This transcription of Stravinsky's neoclassical masterpiece is the brainchild of Jonathan Freeman-Attwood, trumpeter, recording producer, writer, University of London Professor and Principal of London's Royal Academy of Music. Both it and its sister edition for trumpet & piano represent a major addition to the repertory for the respective instruments. The composer's own violin & cello transcriptions, Suite Italienne, were the precursor for the brass editions, containing a selection of movements, whereas these new publications present the entire suite. In his erudite preface, Freeman-Attwood outlines the importance of the trumpet writing in Stravinskys original Pulcinella and its relationship with his other works and with the “gleaming elegance of the solo obbligato trumpet parts which pepper the cantatas and oratorios of Italy and Germany in the early 1700s. The trumpet can be heard here echoing the past with its ubiquitous 'baroque' identity, while a fresh 'duo' text implores the player and listener to reflect the work further in a hall of mirrors, 'an hommage'.”
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for trombone and piano
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for trombone solo MORE»
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| Price | $37.17 (Save: $4.13) |
The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the trombone by French professional trombonist, André Lafosse. Bach originally composed the Cello Suites, some of the most frequently performed and recognised solo compositions ever written for the instrument, during the period 1717-1723, when he served as Kapellmeister in Köthen. Lafosse's adaptions for trombone (1946) include phrase marks, dynamic markings, articulation, breath marks, and performance directions. Lafosse's adaptions are flawless, making the notorious Suites enjoyably accessible for the trombone.
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Piano accompaniment available
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for trombone and piano MORE»
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Izumi Shibata commissioned the Ballad for Bass Trombone as a unique and thoughtful birthday present for her husband, who happens to play this very instrument. Thanks to her gift, bass trombone players around the world received a stunning addition to their repertoire. The ballad will be a welcomed challenge for every soloist and an interesting, though not particularly demanding, job for the accompanying pianist.
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Reviewed by Henri Couillaud and composed by Michel Bléger, Thirty-One Brilliant Studies is a set of studies for slide-trombone. Written for end of cycles (pre-exams) levels, such as 3 and 6, this piece is written in F key. These exercises are completed by other sets of studies and exercises by the same author for a complete technical formation. Michel Bléger initially wrote these studies for tuba or for trombone. Henri Couillaud (1878-1955) was a French trombonist and a soloist at the Paris Opera. His method was highlighting the importance of the air when playing. MORE»
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...d'apres les 12 Etudes pour les Intervalles de H. Rabaud. For 2 trombones. MORE»
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Characteristic Studies has formed many generations of trombone players. The compilation by French cornetist, conductor and composer, Jean-Baptiste Arban (1825-1889) successfully addresses requirements of modern technique and characteristics. Arban studied at the Paris Conservatoire and led a prosperous career as a versatile and accomplished musician. Characteristic Studies contains fourteen studies, each addressing a variety of musical characteristics. These elements include chromaticism, articulation, rhythm, range, intervals, breath control, and tempo, among other aspects. Arban's Characteristic Studies is not to be missed by aspiring trombone players.
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Tenor Trombone in B Flat & Piano Book
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for trombone solo
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Trombone A Coulisse
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2 Trombones Book
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| Price | $43.20 (Save: $4.80) |
