A GRAND adventure awaits! This inventive, all-in-one intermediate course combines Lessons, Technique, Theory, and Performance into a single volume, complete with digital support. New arrangements of jazz standards and world-famous orchestral themes join time-tested keyboard classics and Faber originals. Acclaimed Technique Secrets and exercises develop artistry and pianism, while integrated Theory activities build skills in harmonic analysis, sightreading, ear-training, and improvisation. QR codes provide instant access to Model Performance Videos, offering expressive demonstrations and instructive commentary. Get ready to embark on a comprehensive musical journey!
Songs include: Ain't Misbehavin' • Allegro Grazioso (Biehl) • Arabesque (Burgmüller) • Aria: Bist Du Bei Mir (J.S. Bach) • Aurora Borealis • The Blue Danube • Bolero (Ravel) • Bourrée (Graupner) • Ceremony for Peace • Chanson • Dance in F Major (Mozart) • Distant Bells • Excalibur • French Minuet • Gigue in A Major • Grand Central Station • Great Barrier Reef • In the Hall of the Mountain King (Grieg) • Jupiter (Holst) • Maple Leaf Rag • Mazurka in F Major • Medieval Fair • Moonlight Sonata (Beethoven) • Passacaglia (Handel) • Prelude in C (J.S. Bach) • Puttin' on the Ritz • Seaside Suite: 1. Sailboats in the Wind • Seaside Suite: 2. Mysterious Cove • Seaside Suite: 3. Surfboards • Silver Rain Etude • Singin' in the Rain • Sonatina in C (Lynes) • Spring (from The Four Seasons) • The Spy • Three Blues Pieces for Piano: 1. New Orleans, 1928 • Three Blues Pieces for Piano: 2. Kansas City, 1928 • Three Blues Pieces for Piano: 3. Manhattan, 128 • Volga Boatmen • Wild Flowers.
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| List | $18.99 |
| Price | $17.09 (Save: $1.90) |
Bring the shimmering worlds of Studio Ghibli–and Joe Hisaishi's other beloved soundtracks–to your piano bench. This beautifully engraved volume gathers 12 signature themes in brand-new solo transcriptions that balance faithfulness to the originals with playability for intermediate to early-advanced pianists.
Why You'll Love It
Authentic sound. Licensed, carefully crafted arrangements preserve Hisaishi's luminous harmonies and sweeping lyricism. Player-friendly layout. Clear notation, roomy spacing, and practical fingering suggestions keep practice sessions smooth.
Perfect for recital programs, cozy home concerts, or simply losing yourself in anime nostalgia, The Joe Hisaishi Piano Solo Collection lets you relive the magic one keystroke at a time.
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| List | $22.99 |
| Price | $20.69 (Save: $2.30) |
Discover a soulful blend of tradition and jazz with Jazz Spirituals. Inside you'll find 23 engaging solo piano arrangements of beloved spirituals such as Wade in the Water, Swing Low, Sweet Chariot, and Joshua (Fit the Battle of Jericho), reimagined with rich jazz harmony and style.
Part of Hal Leonard's popular Jazz Piano Solos Series, these arrangements by Brent Edstrom are written for intermediate to advanced pianists and include chord symbols for impovisation. With more than 60 volumes available, the series offers an inspiring way for you to explore classic songs through the expressive sound of jazz piano.
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| List | $22.99 |
| Price | $20.69 (Save: $2.30) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
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| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
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| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
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| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
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| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
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| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
MORE»
| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
MORE»
| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
MORE»
| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
MORE»
| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
The “English Suites” number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach had in mind here. In his revision of the “English Suites”, editor Ullrich Scheideler was able to draw upon an exceptionally good source situation, even though no autograph has survived. Suite I in A major BWV 806 is taken from the complete volume HN 595. It is ideal for studying and teaching. The carefully thought-out fingering by Bach specialist Ekaterina Derzhavina contribute decisively to this. Authentic variants are made available to the player directly in the musical text. The edition contains an extensive preface which discusses in detail the background of the work's genesis and presents a clear overview of the source situation. An ideal introduction to the cosmos of Bach's “English” suites!
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| List | $11.95 |
| Price | $10.76 (Save: $1.19) |
This short but emphatic piano piece commemorates the 100th anniversary of the sovereignty of modern Turkey and the establishment of the Turkish National Assembly by Mustafa Kemal Atatürk on April 23, 1920.
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| List | $14.99 |
| Price | $13.49 (Save: $1.50) |
My Third Piano Sonata was written as a commission for a piano competition sponsored by the Kulturkreis der deutschen Industrie (Cultural Circle of the German Industry). The winner of this competition, the young Brazilian pianist Fabio Martino, premiered it on 9 October 2011 in Essens Philharmonie. Like my Second Sonata, the work is in one movement but, with a duration of ca. ten minutes, of smaller format. The pianistic demands, however, are comparable. This is also true of the form that, in turn, is not based on the dualistic principle that characterizes the classical sonata form, but rather on the principle of the “permanent development.” After a calm, freely fashioned, quasi “improvisational” introduction, the first elements of a tonal structure establish themselves at the beginning of the main section (quick tempo) in fast pendulum motions of minor and major seconds. This is made up of a total of thirty notes, divided into four groups of tones of different length out of which result the chords that essentially constitute the piece. Also in the translation of the tonal structure into a temporal structure (arrays of measures), the process resembles that employed in the Parita. The main part is divided into several sections and, analogous to this, passes through various stages of expression. Out of the alternation of the playful-virtuoso and lyrical-restrained moments as well as of the dramatic outbursts and an excessive intensification (toward the end), a form arises in which perhaps something of the “most intensity-rich human world in music,” as Ernst Bloch put it, is expressed, which was and is my primary goal in my works. - York Höller
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| List | $26.95 |
| Price | $24.26 (Save: $2.69) |
Ideophonies is a collection of pieces that are partially written in a conventional manner, where everything is fully notated, but they are enriched with short improvisational sections. In these sections, the performer, based on the given scale or mode, has the opportunity to create their own melody to the pre-written left-hand accompaniment. Most importantlyif the performer does not have an idea for their own original melody or does not yet feel confident enough to create one, each Ideophony includes an improvisational section at the end with a ready-made melodic suggestion that can be incorporated into the entire composition. Therefore, these pieces can be treated as fully notated compositions or as a basis for adding one's own ideas.
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| List | $40.00 |
| Price | $36.00 (Save: $4.00) |
The publication contains three waltzes composed by Juliusz Zarebski (1854–1885) in the years 1883–1885: Valse sentimentale op. 17, Valse-Caprice op. 24 and Valse op. 30. Zarebski's graceful, rather simple Waltzes op. 17 and 30 reveal their salon provenance.
Zarebski proposed in his works (especially in op. 17) very rich pedalling, often combining related harmonies and figurations following through neighbouring registers of the instrument. Due to differences in construction between 19th century and contemporary pianos, the musical effect of faithful application of the composer's pedalling would perhaps not correspond to his intentions - hence the proposals for additional changes to the pedal given in brackets. The edition also corrected textual errors of the first editions and proposed fingering.
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| List | $28.99 |
| Price | $26.09 (Save: $2.90) |
Discover a compelling new addition to the modern art song repertoire. Bell Tower and Other Art Songs brings together 35 beautifully crafted works by acclaimed composer and lyricist Georgia Stitt, setting texts by celebrated poets including Edna St. Vincent Millay, Langston Hughes, William Shakespeare, William Blake, and Derek Walcott.
Spanning a rich range of emotions and styles, these songs offer rewarding repertoire for advanced voice students, emerging professionals, and seasoned recital performers alike. Highlights include the poignant “Love After Love,” the powerful “Bloody Men,” the evocative title song “Let This Darkness Be a Bell Tower,” and selections from Stitt's acclaimed Alphabet City Cycle.
Georgia Stitt is an award-winning composer, lyricist, music producer, and pianist whose work spans Broadway, concert music, film, television, and choral repertoire. Her songs are celebrated for their expressive melodies, sophisticated storytelling, and deep emotional resonance.
An invaluable resource for singers and vocal instructors seeking contemporary art songs, this collection also includes access to downloadable PDF solo instrument parts for Alphabet City Cycle and “The Trumpet,” making performance preparation even more flexible and accessible.
Expand your recital repertoire with one of today's most distinctive voices in American song.
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| List | $34.99 |
| Price | $31.49 (Save: $3.50) |
The Symphony in B minor of 1905 is Kashperovas grandest composition, revisited by her in 1909 in order to transform the orchestral original into a large-scale concert work for solo piano. She may well have been prompted in this direction by Balakirev with whom she worked in close collaboration during the last two years of his life: in 1908 she gave the premiere of Balakirev's Second Piano Sonata, and in 1909 she gave the first performance of his Second Symphony in the composer's four-hand piano transcription alongside conductor/pianist Sergei Lyapunov. No record of a public performance of the Piano Symphony has been uncovered to date but Kashperova surely presented the work privately at her regular musical soirées in her St Petersburg apartment. The publication of the Piano Symphony as part of Dr Graham Griffiths's Kashperova Edition is a major rediscovery of a work which can now take its place alongside the symphonic solo keyboard works of Liszt, Rachmaninoff and Alkan.
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| List | $37.00 |
| Price | $33.30 (Save: $3.70) |
Christopher Norton's acclaimed microjazz series has won worldwide popularity with teachers and students alike for its stimulating blend of contemporary genres and classical values.
The microjazz duets collection 1 is a set of easy graded pieces in popular styles such as jazz, blues, rock 'n' roll and Latin. As well as being great fun, they are ideal for developing a good sense of rhythm and ensemble playing skills.
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| List | $25.99 |
| Price | $23.39 (Save: $2.60) |
Christopher Norton's acclaimed microjazz series has won worldwide popularity with teachers and students alike for its stimulating blend of contemporary genres and classical values.
The microjazz duets collection 2 is a set of easy graded pieces in popular styles such as jazz, blues, rock 'n' roll and Latin. As well as being great fun, they are ideal for developing a good sense of rhythm and ensemble playing skills
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| List | $25.99 |
| Price | $23.39 (Save: $2.60) |
Selections of individual numbers or scenes from large-scale stage works have always been a tried and tested means of making operas or incidental music accessible to a wider audience. Thus, even before the premiere of his ballet music to Shakespeare's “Romeo and Juliet” in Brno in 1938, Prokofiev put together two orchestral suites as well as a collection of ten piano pieces. Although the piano arrangement has to do without the richness of colour of the original orchestral sound, its powerful fundamental tone gives it its own unique appeal. The stylistic spectrum ranges from sensitive cantilenas to waves of sound with an impressionistic feel and garish cascades of chords. Impressive portraits and distinctive scenes such as Romeo's farewell to Juliet bring Shakespeares poetryto life, and the famous no. 6, “The Montagues and Capulets”, is of course a must!
Henle presents the first Urtext edition of the pieces – unquestionably a welcome addition to the Prokofiev titles in the blue covers. The fingerings are by Julius Asal, who made this piano cycle the centrepiece of his well-received debut recording.
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| List | $34.95 |
| Price | $31.46 (Save: $3.49) |
