This monstrous collection includes instrumental solos of more than 70 Disney classics: Beauty and the Beast • Can You Feel the Love Tonight • Friend like Me • It's a Small World • Mickey Mouse March • A Pirate's Life • Reflection • The Siamese Cat Song • A Spoonful of Sugar • Trashin' the Camp • Under the Sea • We're All in This Together • Written in the Stars • You've Got a Friend in Me • Zip-A-Dee-Doo-Dah • and dozens more.
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With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world not only by horn players, and together with Mozart's masterworks numbers among the essential pieces in the instrument's repertoire. Peter Damm, former principal horn for the Staatskapelle Dresden and world-class soloist, has not only performed the concerto publicly over 170 times himself, but has also presented pivotal research findings and publications on its genesis. Prepared after reviewing all surviving sources, the Urtext edition he has edited may thus been regarded as the edition of reference. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.
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As a composer, Alexander Glazunov was as at home in the late Romantic symphony as he was in chamber music forms. His shorter solo pieces impress on account of their enchanting melodies and their attention to detail, which is also true of the Rêverie for horn and piano. Glazunov was himself a good horn player and played in several orchestras as a young student. It was at this time that Glazunov composed this highly romantic work in which he showed off the melodious qualities of this instrument to their best advantage. It is an effective recital piece, even for advanced pupils, and is being published for the first time as an Urtext edition; alongside the first edition Henle also consulted Glazunov's autograph in the National Library of Russia in St Petersburg for the first time.
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Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. Alongside the technical challenges, the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn.
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Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 15 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air Gai (Berlioz) • Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • American Patrol (Meacham) • Andante Cantabile (Tartini) • Après un Rêve (Faurè) • Ballade (Shchyolokov) • Heroica (DeLamater) • In the Hall of the Mountain King from Peer Gynt (Grieg) • Pavane pour une Infante Défunte (Ravel) • Prelude and Fanfaronade (Koepke) • Serenade (Gounod) • Starling (VanderCook) • Serenade, Op. 22 No. 1 (Böhme) • Toreador's Song from Carmen (Bizet) • Where'er You Walk (Handel)
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Ten creatively arranged intermediate level Christmas classics for French horn and piano. The online audio features recorded performances of horn and piano, featuring former Canadian Brass member David Ohanian, plus piano accompaniment tracks.
Songs include: Angels We Have Heard on High • The First Noel • Gesu Bambino • I Saw Three Ships • It Came Upon the Midnight Clear • Lo, How a Rose E'er Blooming • O Holy Night • Once in Royal David's City • Silent Night
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Contents: Shenandoah • Adagio from Der Freischutz (Weber) • Andante Cantabile from Symphony No. 5 (Tchaikovsky) • Liebestraume (Liszt) • Andante from Concerto, Op. 64 (Mendelssohn) • Introduction to Third Act from Lohengrin (Wagner) • Poem (Fibich) • Home on the Range • Sing, Smile, Slumber (Gounod) • Sarabande and Gavotte (Corelli) • Bohemian Girl (Balfe) • The Victor (Endresen)
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Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated in 16th century Italy, already shows that it is by no means a dry etude. Alongside the technical challenges (stopped notes, fast scales, playing without valves using natural horn techniques), the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn. For our Urtext edition we consulted the autograph as well as the first edition that was originally for horn and piano: the later version with orchestral accompaniment does not stem from the composer.
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As with Schumann's “Concert Piece for four Horns” Op. 86 (HN 1138) Saint-Saëns' “Morceau de Concert” was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player Henri Chaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns' composition. Chaussier's invention did not gain acceptance amongst horn players - although the “Morceau de Concert” did! From today's standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can venture to play it.
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13 songs from the musical: At the End of the Day • Bring Him Home • Castle on a Cloud • Do You Hear the People Sing? • Drink with Me (To Days Gone By) • Empty Chairs at Empty Tables • A Heart Full of Love • I Dreamed a Dream • In My Life • A Little Fall of Rain • On My Own • Stars • Who Am I?.
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Adagio and Allegro is one of the first works of major importance written for the valve horn. The original title was Romance and Allegro and it was composed during the first few months of 1849, a period when Schumann also composed solo works for oboe and piano, clarinet and piano, as well as the Konzertstucke for four horns and orchestra.
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In 1849, Schumann turned to a new genre: works for piano and an accompanying instrument. The first works he composed were the Fantasy Pieces for piano and clarinet opus 73, immediately followed by opus 70. Schumann drew his publisher's attention to the “brilliant allegro,” whose solo part is so virtuosic that opus 70 is one of the showpieces for horn players even today.
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Poulenc's Elegie in memory of Denis Brain, arranged for horn and piano. Duration 8 minutes. Includes score and part.
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for Horn and Piano Reduction.
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Includes works by for Horn and Piano by Beethoven, Cherubini, Förster, Haydn, Mozart, Rossini, Schumann, Strauss, Telemann, and von Weber.
LUDWIG VAN BEETHOVEN: Sonata in F Major for Horn and Piano, Op. 17
LUIGI CHERUBINI: Two Sonatas (Concert Etudes) for Horn and String Orchestra
CHRISTOPH FÖRSTER: Concerto in E-flat Major for Horn and Orchestra
MICHAEL HAYDN: Concertino in D Major for Horn and Orchestra
WOLFGANG AMADEUS MOZART: Rondo in E-flat Major, K. 371
GIOACHINO ROSSINI: Prelude, Theme and Variations for Horn and Piano
ROBERT SCHUMANN: Adagio and Allegro for Horn and Piano
FRANZ STRAUSS: Concerto in C minor for Horn and Orchestra, Op. 8
GEORG PHILIPP TELEMANN: Concerto in D Major for Horn and Orchestra, TWV 51:D8
Carl MARIA VON WEBER: Concertino in E minor, for Horn and Orchestra, Op. 45
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As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the Bavarian State Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.
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Solo arrangements of 13 songs from the beloved Boublil and Schönberg musical, including: Bring Him Home • Castle on a Cloud • Do You Hear the People Sing? • I Dreamed a Dream • In My Life • On My Own • Stars • and more.
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Alec Wilder's Suite for horn and piano with horn insert.
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Edited by Armin Raab
Fingering by Groethuysen and Ginzel
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10 songs carefully selected and arranged for first-year instrumentalists. Even novices will sound great! Audio demonstration tracks featuring real instruments are available via download to help you hear how the song should sound. Once you've mastered the notes, download the backing tracks to play along with the band! Songs include: The Ballad of Davy Crockett • Can You Feel the Love Tonight • Candle on the Water • I Just Can't Wait to Be King • The Medallion Calls • Mickey Mouse March • Part of Your World • Whistle While You Work • You Can Fly! You Can Fly! You Can Fly! • You'll Be in My Heart (Pop Version).
Online audio is accessed at halleonard.com/mylibrary
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23 relaxing hymns arranged for instrumentalists with professionally-recorded backing tracks for play-along fun. Includes: Abide with Me • Amazing Grace • Blessed Assurance • Come, Thou Fount of Every Blessing • For the Beauty of the Earth • Great Is Thy Faithfulness • Holy, Holy, Holy • It Is Well with My Soul • Just As I Am • The King of Love My Shepherd Is • Nearer, My God, to Thee • What a Friend We Have in Jesus • and more.
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Solo arrangements for a baker's dozen of tunes from Frozen and other recent Disney movies, Tangled and Enchanted, are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include: Do You Want to Build a Snowman? • For the First Time in Forever • Happy Working Song • I See the Light • In Summer • Let It Go • Mother Knows Best •?That's How You Know •?True Love's First Kiss • When Will My Life Begin • and more.
Online audio is accessed at halleonard.com/mylibrary
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Solo arrangements for 13 iconic themes from popular TV shows and movies are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound and then to play along with and sound like a pro! Includes themes from: The Avengers • Doctor Who XI • Downton Abbey • Game of Thrones • Guardians of the Galaxy • Hawaii Five-O • Rey's Theme (from Star Wars: The Force Awakens) • The X-Files • and more.
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The second edition of these play-along packs feature new songs and access to demonstration and backing tracks audio online! Songs: Back to December • Blank Space • Fifteen • I Knew You Were Trouble • Love Story • Mean • Our Song • Picture to Burn • Shake It Off • Should've Said No • Teardrops on My Guitar • 22 • We Are Never Ever Getting Back Together • White Horse • You Belong with Me.
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| Price | $11.69 (Save: $1.30) |
