One of the most versatile works in the saxophone repertoire. Ideal for students and serious performers.
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Newly engraved and edited edition of Milhaud's suite.
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| Price | $17.96 (Save: $1.99) |
Adapted for saxophone by master teacher Frederick Hemke, these three Robert Schumann pieces provide the perfect showcase for the saxophone player.
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Suite for Alto Saxophone and Piano by Paul Bonneau was composed in 1944. Written in four short movements: 1. Improvisation, 2. Danse des démons, 3. Plainte, 4. Éspièglerie, Suite for Alto Saxophone and Piano is reminiscent of the early 20th century French Neoclassicism. This suite could be played by advanced-intermediate and advanced players, as the technicality is not too strong. Paul Bonneau (1918-1995) is a French classical composer. He adapted and wrote 11 ballets/operettas and arranged some pieces by Offenbach.
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French saxophonist, Marcel Mule (1901-2001) compiles an essential addition to Saxophone studies. Adaptable to all saxophones, the first volume of 53 Studies cannot be missed. Mule was born in Normandy and by the age of 12, had already won two first prizes in solo competitions on the saxophone. However, his heart was set on a teaching career and taught at the Paris Conservatoire. He is also the founder of the French Saxophone school. Mule's 53 Studies for all saxophones enabled many of his successful students to develop their technique to a high standard. The first volume addresses arpeggios, scales, phrasing, fingering, breath control, dynamics, rhythm, articulation, intervals and accidentals, among other aspects. Mule's 53 Studies for all saxophones is essential to all aspiring saxophonists.
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Gammes et Arpèges – Cahier 2 by Marcel Mule (1901-2001) is the second of three books of exercises on scales and arpeggios for saxophone. Made for intermediate students, this method offers guidance to improve the players technique while keeping a strong musicality. An introduction on how to use the book and the exercises is given at the beginning, with explanatory illustrations. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and, thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Dix-huit Exercices ou Études, Exercices Journaliers daprès Terschack or 30 Grands Exercices ou Études daprès Soussmann (in two books), among others.
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Ballade for Alto Saxophone and Piano was composed in 1938 by the French composer Henri Tomasi (1901-1971). Introduced by a poem by Suzanne Mallard, his wife, Ballade is a 15-minute work that covers and alternates between different styles such as andantino, guigue and blues. The poem refers to a clown who claims his story to the night. It is a short poem of four verses, composed with rhymes in A/B/A/B formation. Henri Tomasi, who won the Grand Prix de Rome in 1927, also composed a variety of concertos for alto saxophone, for trumpet and for trombone, as well as some ballades.
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Adams' father played alto saxophone in swing bands in the 1930s, and he credits this life-long exposure to the music of the jazz greats with the creation of his Saxophone Concerto, composed in 2013.
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French composer, Paul Dukas (1865-1935) is best known for his orchestral piece, The Sorcerer's Apprentice. However, his catalogue represents many other significant works by the composer, including Alla Gitana for alto saxophone and piano. Composed in 1909, Alla Gitana was originally a selection of vocal studies. However, Marcel Mule's transcription for alto saxophone has made this delightful work more accessible. Dukas reflects the French romantic style in Alla Gitana through uses of flourishing semiquavers, lyrical melodies and chromaticism. For all aspiring, advanced saxophonists, Dukas' Alla Gitana is an exquisite addition to the repertoire.
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Composed between 1920 and 1921, Stories is a suite of ten short movements by Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919. Initially written for piano only and later arranged for saxophone and piano, this publication was commissioned by Alphonse Leduc editor and increased Jacques Ibert's popularity. The ten pieces are as follows: 1. La meneuse de tortures d'or (The golden Turtles leader) 2. Le petit âne blanc (The little white donkey) 3. Le vieux mendicant (The old beggar) 4.A Giddy girl 5. Dans la maison triste (In the sad house) 6. Le palais abandonné (The abandoned palace) 7. Bajo la mesa (Under the table) 8. La cage de cristal (The crystal cage) 9. La marchande deau fraiche (The fresh water merchant) 10. Le cortège de Balkis (Balkis march) Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Divertissement (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
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Performed by Paul Brodie, alto saxophone
Accompaniment: Antonin Kubalek, piano
Virtuoso Paul Brodie introduces you to the world of advanced alto sax solos with this wide-ranging collection. Contains performance suggestions and Mr. Brodie's incredible interpretations to help you achieve greatness! Includes a printed music score containing the solo part, annotated with performance suggestions; and access to professional recordings with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Includes works by Vivaldi, Jacob, Whitney, and Benson.
The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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for alto saxophone and piano
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This version of Concertino by Eugène Bozza is the version for alto saxophone and piano dedicated to Marcel Mule. Written in two parts, I. Fantasque et léger and II. Andantino, this work lasts 17 minutes and is very difficult to execute as a strong endurance and really good skills and technique are required. Very interesting in term of melody and sonority, this piece definitely shows the full saxophone range at its best and is perfect for contests and recitals. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others. MORE»
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Performed by Vincent Abato, alto saxophone
Accompaniment: Harriet Wingreen, piano
Listen as extraordinary virtuoso Vincent Abato of the Metropolitan Opera Orchestra takes you further into the advanced repertoire with these spectacular sax selections. Listen to his masterful interpretations, examine his performance suggestions, then you step in and make magic with Harriet Wingreen, legendary piano accompanist for the New York Philharmonic. Includes: Schubert “The Bee,” Rabaud “Solo de Concours,” and Creston “Sonata, Op. 19” 2nd and 3rd movements. Includes a printed music score containing the solo part, annotated with performance suggestions; and tracks with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. The audio tracks can be accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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Canzonetta, Op. 19 is a piece for alto saxophone and piano accompaniment composed by Gabriel Pierné and arranged by Marcel Mule. Initially written for clarinet and piano, the piece was written in 1888 and can be played by advanced players with a fairly high difficulty level. Composed in a single movement, the piece features some different sections linked together. It starts with dotted rhythms that are slightly reminiscent of a siciliano, and is followed by a part that sounds like a scherzando. The dotted rhythms disappear in the Piu Vivo section but the opening theme soon comes back before a grandiose finale. Gabriel Pierné (1863-1937) was a French composer, conductor and organ player. He won the French Prix de Rome 1882.
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Composed by Eugène Bozza, Pulcinella is a work for Eb saxophone and piano accompaniment. Dedicated to Marcel Mule, this sprightly clown dance is very difficult and requires an advanced skill level. This piece is great to demonstrate the abilities of the players and could be played in a recital or a contest. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.
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| Price | $14.58 (Save: $1.62) |
Gammes et Arpèges – Cahier 1 by Marcel Mule (1901-2001) is the first of three books of exercises on scales and arpeggios for saxophone. Made for intermediate students, this method offers guidance to improve the players technique while keeping a strong musicality. An introduction on how to use the book and the exercises is given at the beginning, with explanatory illustrations. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure, the emission, the mastery of vibrato and therefore of breathing. He wrote different methods that focus on technique, articulation and tone production such as Dix-huit Exercices ou Études, Exercices Journaliers daprès Terschack or 30 Grands Exercices ou Études daprès Soussmann (in two books), among others.
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| Price | $7.19 (Save: $0.80) |
Louis Blémant (1864-1934) was known in his day as a prolific composer, arranger, conductor and performer. With 336 works to his name, it is his 20 Melodic Studies for All Saxophones which enables Blémant to remain revered to this day. 20 Melodic Studies for All Saxophones is arranged in two volumes, with the first containing ten significant exercises for the instrument. These studies focus on rhythm, articulation, dynamics, range, accidentals, note values, ornamentation, intervals and performance directions, among other musical aspects. For all aspiring saxophonists, 20 Melodic Studies by Louis Blémant is not to be missed! MORE»
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Thirty great exercises or studies after Soussmann – Book 2 is the second and final volume of this series, written by Marcel Mule. Inspired by Soussmann's exercise book and adapted to saxophone, these studies for intermediate players are divided with 15 studies in the first book and 15 in the second one. Written in G key with up to 7 sharps per exercise, these studies will develop the technical skills and the sonority of the saxophonist. With breathing indications, it will help the players to gain in endurance too. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure, the emission, the mastery of vibrato and thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Eighteen Exercises or Studies or Daily Exercises Aafter Terschack among others. MORE»
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| Price | $37.17 (Save: $4.13) |
As the saxophone is commonly associated with the jazz style, classical music for the instrument had always been lacking and so when Paul Bonneau published his Concerto for Alto Saxophone in 1944, it was well-received by performers of the genre. Bonneau's composition was highly versatile, ranging from over fifty film scores, operettas, songs and other pieces for Saxophone, including this concerto. Comprising three movements, a typical performance lasts about fifteen minutes. Bonneau's Concerto for Alto Saxophone contains typically French characteristics, including chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for saxophonists. MORE»
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Thirty Great Exercises or Studies After Soussmann – Book 1 is the first volume of series of two, written by Marcel Mule. Inspired by Soussmann's exercise book and adapted to saxophone, these studies for intermediate players are divided with 15 studies in the first book and 15 in the second. Written in G key with up to 7 sharps, these studies will develop the technical skills and the sonority of the saxophonist. With breathing indications, it will help the players to advance in endurance too. Marcel Mule (1901-2001) is one of the greatest French saxophonist, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Eighteen Exercises or Studies or Daily Exercises After Terschack among others.
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| Price | $37.17 (Save: $4.13) |
One of the most famous melodies by Fauré is now available in arrangements for oboe, alto saxophone and trumpet.
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for alto saxophone and piano
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for alto saxophone and piano
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William Karlins wrote Impromptu for Alto Saxophone and Organ dedicated to Frederick Hemke. The organ part can be substituted with electronic keyboard or piano.
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Russian composer, Alexander Glazounov (1865-1936) was director of the Saint Petersburg Conservatory for a large part of his career. As a prolific composer, his works were always well-received, Concerto in E-flat for Alto Saxophone and String Orchestra being no exception. Glazounov's compositional style was particularly significant due to his successful reconciliation of nationalism and cosmopolitanism in Russian music. Composed in 1934, a typical performance of Concerto in E-flat for Alto Saxophone and String Orchestra last about fourteen minutes and is played without a pause. The work is highly romantic and remains part of the standard Saxophone repertoire. For all advanced saxophonists, Glazounov's Concerto in E-flat ensures a riveting and exciting performance for players and audiences alike.
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