Selected for the 2015 Pacific International Children's Choir Festival, this gentle prayer is gracious and moving. Jude Roldan has been composing music for the world-famous children's choir his wife conducts, Hail Mary the Queen Children's Choir for years. While the altos hold on to a pedal tone, the voices above construct heart-warming chords. Along with the “sanctus bells” and aleatoric chant, this piece is both simple and profound. Great for treble choruses of all ages.
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| Price | $1.89 (Save: $0.21) |
Uses: General, All Saints Day, Concert
Scripture: Revelation 21:2; Ezra 1:1-4
Beginning with the languid strains of a stunning low voice solo, and incorporating the traditional spiritual, “City Called Heaven,” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns with choral backup, and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB, TTBB, SSAA, Rhythm Pack (Guitar, Bass, Drums), StudioTrax CD (Accompaniment, Split-Trax, Performance), Orchestration (Score & parts for Flute 1&2, Clarinet 1&2, Bassoon, Horn 1&2, Trumpets 1-3, Trombone 1&2, Bass Trombone/Tuba, Drum Set, Piano, Violin 1&2, Violin, Cello, Double Bass). Duration: ca. 3:14.
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A new and simple arrangement of the famous prayer joins the existing repertoire with rich harmony and strong melodic line. Performance Time: Approx. 1:40
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| Price | $1.53 (Save: $0.17) |
For SSAATTBB Choir. Edited Patrick Russill.
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| Price | $2.48 (Save: $0.27) |
Zadok The Priest is a Coronation Anthem for King George II and has subsequently been heard at every coronation of the British Crown, during the sovereign's anointing. The opening choral entry of Zadok The Priest is one of the most striking moments in the choral repertory and typical of Handel's grand, rousing works.
Scored for SSAATBB and Piano or Organ accompaniment, and delightfully edited for this edition by Donald Burrows.
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| Price | $3.56 (Save: $0.39) |
This work for mixed voices was first performed during Holy Week in 1922, and sets the words from the Office of Tenebrae for Maundy Thursday. The verses from the Book of Lamentations are scored for divisi upper voices, with solo alto.
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| Price | $2.66 (Save: $0.29) |
The perfect way to end a concert or graduation ceremony, this Meredith Willson classic has been artfully crafted by Mac Huff. Available separately: SATB, SAB, and SSAA. ShowTrax CD also available. Performance time: Approx. 3:30.
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| Price | $1.44 (Save: $0.16) |
This treasured folk hymn comes alive in this vibrant gospel setting by Rollo Dilworth. An excellent concert opener!Available separately: SATB and SSAA. Performance Time: Approx. 3:15.
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Mass for Double Choir A Cappella. Credo with Organ Accompaniment. MORE»
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| Price | $11.70 (Save: $1.30) |
New to the Hinshaw catalogue, the choral work of Molly Ijames is well known to many. This exciting new work is rhythmically energetic, has a strong message, and is a welcome addition to literature for the treble voice choir. On a text from Zephaniah, it is scored for SSAA choir with piano.
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He Carried Me Away In The Spirit for mixed SATB chorus a cappella was written for the choir, Commotio, and their conductor, Matthew Berry. This motet is a companion to the short unaccompanied motet Pure River Of Water Of Life both with texts from the final chapters of Revelation. If performed together, He Carried Me Away In The Spirit should be sung first and can segue into Pure River Of Water Of Life A Piano accompaniment is included for rehearsal purposes.
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Kim André Arnesen's Stabat Mater breathes new life into the 13th-century Latin hymn, which portrays the Virgin Marys suffering at the crucifixion of her son, Jesus Christ. Amongst the traditional stanzas are two movements setting contemporary poems: Euan Tait's A Mother's Prayer, which was commissioned for this work, and a moving poem written by a child hospitalised with cancer. Arnesen's characteristic rich harmonies and memorable melodic lines combine to create a powerful and emotional major new work.
This vocal score, which includes accompaniment for organ, can also be used for performing the version of Stabat Mater with chamber orchestra accompaniment available on hire from Boosey & Hawkes. A version for mixed voices (SATB) is also available.
Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys' Choir, later being educated at the Music Conservatory in Trondheim. As a composer, he had his first performance at the age of 18 with the boys' choir. Since then he has written music that has been performed by choirs all over the world and piano pieces that have topped Apple Music's classical charts. Recordings of Kim's works include the Infinity collection on Naxos and the Holy Spirit Mass on Decca. Alongside choral gems including Flight Song and Ubi caritas et amor his recent output has featured larger-scale works such as Stabat Mater and The Stranger.
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John Newton's famous and beloved hymn is perhaps the most well-known song in the world. This traditional setting for SSAA a cappella will surely have a profound effect on your singers and audiences. Performance Time: Approx. 3:15.
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Here we have a fresh new take on this familiar African-American spiritual with contemporary harmonies, added passing tones that bring passion and excitement, a small group descant and a steady build to a powerful climax. A wonderful closer or encore to your program.
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The vocal movements may be performed a cappella. Similarily, the Meditations may be performed as a suite for strings.
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This setting of César Franck's exquisite Latin hymn will enhance many concerts with a high, floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe, harp and strings. Available separately: SATB/Solo, SSA/Solo, ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (hp, ob, vn 1-2, va, vc, db). Duration: ca. 3:15.
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Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports a warm and rich choral part. Useful as an anthem, offertory or service piece, it is easy to medium in learning difficulty. Also available in SAB, 2-Part and SSA.
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The text may be from the 13th century, but David Dickau's setting would have us believe it is contemporary. Although sounding sacred, the text portrays God's love for us is as effortless as a bird who catches the wind in flight, the content is more universal. The finishing touch is Dickau's ending which repeats a sequence with a diminuendo that eventually goes silent mid-text. High school and college choirs will be drawn to this piece.
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16 minutes.
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With a text adapted from a traditional hymn, this setting has an expansive and thoughtful feel about it, never bombastic, but instead rather grand. Also available in mixed and men's chorus editions. Recorded by Wellesley College Choir; Lisa Graham, director.
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Evoking the visions of John the Revelator, this African American spiritual depicts the twelve gates of the city that represents eternal freedom. This arrangement features the traditional as well as original melodic material with triadic harmonies and a percussive and rhythmic accompaniment, building in intensity to the final “Hallelu!”
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| Price | $1.62 (Save: $0.18) |
