These Six Waltzes (1902) for piano, four hands by Johanna Senfter are published here for the first time: this will represent anothersmall step towards the long overdue rediscovery of music from the beginning of the 20th Century by this significant composer.
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Solitude (2022), five minutes long, is part 3 of my 2-piano cycle Inner Life, and forms a reflective coda to the fireworks of the previous parts Embedded Loops and Inner Life. Like the other two pieces, it expands and contracts asymmetrically, this time following a strict temporal process.
This cycle is my pandemic work. Forging its world of intricate expressive forms was a refuge of the imagination during this strange and solitary time.
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“After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from 'Fanfare' to 'Zirkusparade (Circus Parade).' The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate 'Fangspiel (Game of Tag)' in which the two pianists sometimes deliberately 'play past' each other. The collection is completed by 'Rätsel (Riddle)' for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera.”
- Jörg Widmann
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Discover the elegance of the “Cinq valses” for piano duet. These five waltzes will take you and your playing partner into a world full of grace and passion. Enjoy the variety and timeless magic of these unique compositions.
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Two Pianos, Four Hands. 2 Copies needed to perform.
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Ravel's plans for a piano concerto can be traced back to 1906, but it was only in early 1929 that the composer seriously started work on one. He later stated that he wrote it “in the spirit of the concertos by Mozart and Saint-Saëns”, the music being “cheerful and brilliant” and not “aiming for profundity or dramatic effects”. The outer movements are characterised by rhythmic drive and borrowings from jazz; while the slow movement, with its subtle shifts of accented beats, is entirely dedicated to melody. Alongside manuscripts and prints, a recording made under Ravel's supervision by the work's dedicatee, Marguerite Long, was consulted for this Henle Urtext edition. Since its successful premiere in January 1932 the concerto has been part of the repertoire of all great pianists, including Pascal Rogé, the French music expert who has provided the fingerings for the solo part.
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For 1 Piano, 4 Hands.
Contents: Pavane de la Belle au bois dormant • Petit Poucet • Laideronnette, Impératrice des Pagodes • Les entretien de la Belle et de la Bête • Le jardin féerique.
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| List | $59.99 |
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