Set of parts available: 48007624.
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| Price | $9.00 (Save: $1.00) |
HPS 1178
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| Price | $40.50 (Save: $4.50) |
SATB with tenor solo.
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| Price | $2.06 (Save: $0.23) |
Robert Longfield's version of the famous diamond commercial music includes just the first movement of Karl Jenkins' original suite. With skilled scoring for developing groups, Robert's arrangement puts this memorable theme well within the reach of most groups. Rhythmic and dramatic, its neo-Baroque style is perfect for string orchestra programming.
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| Price | $49.50 (Save: $5.50) |
Written in concerto grosso style, this work has great appeal to all audiences. Heard in the popular diamond commercial, its rhythmic vitality and neo-Baroque style make it a favorite for players. (Three movements)
String Orchestra Set contains full score and strings parts: 8-8-6-6-6
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| Price | $63.00 (Save: $7.00) |
Hardbound
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| Price | $54.00 (Save: $6.00) |
For Full Orchestra
Heard everywhere from concert halls to television commercials, Hoe Down is one of Aaron Copland's most recognized orchestral works. A longtime concert favorite, Hal Leonard is honored to offer this original edition from the Boosey & Hawkes catalog.
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| List | $80.00 |
| Price | $72.00 (Save: $8.00) |
Set of parts available: 48007263
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| Price | $8.96 (Save: $0.99) |
“Variations on a Shaker Melody” is an excerpt from “Appalachian Spring” which was composed in 1943-44 as a ballet for Miss Martha Graham on a commission from the Elizabeth Sprague Coolidge Foundation. The ballet was first performed by Miss Graham and her company at the Coolidge Festival in the Library of Congress, Washington, D.C., on October 30, 1944.
The original scoring called for a chamber ensemble of thirteen instruments. The present arrangement for symphony orchestra was made by the composer especially for performance by school and community orchestras.
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| Price | $90.00 (Save: $10.00) |
HPS 712
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| Price | $19.79 (Save: $2.20) |
Symphony No. 11 in G minor, Op. 103, composed in 1957, bears the subtitle 'The Year 1905,' alluding to the failed, bloodily suppressed revolution in the Russian Tsarist Empire. In private, however, Shostakovich reportedly said that his symphony was also reminiscent of the present, perhaps referring to the brutal repression of the Hungarian uprising in 1956. The symphony's extremely pictorial musical idiom 'tells' of injustice and violence against the defenceless. In this score, no fewer than nine popular revolutionary songs from 1905 are to be heard.
This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in “The New Collected Works of Dmitri Shostakovich”.
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Heard everywhere from concert halls to television commercials, Hoe Down is one of Aaron Copland's most recognized orchestral works. A longtime concert favorite, Hal Leonard is honored to offer this original edition for string orchestra from the Boosey & Hawkes catalog.
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| List | $45.50 |
| Price | $40.95 (Save: $4.55) |
Hoe Down is a classic American symphonic work and its unique sound has become a trademark of composer Aaron Copland. This new edition has been carefully crafted for string orchestra, allowing intermediate-level groups to experience the joy of performing one of the most popular works of the 20th century. Dur: 3:00
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| Price | $49.50 (Save: $5.50) |
Set of Parts available: 48007145.
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| List | $15.50 |
| Price | $13.95 (Save: $1.55) |
“Variations on a Shaker Melody” is an excerpt from “Appalachian Spring” which was composed in 1943-44 as a ballet for Miss Martha Graham on a commission from the Elizabeth Sprague Coolidge Foundation. The ballet was first performed by Miss Graham and her company at the Coolidge Festival in the Library of Congress, Washington, D.C., on October 30, 1944.
The original scoring called for a chamber ensemble of thirteen instruments. The present arrangement for symphony orchestra was made by7 the composer especially for performance by school and community orchestras.
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| List | $20.00 |
| Price | $18.00 (Save: $2.00) |
Set of parts available: 48010389
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| List | $24.99 |
| Price | $22.49 (Save: $2.50) |
Arranged by Michael Kosarin; orchestrated by Doug Besterman
Includes: Belle, Gaston, The Mob Song, How Does a Moment Last Forever, Beauty and the Beast and Evermore. (Performance time - ca. 3:00)
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| List | $325.00 |
| Price | $292.50 (Save: $32.50) |
String Orchestra Set contains full score and string parts: 8-8-6-6-6
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| Price | $85.50 (Save: $9.50) |
Performance time - ca. 6:30
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| Price | $427.50 (Save: $47.50) |
Full Orchestra Set contains score and strings: 8-8-6-6-6
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| Price | $90.00 (Save: $10.00) |
Full Orchestra Set contains strings: 8-8-6-6-6
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| List | $145.00 |
| Price | $130.50 (Save: $14.50) |
(Love Theme)
Performance time - ca. 3:00
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| Price | $292.50 (Save: $32.50) |
HPS 1136
for Solo Violin, Strings, Harp and Percussion
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| Price | $35.99 (Save: $4.00) |
Composer's Notes: Masquerade draws inspiration from the original mid-18th century promenade concerts held in London's pleasure gardens. As is true today, these concerts were a place where people from all walks of life mingled to enjoy a wide array of music. Other forms of entertainment ranged from the sedate to the salacious with acrobatics, exotic street entertainers, dancers, fireworks and masquerades. I am fascinated by the historic and sociological courtship between music and dance. Combined with costumes, masked guises and elaborate settings, masquerades created an exciting, yet controlled, sense of occasion and celebration. It is this that I wish to evoke in Masquerade.
The work derives its material from two melodies. For the main theme, I imagined a chorus welcoming the audience and inviting them into their imaginary world. The second theme, Juice of Barley, is an old English country dance melody and drinking song, which first appeared in John Playford's 1695 edition of The English Dancing Master.
It is an honor to compose music for the Last Night of the Proms and I dedicate Masquerade to the Prommers.–Anna Clyne
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Performance time - ca. 6:30
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