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The “Dance of the Buffoons” is one of the choreographic interludes form the opera “The Snow Maiden,” founded upon Ostrovsky's poetic legend of springtime, and an opera which is regarded by many as being most characteristic of the composer. Like many operatic interludes, this has found a distinguished place in literature of the concert hall. This arrangement demands from all players a musical senstivity and technical proficiency which will provide a challenge to the finest of clarinet choirs. Instrumentation: Ab Sopranino Clarinet (opt.), Eb Clarinet, 3 Bb Clarinets, Basset Horn in F (opt.), Eb Alto Clarinet, Bb Bass Clarinet, Eb Contra Alto Clarinet (opt.), and Bb Contrabass Clarinet (opt.)
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2 flutes, 2 oboes, 2 clarinets in B flat, 2 French horns in F and 2 bassoons.
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Ensemble Parts
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Concertino Da Camera, written in 1935 by Jacques Ibert (1890-1962), is a small concerto for Alto Saxophone and sax ensemble: 1 sopranino, 2 sopranos, 3 altos, 2 tenors, 2 baritones and 1 bass. This concertino in two movements, Allegro con moto and Larghetto Animato Molto, is dedicated to the saxophonist Sigurd Rascher and is notable for its large use of the Alto-Saxophone. It can be technically challenging and has a strong lyrical part. This volume features the parts for all instruments as well as the full score. Its author, Jacques Ibert (1890-1962), is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Divertissement' (1930). He was also in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with his Flute Concerto (1934), also published by Alphonse Leduc.
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For 2 alto recorders. MORE»
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For flute, violin and piano (piano reduction).
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“We have to make music here the whole day long!” Such was the enthusiastic response of Paul Hindemith when he heard the school orchestra of Plön. “We start with an aubade blown from the tower, then we play a cantata in the park, table music at lunchtime and in the evening a serenade in the Knights' Hall.” No. 5 of this evening music from the Plöner Musiktag is the “Trio für Blockflöten.” An edition was published as early as 1932 by Walter Bergmann who adapted the original phrasing and articulation to the customs of recorder playing at that time. This new edition goes back to the original version again, as recently published in the Paul Hindemith Complete Edition. The still common combination of the three recorders (Soprano, Alto-Alto or Tenor), however, has been retained unchanged.
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Maurice Ravel's melancholy popular “Pavane for a Dead Princess” composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. For flute, oboe, clarinet, horn and bassoon.
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Advanced level.
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Hindemith was asked by his American publishers to compose Three American Folksongs in 1938, so that the little recorder pieces could serve as a model for other composers. The recorder trios have remained unpublished until now.
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Commissioned by the New York State Council on the Arts for the Prism Saxophone Quartet. ca. 12 minutes.
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In Chinese, the syllable “yuan” encompasses a multitude of meanings, including the three words that inspired this composition: injustice, grievance or lamentation, and pledge or prayer.
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The saxophone lends the music of Kurt Weill its unmistakable description: the “sound” of the 1920s. Includes arrangements of the songs: Ballad of Mack the Knife • Instead of Song • Army Song • Call from the Grave/Epitaph • Alabama Song. Intermediate Level.
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For flute, oboe, clarinet and bassoon.
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