Karl Philipp Stamitz (1745-1801) was born into a Bohemian family of musicians dating back to the mid-17th century. Following the example of his renowned father, Karl gained wide recognition as a violinist, violist, and composer. Noted primarily as an orchestral composer, his Four Divertimenti for two clarinets, two horns, and two bassoons are among the few chamber pieces that have not been lost as a result of the bombing of the Berlin Public Library during World War II. These editions by Harry H. Hall have been meticulously researched, documented, and edited to bring this music back to the public. All Four Divertimenti are available from the publisher.
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Arranged for flute ensemble by Trevor Wye. MORE»
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For three Bb clarinets, Eb alto clarinet (or 4th Bb clarinet) and Bb bass clarinet.
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Quartet, Quintet or Sextet for two alto, tenor and baritone saxophones/additional third alto and second tenor (optional).
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Oboe 1, Oboe 2, Clarinet in B-flat 1, Clarinet in B-flat 2, Bassoon 1, Bassoon 2, Horn in F 1, Horn in F 2.
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These striking, minimalist bagatelles are from Musica ricercata for Wind Quintet (1953). The saxophone arrangement was created for the Konus Quartet.
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New edition of this 1999-2000 dialogue between the two orchestral families of woodwind and brass, each with their respective material. Their initial characters, equating to the poetic stereotypes of 'masculine' and 'feminine', become progressively blurred and androgynised during the course of the work as larger sound masses give way to chamber music-style sub-groupings and individual instrumental solos. The wind-only scoring of the work posed various compositional challenges. The composer has stated that 'if no-one is playing, nothing is heard', so the illusion of sustained sound has to be created without the support of a string section. Similarly, clear attack and accentuation have to be carefully sculpted, as there is no percussion to help articulation. In the wordsof the London Times, “Lindberg, a master of orchestral sound, has chosen virtually the same forces as Stravinsky in his Symphonies of Wind Instruments, and with its five connected movements Gran Duo is a symphony in the modern sense...a darkly brooding yet peaceful work that reflects something of a unique landscape.”
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These eight pieces have been selected from a collection of 18th century music for three clarinets. The original title reads: “Partia a Tre”. The collection consists of thirty short pieces, all of them anonymous, except for number one in this book. 'Di Rösser' is probably Valentin Roeser, clarinettist, composer and author of “Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor” (1764).
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Traditional Hebrew songs and dances (including Hava Nagila), arranged for voices, recorders and Orff instruments. Detailed instructions (with diagrams) are given for the dances and the text for the songs is written in transliteration: the Hebrew words are not difficult to pronounce. Kukuríku • Hanoded • Dundai • Kol Dodi • Zemer Atik • Hava Nagila • Shibolet Basadeh • Hiney Ma Tov
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The works of Tsurumi are based on water nutrition, water circulation, wind, distances between stars, and exchange rates among countries. Depthless attempts to represent that our existence is in the midst of those things. c.14 minutes.
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In four short movements following each other 'attacca,' the Turkish composer and pianist Fazil Say humorously describes an everyday scene in an Anatolian village: Alevi fathers drinking raki at a well-laid table. An andantino ritornello in irregular meters returning in all movements provides the thematic context of an eventful action.
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Arranged for flute (piccolo), oboe (cor anglais), clarinet and piano. Contents: I Andante, sempre poco rubato • II Interludio (Presto) • III Moderato statico.
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For woodwind quintet.
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