our volume contains the complete “Lieder ohne Worte” pubished during his lifetime and posthumously.
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In autumn 2024, the Morgan Library in New York announced a sensation: in a legacy, curator Robinson McClellan had discovered a postcard-sized manuscript of a waltz in a minor with the inscription “Chopin”. Chopin experts all over the world have meanwhile scrutinized and confirmed the authenticity of the manuscript: undoubtedly an autograph by the Polish composer, it is moreover the short waltz of a hitherto unknown original work. Scholars and pianists have since then fallen into a waltz fever! In close collaboration with the Morgan Library, G. Henle Publishers has the privilege to present the first Urtext edition of the new Chopin waltz: in addition to the musical text edited by Jeffrey Kallberg, it also offers a facsimile of the autograph. In his epilogue, the internationally renowned Chopin researcher provides fascinating observations concerning the genesis and intention of the small composition. We were able to engage star pianist Lang Lang, who introduced this sensational discovery to the world with his premiere recording, to supply the fingerings. A gem for all Chopin fans and piano aficionados!
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Roman Polanski's successful film The Pianist has focused attention on the Nocturne in c sharp minor by Chopin. Our edition presents the work in two versions. One derives from the handwritten copy which was owned by Chopin's sister Ludwika. The other is a noticeably different original version found in Chopin's original draft, now preserved in the Chopin Museum in Valldemosa (Mallorca). It is your turn to play the music from The Pianist. This reasonably priced edition is extracted from the volume of complete Chopin Nocturnes (HN 185).
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Czerny's opus 849 studies provide a convenient bridge between Practical Method for Beginners, Op. 599 and The School of Velocity, Op. 299. The studies are presented as legitimate literature, emphasizing their musical potential, in conjunction with their technical benefit.
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When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.” This Henle single edition has been taken from the recently revised edition of the “Ballades” (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be dwonloaded from www.henle.com free-of-charge.
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ANONYMOUS: Minuet in C minor, BWV Appendix 121 • C.P.E. BACH: March in G Major, BWV Appendix 124 • J. S. BACH: Bourée from Lute Suite No. 1 in E minor, BWV 996; Invention No. 14 in B-flat Major, BWV 785; Invention No. 4 in D minor, BWV 775; Invention No. 10 in G Major, BWV 781; Invention No. 1 in C Major, BWV 772; Invention No. 13 in A minor, BWV 784; Invention No. 2 in C minor, BWV 773; Invention No. 8 in F Major, BWV 779; Prelude in F Major, BWV 927; Prelude in C minor, BWV 999; Prelude No. 1 in C Major from The Well-Tempered Clavier, Book I, BWV 846; Prelude in D minor, BWV 926; Prelude in C minor, BWV 934; Prelude in C Major, BWV 924 • BARTÓK: Bagatelle from 14 Bagatelles, Op. 6, No. 4 • BEETHOVEN: Six Variations on a Swiss Song, WoO 64; Twelve German Dances, WoO 13 • BURGMÜLLER: Selections from 25 Easy and Progressive Studies, Op. 100; Selections from 18 Characteristic Studies, Op. 109 • CHOPIN: Prelude in A Major, Op. 28, No. 7; Prelude in B minor, Op. 28, No. 6; Prelude in E minor, Op. 28, No. 4 • CLEMENTI: Sonatina in F Major, Op. 36, No. 4 • DIABELLI: Sonatina in C Major, Op. 168, No. 3 • DUSSEK: Sonatina in G Major, Op. 20, No. 1 • GRIEG: Selections from Lyrics Pieces • GURLITT: Hunting Song from Albumleaves for the Young, Op. 101, No. 19; The Little Wanderer from Albumleaves for the Young, Op. 101, No. 12 • HANDEL: Air con variazioni from Suite in B-flat Major, HWV 434; Allegro from Suite in G minor, HWV 432 • HELLER: Autumn Song from 25 Etudes for Piano, Op. 47, No. 3; In Venice from 25 Etudes for Piano, Op. 47, No. 14; Sorrow and Joy from 25 Melodious Etudes, Op. 45, No. 4; The Avalanche from 25 Melodious Etudes, Op. 45, No. 2; The Brook from 25 Melodious Etudes, Op. 45, No. 1 • KUHLAU: Sonatina in C Major, Op. 55, No. 1 • KULLAK: Grandmother Tells a Ghost Story from Scenes from Childhood, Op. 81, No. 3; On the Playground from Scenes from Childhood, Op. 6, No. 4 • LICHNER: Sonatina in C Major, Op. 49, No. 1; Sonatina in C Major, Op. 4, No. 1 • LISZT: Farewell; Gray Clouds • MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 • MENDELSSOHN: Confidence from Songs Without Words, Op. 19, No. 4; Consolation from Songs Without Words, Op. 30, No. 3; Tarantella from Songs Without Words, Op. 102, No. 3 • PURCELL: Suite No. 1 in G Major; Suite No. 6 in D Major; Suite No. 8 in F Major • SCHUBERT: Scherzo in B-flat Major, D. 593 • SCHUMANN: About Strange Lands and People from Scenes from Childhood, Op. 15, No. 1;Little Lullaby from Albumleaves, Op. 124, No. 6; Selections from Album for the Young, Op. 68 • TCHAIKOVSKY: Selections from Album for the Young, Op. 39
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Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Throughout his life, Satie was so surrounded with the creative and modern atmosphere that permeated La Belle Epoque (The Beautiful Era), that he himself became a symbol of the age. These six short pieces from the composer's early years capture the graceful conventionality that defines Satie. Intermediate Level.
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Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Carl Czerny's (1791-1857) popular set of piano exercises is now available in an easy-to-read edition containing extensive performance and historical notes that guide teachers and students in the techniques that can be gleaned from each exercise. Although designed to improve technique, the pieces may be thought of as real literature rather than mechanical etudes.
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Recorded in a remote monastery in Verona, Ludovico Einaudi's In a Time Lapse explores the concept of capturing emotions and experiences in a single moment in time. This exclusive matching piano folio presents all 14 tracks from the album plus five bonus pieces.
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