Easy repertoire suitable for beginners of all ages, these pieces represent a wide variety of styles and can be used in concerts and performances in both sacred and secular settings. Including some original works for string quartet as well as the editor's arrangements for quartet of piano works, sticking as closely to the original as possible.
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2 violins and basso continuo; cello (viola da gamba) ad lib. MORE»
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SHOOR (CALLIGRAPHY No. 22) is written for an ensemble of 10 string players, divided as a double string quintet. Performance instructions, instructions in Persian tuning systems, and a seating setup chart are included in the score.
Instrumentation: 10 Solo String Instruments (double String Quintet)
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String Method for Class or Individual Instruction.
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The word THAKLA in Arabic refers to a mother's grief over the loss of her child. The work was written in the summer of 2024 as a response to the conflict in Israel, explicitly in recognition of the thousands of children that had been killed at that point. “Music cannot stop violence, but music can reach the listener's heart and remind us of our humanity. When we cannot see all children in the world as our own, we are lost.” - Bruce Adolphe.
Instrumentation: String Octet: 4 Violins, 2 Violas, 2 Cellos
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Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras, carefully structured in two levels. The 'Easy' level does not normally exceed Grade 2 in difficulty with most parts playable in first position, while the 'Moderately Easy' level includes some parts of around Grade 3 standard. At easy level, alternative parts are provided so that the absence of viola or a double bass does not prevent the piece from being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles, including classical pieces, folk tunes and Christmas collections. Playstrings is an ideal introduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1, 4 x Violin 2, 4 x Violin 3, 2 x Viola, 3 x Cello, 2 x Double Bass/Cello 2.
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Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras, carefully structured in two levels. The 'Easy' level does not normally exceed Grade 2 in difficulty with most parts playable in first position, while the 'Moderately Easy' level includes some parts of around Grade 3 standard. At easy level, alternative parts are provided so that the absence of viola or a double bass does not prevent the piece from being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles, including classical pieces, folk tunes and Christmas collections. Playstrings is an ideal introduction to orchestral playing for young string players. Set of 21 parts contains: 4 x Violin 1, 4 x Violin 2, 4 x Violin 3 2 x Viola 1, 2 x Viola 2, 2 x Cello 1, 2 x Cello 2, 1 x Double Bass. MORE»
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A piece for cello solo and strings, meditating on “the remembrance of death” and looking forward to a promised but unknown paradise, was commissioned by the Australian Chamber Orchestra. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
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Preface • Editorial Notes • I. Largo • II. Menuetto • III. Adagio • IV. Menuetto • V. Romance • VI. (Tema con Variazioni) • VII. Finale
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Notice • I. Adagio-Allegro • II. Adagio • III. Allegro vivace • IV. Andante • V. Menuetto. Allegretto • VI. Andante molto-Allegro
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for Strings
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| Price | $12.59 (Save: $1.40) |
For String Quartet or orchestra.
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| Price | $27.00 (Save: $3.00) |
| List | $10.95 |
| Price | $9.86 (Save: $1.09) |
| List | $10.95 |
| Price | $9.86 (Save: $1.09) |
String Method for Class or Individual Instruction.
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Start Point is a collection of four tunes written for the Sanday Fiddle Club.First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Orkney Islands, where Maxwell Davies has lived since the 1970s. Evocative, unassuming, and accessible, the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble.
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For 2 violins, 2 violas, 2 cellos and optional double bass.
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| List | $35.00 |
| Price | $31.50 (Save: $3.50) |
| List | $35.00 |
| Price | $31.50 (Save: $3.50) |
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer's assistance and perhaps even his agreement – these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.
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| Price | $22.49 (Save: $2.50) |
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer's assistance and perhaps even his agreement – these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.
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| List | $24.99 |
| Price | $22.49 (Save: $2.50) |
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer's assistance and perhaps even his agreement – these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.
MORE»
| List | $24.99 |
| Price | $22.49 (Save: $2.50) |
Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer's assistance and perhaps even his agreement – these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.
MORE»
| List | $24.99 |
| Price | $22.49 (Save: $2.50) |
