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The Little Negro was originally composed by Claude Debussy (1862-1918) for piano in 1909. The purpose was to write a great work that could also played by children. Eugène Bozza made the piece even more accessible in 1984 by arranging it for wind quintet. The Little Negro is marked Allegro and begins with a theme modelled on ragtime music, a style which was very popular at the time of composition. Jazz influences, the C major key signature, 2/4 meter and upbeat features make for an exciting and accessible piece for all the ensemble. Bozza's arrangement of Debussy's The Little Negro for a wind quintet made up of flute, clarinet, oboe, bassoon and horn is a thrilling addition to the repertoire.
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An Invention on 'Solitude' is typical of much of the music Turnage has written for chamber ensembles: in contrast to the flamboyant contrasts and
dangerous edge to his orchestral music, this is quiet, introspective and tender music, lasting only 8 minutes. MORE»
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Premiered at the Lucerne Festival in 2004. Duration: c. 30 minutes.
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Hindemith's sonatas are part of the repertoire of many instrumentalists. Since Hindemith wrote only a single work for this line-up with the Small Chamber Music for Wind Quintet, it seemed natural to work on one of his sonatas. Paul Leonard Schäffer retains the solo part in his arrangement of the sonata for flute and distributes the piano accompaniment to the remaining instruments.
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Score and Parts
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